Commit 346c6529 by PLN (Algolia)

feat(surface): column-align the whole OPAL set — 54 knobs move onto their own orbit's column

PLN gave the go and accepted the trade in his own words: "i agree for the trade and
change of knobs. i accept the fate! and truthful leds will help quick learn". The
faders were remapped this afternoon; doing the tracks now means his hands relearn
the surface ONCE, with four days to drill it, instead of learning an interim layout
this week and the real one after the gig.

    12 tracks, 54 substitutions, 5 gSel FIXMEs, 0 collisions

Each of d1-d8 now has its effect on its own B knob (and a second on its C knob for
d4-d8), directly above the fader that levels it. bombe_dj landed separately in
fdde0924 as the proof track.

== WHAT MADE THIS SAFE, AND IT IS NOT THE DIFF SIZE ==

The migrator computes each track's WHOLE permutation, prints it, then writes once.
That is not tidiness, it is correctness:

  * desire.tidal needs two genuine SWAPS — d7 ^55<->^35 and d8 ^56<->^36. Applied
    sequentially, the first move would overwrite the second's source and both
    controls would end up on one knob. Applied simultaneously they just exchange.
  * the same property dissolved the 34 "destination taken" clashes the naive
    costing reported: the corpus is uniformly off by one column, so every orbit
    wants the slot of the orbit below it, free only once that one moves too.
    Genuine collisions across all 13 tracks: zero.
  * the rewrite is scoped PER ORBIT. desire had ^19 driving both d7 and d9, which
    migrate to different destinations; a file-wide replace would have fused two
    gestures into one, silently.
  * commented-out ^NN refs are never touched — they are alternatives PLN
    re-enables mid-set, and rewiring them would break weeks from now with no trace.

== THE 5 OVERFLOWS, LEFT IN PLACE ON PURPOSE ==
perfect d4 ^17, perfect d5 ^18, mafia_sans_serif d7 ^19,
the_revolution_will_be_sampled d7 ^55, desire d3 ^52.
These orbits have three or more effect knobs; the grid honestly offers two (one for
d1-d3, whose C knob is a family DJ filter). Rather than spill them into a
neighbouring column and call the board aligned, each carries a FIXME(#54) pointing
at gSel. PLN: "if we have two effects, we consolidate via gSel indeed."

== VERIFICATION, AND ONE HONEST GAP ==
  pvlint                     13 tracks, 0 errors, 9 warnings (all pre-existing:
                             duplicate d5 declarations, one out-of-range sample
                             index — none introduced here)
  silent-eval --seeded       every BUILDABLE track's every declared orbit still
                             emits events, cold, against the seeded control map.
                             This is the check that would catch a renumber having
                             quietly emptied an orbit, and it is clean.
  surface-columns --knobs    77 knob renumbers -> 5 (exactly the gSel overflows)

THE GAP: the silent-eval harness cannot BUILD 3 of the 13 tracks — overlapping
IsString instances on chord literals, and an ambiguous `cutoff` between
Tidal.Context and Tidal.Params. I re-ran two of them from HEAD and they fail
identically there, so this migration did not cause it. But it means three tracks'
orbits are UNVERIFIED, and a harness that cannot build a track must never be read
as a pass. Filed separately.

Also fixed one stale comment of my own in desire.tidal: after the d7 swap the
NANANA knob is B7, not C7. A comment that lies about the layout is worse than none
when you are relearning the board.

