The last speaker rehearsal before OPAL. Saved as played, not as I would have
written it: these are ear decisions and the ear was in the room.

desire.tidal — the "FIXME BASS!!!" is answered
  * 127 -> 128 BPM.
  * d4 Claude's-Gesture bass is now a TWO-STATE gesture instead of one line:
    `midiOn "^44"` takes the busy arpeggiated figure
    ("<[0 3 0@14] [0 <2 4> 0@14] [3 0 2@14] [0 3 <0 -3>@13 ~]>") and
    `midiOff "^44"` holds the sparse root ("0@5 0 <2 3> <1 0>"). One button now
    moves the bass between grounded and moving, which is what the track wanted.
  * d3 stops fighting itself: the 32-bar gain swell (range 1.3 1.6 saw * per-hit
    velocity) is parked as a flat `# gain 0.9` with the swell kept commented
    directly beneath it, and `legato` goes back to being a knob.
  * d5 named: "Piano Desirable show".

mafia_sans_serif.tidal — d7, the one that was "ACID WEIRD NOT GOOD": `slow 2`
  becomes `fast 2` and gain 1.1 -> 1.5. It sits up now.

you_my_sunshine / vague_de_crime — small level and structure trims from the
  Sunshine -> Vague seam work.

backlog.md — BPM annotations on the tail: Desire [129], le shifteur marteau
  [130], REVOLUTION [114]. backlog.md is the setlist SSOT (#123), so these are
  the numbers the tooling will read.

Recorded verbatim, INCLUDING two things I have not touched and am reporting
rather than silently fixing:
  * desire d3 now reads `# legato (range 0.05 0.9 "^18")` while the comment above
    it still says "^52: tightness". If ^18 belongs to another orbit's column that
    is the #54 borrowing problem live on stage — flagged, not edited.
  * NOTHING FROM TONIGHT WAS RECORDED. "Tidal Live" holds 120 wavs, newest dated
    2026-08-02 (Take95); zero files today, no open write fds. PLN: "forgot to
    record!" The basses above exist only as code. That is #37's whole reason for
    being, and it is now getting a red warning in the HUD.