chore(perfect): PLN's rehearsal keepers — BURN and DEEP, and d5 gets its filter back

Uncommitted after the Monday session. His, tuned by ear, and sitting only in the
working tree — the state that let a stale Pulsar buffer eat committed work twice.

  d3  gains `# att (range 0.2 1 "^31")`.
  d4  the two bus knobs SWAP: crushbus moves to ^52 and octersubbus to ^32, each
      now labelled in his own words ("BURN", "DEEP"). Both are legal d4 slots, so
      this is a taste decision about which hand reaches which effect, not a
      correction.
  d4  the two FIXME(#54) lines and the commented-out `octersubbus 43 ^17` are
      GONE. That was the third-effect overflow parked pending gSel; he resolved it
      by dropping the third effect instead of waiting for the fold.
  d5  `$ gM3` becomes `$ gM3 $ gF3` — the DJ filter is back on the SuperStars
      layer, replacing the commented `-- $ gF3 $ gMute3` above it.

Note the d4 swap is exactly the pair of slots that a buffer clobber has reverted
before (both effects landing on ^52). They are on ^52 and ^32 here — distinct, so
this is the healthy state, not the clobbered one.

live/midi/nova/remix/perfect.tidal

@@ -22,6 +22,7 @@ d3 $ gF1 $ gM2
   $ midiOn "^43" (ply "2 <2!3 [2|4|[4 8]]>")
   $ "~ h ~ h ~ h*<1!3 2> ~ h*<1 [1|2]>" 
   # "h2ogmhh" # n "<0!4 1!3 2>"
+  # att (range 0.2 1 "^31")
   # gain (1.4 * (range 0.9 1.2 perlin))
 d4 $ gF2 $ gM3
   $ midiOn "^76" (ply 4) -- HIGHER
@@ -39,27 +40,22 @@ d4 $ gF2 $ gM3
   # room 0.4 
   # sz 0.4
   # octersub 0.4
-  # crushbus 41 (range 16 4.5 "^32")
-  # octersubbus 42 (range 0 2.5 "^52")
-  -- FIXME(#54) d4 3rd+ effect: the grid gives d4 B4 + C4. Fold ^17 in via gSel rather than borrowing a column.
-  -- FIXME(#54) d4 drives more controls than the grid gives it (B4 + C4). ^17 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d4's own control.
-  -- # octersubbus 43 (range 0 5 "^17")
+  # crushbus 41 (range 16 4.5 "^52") -- BURN 
+  # octersubbus 42 (range 0 2.5 "^32") -- DEEP
   # cut 4 
   # gain 1.5
-d5 $ gM3 -- SuperStars
--- $ gF3 $ gMute3 -- COUNT TO SUPERSTARDOM
+d5 $ gM3 $ gF3 -- SuperStars
   -- $ slow 2
   $ midiOn "^33" (
     slice 16 "<<[0 1 2 3] [<0 10> <1 11> 10 11]> <[8 9 10 11] [<12!3 15> <13!3 15> <14 12> <15 13>]>>" 
     . (>| "perfect")
     )
   $ midiOn "^89" (ply "<2 4>")
-  -- FIXME(#54) d5 3rd+ effect: the grid gives d5 B5 + C5. Fold ^18 in via gSel rather than borrowing a column.
-  -- FIXME(#54) d5 drives more controls than the grid gives it (B5 + C5). ^18 now belongs to another orbit, so the line(s) below are COMMENTED OUT rather than left firing across columns. Nothing is lost — restore by removing the dashes once gSel folds this onto d5's own control.
   $ midiOn "^53" ( -- THE HIPS THE FACE THE LIPS THE MICROPHONE 
-    slice 4 "<0 1 0 1 2 2 [2 2] 3>"
+    -- fast 2 .
+    slice 4 "<0 1 0 0*4 0 1 [2 2] [3 ~]>"
     . (# n 14) . (|* gain 0.8)
-    )
+    ) 
   $ midiOn "^33" -- SUPERSTAR
     (
       midiOff "^89" (mask "<t f!3>" )
@@ -119,6 +115,7 @@ d8 $ gF1 $ gM2
   $ midiOff "^36" (
     slice 8 "0 1 <2!3 ~> <3!3 0> <4!3 1> 5 <6!12 ~!3 6*4> 7*<1 2 0 8>")
   $ midiOn "^36" (loopAt 2 . (# "jungle_breaks:19"))
+  $ midiOn "^56" (loopAt 2 . (# "jungle_breaks:45"))
   $ chop 8 
   $ loopAt 1 
   $ "breaks165"