Not committed here, deliberately: backlog.md and tools/at/fixtures/claude.tidal
carry PLN's own uncommitted edits.
parent fdde0924
......@@ -28,10 +28,11 @@ d3 $ gF1 $ gM1 -- OH/CY: Subtle offbeat hats, ^44 morphs to cymbal shimmer
(|* gain 0.94) . (# legato 0.2) . (# "h2ogmcy:1") . (# hpf 5000)
)
-- $ midiOff "^44" (mask "t(3,8)") -- OFF: sparse euclidean (subtle)
$ sometimesBy "^32" (ply "<2!3 [2 4]>") -- ^32: roll probability
$ sometimesBy "^31" (ply "<2!3 [2 4]>") -- ^32: roll probability
$ "~ h ~ h ~ h ~ <h!3 h*2>" -- offbeat pattern with flourish
# "h2ogmhh"
# n "~ 3 ~ 2 ~ 4 ~ <3!3 [3 6]>" -- varying openness per hit
-- FIXME(#54) d3 3rd+ effect: the grid gives d3 B3 only (C is a gF filter). Fold ^52 in via gSel rather than borrowing a column.
# legato (range 0.2 0.9 "^52") -- ^52: tightness
# cut "~ 3 ~ 3 ~ 3 ~ <3!3 [3 0]>" -- last hit: cut 0 = rings over bar boundary
# room (slow 32 $ range 0.2 0.45 saw) -- 32-bar: space grows (NOT dry!)
......@@ -45,7 +46,7 @@ d4 $ gF2 $ gM3 -- BASS (the FIXME): D minor, grounded in measured key (corr=0.90
$ midiOn "^45" (# crush 6)
$ note (scale "aeolian" "0 . 0*<1 2> . <0 3> . 0*<1 1 4>" + 2 - 12) -- +2 = D root
# s "supersaw" # voice 0.05
# lpf (range 300 1800 "^53") # resonance 0.2
# lpf (range 300 1800 "^32") # resonance 0.2
# gain 1.15
d6 $ gF1 $ gM2 -- ACID ARP: D minor, 4/16 square rises, ^59-driven
$ midiOn "^59" (arp "<up updown pinkyup speedupdown>")
......@@ -60,7 +61,7 @@ d5 $ gF3 $ gM3 --
$ "desire" # n "<1!4 2!4 3!7 4 3!6 2 2 3!7 4>"
# cut 5 # lpf 4000
# room 0.24 # sz 0.8
# octersubbus 51 (range 0 1.5 "^54")
# octersubbus 51 (range 0 1.5 "^33")
# delay "<0.2!3 0.8>"
# delayt 1 # delayfb 0.3
# gain 1.3
......@@ -85,9 +86,9 @@ d7 $ gF3 $ gM3 -- Voices
-- and d9's gain swell above. d9 moved to ^17 (its own A5 knob), so the two are no
-- longer one gesture. If that link was deliberate, say so and we restore it.
-- d7 also stacks ^91/^35/^59 — consolidate this lot into B7 (^35) via gSel.
$ midiOn "^55" (>| n "<11 12>") -- NANANA | C7 = d7's 2nd effect
$ midiOn "^35" (>| n "<10 ~>") -- FREE FROM DESIRE
$ midiOn ("^59" - "^35") ( -- Refrain
$ midiOn "^35" (>| n "<11 12>") -- NANANA | B7 = d7's primary effect
$ midiOn "^55" (>| n "<10 ~>") -- FREE FROM DESIRE
$ midiOn ("^59" - "^55") ( -- Refrain
(>| n "<10!4 11!4>")
) -- Refrain
$ midiOff "^59" ( -- Couplet
......@@ -104,8 +105,8 @@ d8 $ gF1 $ gM1
. (|* gain 1.2)
)
$ midiOff "^60" (mask "f(8,16)" . chop 16)
$ midiOn "^56" (# "jungle_breaks:7")
$ midiOn "^36" (# "jungle_breaks:37")
$ midiOn "^36" (# "jungle_breaks:7")
$ midiOn "^56" (# "jungle_breaks:37")
$ chop 16 $ "jungle_breaks:101"
# cut 8
-- FIXME Acid sth? <3
......
......@@ -37,8 +37,8 @@ d4 $ gF2 $ gM3
$ slow 2 $ note ("<[e3@7 f3]!4 [b2@7 c2]!4>")
# "moog:2"
# cut 4
# crushbus 41 (range 16 2.5 "^53")
# octerbus 42 (range 0 2.5 "^33")
# crushbus 41 (range 16 2.5 "^32")
# octerbus 42 (range 0 2.5 "^52")
# gain 1.1
d5 $ gF2 $ gM3 --
$ midiOn "^90" ((# n ("<0>" + "<0 0 0 [0 0 1 0] 3 5 4 5>"))
......@@ -56,7 +56,7 @@ d5 $ gF2 $ gM3 --
# room 0.4 # sz 0.6 #dry 1.3
# cut 5
# gain 1.4
# squizbus 51 (range 0 2.5 "^54")
# squizbus 51 (range 0 2.5 "^33")
d7 $ gF3 $ gM3 -- FIXME ACID WEIRD NOT GOOD
$ midiOn "^91" (ply 4)
-- $ slow 2
......@@ -66,9 +66,10 @@ d7 $ gF3 $ gM3 -- FIXME ACID WEIRD NOT GOOD
)
# "acidOto3091"
# cut 4
# crushbus 41 (range 16 2.5 "^53")
# octerbus 42 (range 0 2.5 "^33")
# crushbus 41 (range 16 2.5 "^35")
# octerbus 42 (range 0 2.5 "^55")
# gain 1.1
-- FIXME(#54) d7 3rd+ effect: the grid gives d7 B7 + C7. Fold ^19 in via gSel rather than borrowing a column.
# width (range 0 5 "^19")
d8 $ gF1 $ gM1
$ midiOn ("^60" - "^92") (mask "f(4,8)")
......
......@@ -28,7 +28,7 @@ d3 $ gF1 $ gM1
# gain 1.4
# room 0.3
# dry (slow 16 $ range 0.2 1.8 perlin)
# legato (range 0.05 2 "^52")
# legato (range 0.05 2 "^31")
# sz 0.4
d4 $ gF2 $ gM3
$ midiOn "^89" (struct "t . t(<1 3 5>,8)")
......@@ -42,8 +42,8 @@ d4 $ gF2 $ gM3
# "bassWarsaw"
-- |+ note 12.
# room 0.3
# crushbus 41 (range 16 3.5 "^53")
# octerbus 42 (range 0 1.85 "^33")
# crushbus 41 (range 16 3.5 "^32")
# octerbus 42 (range 0 1.85 "^52")
# room 0.2 # dry 1.2 # sz 0.7
# gain 1.4
d5 $ gF3 $ gM3 -- LE PIMENT BRESILIEN
......@@ -55,8 +55,8 @@ d5 $ gF3 $ gM3 -- LE PIMENT BRESILIEN
$ "gfunk_lead:2" # cut 5
# gain 1.7
# room 0.3
# octerbus 51 (range 0 1.4 "^54")
# octersubbus 52 (range 0 4 "^34")
# octerbus 51 (range 0 1.4 "^33")
# octersubbus 52 (range 0 4 "^53")
d7 $ gF3 $ gM3
$ midiOn "^91" (ply 2)
$ note ("[f3 cs3 c3 cs3 f3 cs3 <c3 f3> <cs3 fs3>]"
......@@ -65,7 +65,7 @@ d7 $ gF3 $ gM3
)
# "FMRhodes2"
# gain 1.8
# modIndex (range 0 16 "^55")
# modIndex (range 0 16 "^35")
-- # cut 9
d10 $ gF3 $ gM3 -- Menace
$ note "<bf3 ~ ~ <~ <[~!7 b3] [f4 cs4 c4 cs4 f4 cs4 c4 cs4]>>>"
......
......@@ -45,8 +45,8 @@ d4 $ gF2 $ gM3
$ note "[cf4 [f4 cf4 f4] <[<cs4 fs4> cs4]!3 fs4> bf3@2]"
# "giorgio_syn:43" # n (slow 16 $ "<47 48 47 46>")
# cut 40
# crushbus 41 (range 16 2.5 "^53")
# octerbus 42 (range 0 1.5 "^33")
# crushbus 41 (range 16 2.5 "^32")
# octerbus 42 (range 0 1.5 "^52")
# pan 0.2
# legato 1.5
# room 0.5
......@@ -72,16 +72,19 @@ d5 $ gF3 $ gM3
# "acidOto3092"
-- lagTime = 0.12, filterRange = 6, width = 0.51, rq = 0.3;
-- 18 │
# width (range 0.2 0.8 "^54") -- /!\ FIXME EXPLOSIF /!\
# filterRange (range 0 8 "^34")
# filterRange (range 0 8 "^34")
# width (range 0.2 0.8 "^33") -- /!\ FIXME EXPLOSIF /!\
# filterRange (range 0 8 "^53")
# filterRange (range 0 8 "^53")
# room 0.4 # dry 0.8
# gain 1.3
# octer 0.4
# att 0.01 # rel 10
-- # pan "[0.4|0.6]*8"
d8 $ gF1 $ gM1
$ midiOn "^36" (# "jungle_breaks:75")
$ midiOn "^92" (ply 4)
-- $ midiOff "^60" (mask "f(8,16)" . chop 8)
$ midiOff "^60" (slice 8 "<~!3 0> <1!3 ~> 2 <3!3 ~> 4 <5!3 ~> 6? 7*<1 2>" )
$ slice 8 "<~!3 0> <1!3 ~> 2 <3!3 ~> 4 <5!3 ~> 6? 7*<1 2>"
$ chop 16
$ loopAt 2
......
......@@ -10,9 +10,10 @@ let gMute3 = (midiOn "^75" (mask "f*16"))
let gM1 = gMask . gMute
let gM2 = gMask . gMute2
let gM3 = gMask . gMute3
let gF1 = (# djfbus 1 (range 0.05 0.95 "^49"))
let gF2 = (# djfbus 2 (range 0.05 0.95 "^50"))
let gF3 = (# djfbus 3 (range 0.05 0.95 "^51"))
-- gF1/gF2/gF3 deliberately NOT redefined here: use BootTidal's safe-at-centre
-- gDJF. The old local form (# djfbus N (range 0.05 0.95 "^NN")) is the #21/#48
-- footgun -- djf 0.05 is a ~26 Hz low-pass, i.e. total silence, and that is
-- where an untouched/low knob sits. Bypass is djf 0.5, the CENTRE.
d1 $ gF1 $ gMute2
$ fix ((# lpf 150) . (|* gain 0.93)) "kick:5"
$ midiOn "^42" (<| "k k k <k <k*2 [k k k ~]>>")
......@@ -31,7 +32,7 @@ d3 $ gF1 $ gM1 -- Highest hats
$ sometimesBy "0!3 <0 0.5>" (# n 12)
$ sometimesBy "0!3 <0.1 0>" (# n 13)
$ "~ d ~ d d d d*<1 1 2 1> d"
# "[rampleS34:6,clap]"
# "rampleS34:6"
# cut 3
# legato (range 0.28 1 sine)
# gain (1.1 * (range 0.85 1.05 (fast 4 perlin)))
......@@ -43,20 +44,21 @@ d4 $ gF2 $ gM3
$ midiOff "^57" (slow 2)
$ note "~ [a3 c4] ~ [e3 g3] ~ [a3 e3] ~ g3"
# "bassWarsaw" |- note 12
# cut 41 # gain (range 0.5 2 "^33")
# crushbus 43 (range 16 2.5 "^53")
# cut 41 # gain (range 0.5 2 "^32")
# crushbus 43 (range 16 2.5 "^52")
)
$ whenmod 4 3 (ply "1 2")
$ chop 8
$ loopAt 4
$ "no_sunshine:5"
# gain (1.8- 0.6 * "^33")
# gain (1.8- 0.6 * "^32")
# lpf 4000
# room 0.4 # sz 0.8
# delay 0.3 # delayt 0.25 # delayfb 0.5
-- # octersubbus 41 (range 0 2 "^53")
# crushbus 42 (range 16 2.5 "^53")
d5 $ gF3 $ gM3
# crushbus 42 (range 16 2.5 "^52")
d5 -- The Voice of Love
-- $ gF3 $ gM3
$ midiOn "^58" ( -- I KNOW
(# n "<16 ~!3>")
. (# cut 5)) -- FIXME VOICE OFF
......
......@@ -22,7 +22,7 @@ d3 $ gF1 $ gM1
$ midiOn "^44" (<| "h(4,8,1)")
$ midiOff "^44" (<| "hh(3,8) hh(<3 [3 5] 8>,8,1)")
$ "vec1_snare:11"
# legato (range 0.25 2 "^52")
# legato (range 0.25 2 "^31")
d4 $ gF2 $ gM3 -- WAP BASS
$ midiOn "^89" (
slice 8 ("~ 0 ~ 5 ~ 3 <~!4 5!4> <3!4 [3 0]!4>")
......@@ -32,7 +32,7 @@ d4 $ gF2 $ gM3 -- WAP BASS
slice 8 ("~ 0 <~ ~ 5 5> 3 <~ 0!3> <~!4 0!10 ~ 0*4> 5 <~ 5>")
-- $ (0.125 ~>) :
. (# gain 1.3 )
. (# crushbus 43 (range 16 3.4 "^53") )
. (# crushbus 43 (range 16 3.4 "^32") )
. (# lpf 3000)
-- . (# note "-12")
-- . ( #octersub 1.2)
......@@ -44,11 +44,11 @@ d4 $ gF2 $ gM3 -- WAP BASS
# cut 4
# gain 1.9
-- # room 0.4
# octersubsubbus 42 (range 0 1.4 "^53")
# octerbus 41 (range 0 1.4 "^53")
# octersubsubbus 42 (range 0 1.4 "^32")
# octerbus 41 (range 0 1.4 "^32")
d5 $ gF3 $ gMute3 -- WAP HOES v1 magic repeat
$ midiOn "^34" (# 7) -- FORCE INTRO
$ midiOff ("^34"+"^90") (slow 4)
$ midiOn "^33" (# 7) -- FORCE INTRO
$ midiOff ("^33"+"^90") (slow 4)
$ stut 4 1 1 -- Four repeats each
$ slow 4
$ midiOn "^58" (stut "4" 0.9 (fast 4 "e"))
......@@ -65,8 +65,8 @@ d5 $ gF3 $ gMute3 -- WAP HOES v1 magic repeat
# gain 1.4
d5 $ gF3 $ gMute3 -- WAP HOES v1 science of repeat
$ midiOn "^90" ((slice 4 "0*4"))
$ midiOn "^34" (# 7) -- FORCE INTRO
$ midiOff ("^34" + "^90") (slow 4) -- 4 bars
$ midiOn "^33" (# 7) -- FORCE INTRO
$ midiOff ("^33" + "^90") (slow 4) -- 4 bars
$ stut 4 1 1 -- Four repeats each
$ slow 4 -- times Four bits
$ midiOn "^58" (stut "4" 0.9 (fast 4 "e"))
......
......@@ -2,7 +2,7 @@ do
-- resetCycles
setcps (114/60/4)
d1 $ gF1 $ gM2
$ sometimesBy "^30" (fast 2)
$ sometimesBy "^29" (fast 2)
$ midiOn "^42" (<| "k k k k*2")
$ midiOff "^42" (<| "k . k(3,8)")
$ stack [
......@@ -42,8 +42,8 @@ d4 $ gF2 $ gM3
# gain 1.4
-- # room 0.3 # sz 0.3
-- # delay 0.6 # delayt 0.01 # delayfb 0.2
# crushbus 41 (range 16 3.5 "^53")
# bandf (range 50 1200 "^33")
# crushbus 41 (range 16 3.5 "^32")
# bandf (range 50 1200 "^52")
d5 $ gF3 $ gM3
$ slow 2 -- Adjusted to Sugar rhytm <3
$ midiOn "^90" (ply "<4!3 8>" . (# begin "0 <0 0.25> 0.5 0.5"))
......@@ -79,12 +79,13 @@ d5 $ gF3 $ gM3
d7 $ gF2 $ gM3 -- LEAD: Rhodes arp in D Dorian (i7 → IV7 → bIII → v)
$ midiOn "^59" (jux rev)
$ midiOff "^59" (degradeBy 0.15)
$ sometimesBy "^31" (# squiz "<1 2 3 1>")
$ sometimesBy "^35" (# squiz "<1 2 3 1>")
$ fast 2
$ arp "<up updown down converge up updown thumbup converge>"
$ note "<d3'min7 g3'7 f3'maj7 a3'min7>"
# s "FMRhodes1"
# cutoff (range 1200 4500 "^54")
# cutoff (range 1200 4500 "^55")
-- FIXME(#54) d7 3rd+ effect: the grid gives d7 B7 + C7. Fold ^55 in via gSel rather than borrowing a column.
# resonance (range 0.1 0.3 "^55")
# room 0.6 # sz 0.5
# delay 0.5 # delayt "q" # delayfb 0.35
......
......@@ -32,17 +32,17 @@ d3 $ gF1 $ gM1
# room 0.5
# dry (slow 16 $ range 0.2 1.8 perlin)
# sz 0.4
# legato (range 0.3 2 "^52")
# legato (range 0.3 2 "^31")
d5 $ gF3 $ gM3
$ midiOn "^18" (# n "15")
$ midiOn "^33" (# n "15")
$ midiOn "^90" (ply "<2 2 1 2 2 4 [4 2 8 4] 8>")
$ slice 4 "<0 1 2 3*<1!3 <2 4 [4 1]>>>"
$ midiOn "^34" (
$ midiOn "^53" (
mask "<t <f!4 t!4> <f t t t> <f!8 t!6 f t>>" .
(>| n (slow 8 $ "<18 19 20 21 22 23 24 26>"))
)
$ midiOn ("^58" - "^34") (>| n (slow 4 $ "<10 11 12 13 13 13 14 13 14 15 15 13 15 16 15 13>"))
$ midiOff ("^58" + "^34") (>| n (slow 4 $ "<9 9 10 9>"))
$ midiOn ("^58" - "^53") (>| n (slow 4 $ "<10 11 12 13 13 13 14 13 14 15 15 13 15 16 15 13>"))
$ midiOff ("^58" + "^53") (>| n (slow 4 $ "<9 9 10 9>"))
$ fix (|* gain 1.2) "take5:9"
$ "take5"
# cut 5
......@@ -59,7 +59,7 @@ d4 -- BASSLINE GENERATIVE
. (|+ note 12)
. (|* gain (slow 32 $ range 0.6 1.1 saw))
. (
# octersubbus 42 (range 0 3.5 "^33")
# octersubbus 42 (range 0 3.5 "^32")
)
))
$ struct "[t,[~ . t(<1 3 5>,8)]]"
......@@ -68,7 +68,7 @@ d4 -- BASSLINE GENERATIVE
# pan 0.4
# gain 1.4
# room 0.3
# crushbus 41 (range 16 3.5 "^53")
# crushbus 41 (range 16 3.5 "^52")
# room 0.2 # dry 1.2 # sz 0.7
# gain 1.8
d7 -- CHOEUR GENERATIF ALONG THE BASS
......@@ -77,7 +77,7 @@ d7 -- CHOEUR GENERATIF ALONG THE BASS
arp "up <up <converge pinkyup>>"
. (ply 2)
. (# pan "0.85 0.15")
. (|* gain (range 0.2 1.5 "^55"))
. (|* gain (range 0.2 1.5 "^35"))
. (|+ note 12)
)
)
......@@ -86,7 +86,7 @@ d7 -- CHOEUR GENERATIF ALONG THE BASS
-- # pan 0.4
# gain 1.4
# room 0.3
# crushbus 41 (range 16 3.5 "^53")
# crushbus 41 (range 16 3.5 "^55")
# room 0.2 # dry 1.2 # sz 0.7
# gain 1.4
# pan 0.4
......
......@@ -47,19 +47,22 @@ d4 $ gF2 $ gM3
# room 0.4
# sz 0.4
# octersub 0.4
# crushbus 41 (range 16 4.5 "^53")
# octersubbus 42 (range 0 2.5 "^33")
# crushbus 41 (range 16 4.5 "^32")
# octersubbus 42 (range 0 2.5 "^52")
-- FIXME(#54) d4 3rd+ effect: the grid gives d4 B4 + C4. Fold ^17 in via gSel rather than borrowing a column.
# octersubbus 43 (range 0 5 "^17")
# cut 4
# gain 1.5
d5 $ gF3 $ gM3 -- COUNT TO SUPERSTARDOM
d5
-- $ gF3 $ gMute3 -- COUNT TO SUPERSTARDOM
-- $ slow 2
$ midiOn "^29" (
$ midiOn "^33" (
slice 16 "<<[0 1 2 3] [<0 10> <1 11> 10 11]> <[8 9 10 11] [<12!3 15> <13!3 15> <14 12> <15 13>]>>"
. (>| "perfect")
)
$ midiOn "^90" (ply "<2 4>")
$ midiOn ("^34" - "^18") ( -- THE HIPS THE FACE THE LIPS THE MICROPHONE
-- FIXME(#54) d5 3rd+ effect: the grid gives d5 B5 + C5. Fold ^18 in via gSel rather than borrowing a column.
$ midiOn ("^53" - "^18") ( -- THE HIPS THE FACE THE LIPS THE MICROPHONE
slice 4 "<0 1 0 1 2 2 [2 2] 3>"
. (# n 14) . (|* gain 0.8)
)
......@@ -76,7 +79,7 @@ d5 $ gF3 $ gM3 -- COUNT TO SUPERSTARDOM
)
$ midiOn ("^58") ( -- Slice 1 2 3 4!
slice 8 "<[0 1] [0 1] [0 0 <0 1> <1 0>] [2 3]>" )
$ midiOff ("^58"+"^29" + "^34") ( -- WATCH ME WORK IT
$ midiOff ("^58"+"^33" + "^53") ( -- WATCH ME WORK IT
slice 8 "<[0 1] [2 3] [4 5] [6 <7 <6 6*2>>]>"
)
$ "perfect"
......@@ -119,9 +122,9 @@ d12 $ gF3 $ gM3 -- Acid techno arp with structured rhythms
# room 0.2 # sz 0.3
d8 $ gF1 $ gM1
$ midiOff "^60" (mask "t(<4 [<2 4> 8]>,8,1)" . chop 8)
$ midiOff "^56" (
$ midiOff "^36" (
slice 8 "0 1 <2!3 ~> <3!3 0> <4!3 1> 5 <6!12 ~!3 6*4> 7*<1 2 0 8>")
$ midiOn "^56" (loopAt 2 . (# "jungle_breaks:19"))
$ midiOn "^36" (loopAt 2 . (# "jungle_breaks:19"))
$ chop 8
$ loopAt 1
$ "breaks165"
......@@ -138,7 +141,7 @@ d9 $ gF2 $ gM3-- slow arpeggiated synth, high register
# delay 0.5 # delaytime (1/3) # delayfb 0.4
# lpf 1400
# cut 9
d10 -- Euclidian mid arpss
d10 $ gF2 $ gM3-- Euclidian mid arpss
$ struct "t(5,8,2)"
$ note (slow 2 $ "<bf3 cs4 ef3 bf3>" + "<0 7 12>")
# s "moogBass"
......
......@@ -26,8 +26,8 @@ d4 $ gF2 $ gM3
$ "superfreak:1"
# cut 4
# gain 1.3
# crushbus 41 (range 16 2.5 "^53")
# octerbus 42 (range 0 1.13 "^33")
# crushbus 41 (range 16 2.5 "^32")
# octerbus 42 (range 0 1.13 "^52")
# room 0.4
d5 $ gF3 $ gM3
$ midiOn "^90" (ply 8)
......
......@@ -4,7 +4,7 @@ setcps (89/60/4)
d1 $ fast 2
$ gF1 $ gMute2
-- $ midiOff "^42" (<| "<k [~!7 k*<1 2>]>")#
$ midiOn "^30" (# "jazz:0")
$ midiOn "^29" (# "jazz:0")
$ midiOff "^42" (<| "k . ~ k ~ ~")
$ midiOn "^42" (<| "k k . k <k [~ k] k k*2>")
$ "[popkick:2,kick:5]"
......@@ -31,8 +31,8 @@ d4 $ gF2 $ gM3
$ note "[<as2 cs3 f3 cs3> <b2 ef3 fs3 b2>@7]"
# "bassWarsaw" # cut 4
# room 0.4 # sz 0.8 # dry 0.9
# octersubbus 42 (range 0 1.8 "^33")
# crushbus 41 (range 16 4.5 "^53")
# octersubbus 42 (range 0 1.8 "^32")
# crushbus 41 (range 16 4.5 "^52")
# gain 1.5
d5 $ gF3 $ gM3
$ midiOn "^90" ((# begin "0 0.5") . ply "<4!7 [8 16]>")
......@@ -42,9 +42,9 @@ d5 $ gF3 $ gM3
# gain 1.3
# dry 1.3 # sz 0.8 # room 0.4
# pan "0.3!3 0.7"
# octersubbus 51 (range 0 0.8 "^34")
# octerbus 52 (range 0 0.4 "^34")
# crushbus 53 (range 16 5 "^54")
# octersubbus 51 (range 0 0.8 "^33")
# octerbus 52 (range 0 0.4 "^33")
# crushbus 53 (range 16 5 "^53")
d7 $ gF3 $ gM3
$ midiOn "^35" (# n 3)
$ midiOn "^91" (ply "<4!3 [8 16]>")
......
......@@ -8,7 +8,7 @@ d1 $ gMute2 $ gF1 -- Kick solide
$ midiOn "^42" (struct "t t t t*<1!6 2 2>")
$ midiOff "^42" (<| "k . ~ <~!3 k> ~ ~")
$ "[kick:4,jazz]"
# gain 1.3
# gain 1
d2 $ gF1 $ gM1 $ "~ c . <[~ c ~ c] [<c ~ ~ c> <~ c ~ c> . ~]>"
# "cp" # gain 1.1
# lpf 2000
......@@ -29,8 +29,8 @@ d4
# n "<5!4 6!4>" # cut 4
# lpf 2000 # octersub 0.8
# gain 1.4
# crushbus 41 (range 11 3.13 "^53")
# octersubbus 42 (range 0 2.13 "^33")
# crushbus 41 (range 11 3.13 "^32")
# octersubbus 42 (range 0 2.13 "^52")
# room 0.3 # sz 0.3 # dry 1.13
d5 $ gM3 $ gF3 -- THIS SYNTH IS A CRIME <3
$ slice 16 (slow 4 $ run 16)
......@@ -64,7 +64,7 @@ d7 $ gM3 $ gF3 -- DARK LIPS <3
d8 $ gF1 $ gM1 $ chop 8 $ loopAt 2 -- FIXME IMPORT RICHER STACK OF BREAKS
$ "jungle_breaks:74"
# cut 8
d10 $ gF1 $ gM1 $ mask "<t f!7>" $ "risers:8"
d10 $ gF1 $ gM1 $ mask "<t f!7>" $ "risers:8" -- safe riser
d6 $ gF3 $ gM3 $ slice 4 "<0 1 2 <3 3*2>>"
$ "crimewave:15"
# cut 9
......@@ -73,10 +73,3 @@ d6 $ gF3 $ gM3 $ slice 4 "<0 1 2 <3 3*2>>"
# octersub 0.6
# gain 1.5
# lpf 4000
d6 $ "crimewave" # cut 6
once $ "crimewave:23" # cut 6
# gain 1.3
# octersub 0.6 # room 0.3 # sz 0.3 # dry 0.8
# pan 0.4
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