From c030e3a99e0e1123d14278be5836766ce023d246 Mon Sep 17 00:00:00 2001
From: Paul-Louis NECH <pln@algolia.com>
Date: Fri, 5 Feb 2021 12:35:12 +0100
Subject: [PATCH] Etude cosmos

---
 live/transe/cosmos.tidal | 109 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
 1 file changed, 109 insertions(+)
 create mode 100644 live/transe/cosmos.tidal

diff --git a/live/transe/cosmos.tidal b/live/transe/cosmos.tidal
new file mode 100644
index 0000000..1dbb5e8
--- /dev/null
+++ b/live/transe/cosmos.tidal
@@ -0,0 +1,109 @@
+-- Nothing
+-- Intro LPF
+-- Full kick+bassline, noises
+-- Full bassline + snare/drums
+-- Drop
+-- Bridge synth lead/arpegg + kick only
+-- [Trance Tips](https://www.musicradar.com/tuition/tech/26-trance-tips-34006)
+
+once $ "bev"
+
+
+-- Copycat Cosmosis
+do
+resetCycles
+setcps (135/60/4)
+once -- INTRO NOISE!
+    $ (# delay 0.6)
+    $ superimpose (
+        (# "trump:6") . (# room 1) . (# sz 0.9) . (# legato 2) . (#gain 0.25))
+    $ note ("a3") # "supergong" # gain 0.45 # voice 0.5 # decay 0.8 # room 0.6
+d1 $ mask "<f!8 t!24 t f!3>" $ "kick:5*4"
+  # gain 0.75
+  # lpf 200
+d2 -- Snare + metal hihats
+  $ mask "<f!12 t!20>"
+  $ superimpose (
+    const
+      $ struct "~ ~ t ~"
+      $ slice 8 "2"
+      $ "break" # cut 1
+      # release 0.6
+      # gain 0.5)
+  $ "[~ s]*2" # "snare:1" # gain 0.65 # lpf 5000 # room 0.8 # dry 0.99
+d3
+  $ note "<[a2 b2 ~ ~ . b2 <a2 ~> a2 b2 ~!4]!16 [[~ <g2!8 a2!8>*2]*4]!16>" -- Ritournelle / FULLON
+  -- $ note ("[~ ~ g2 g2]*4") -- FULLON
+  -- $ note "a2 b2 ~ ~ . b2 a2 a2 b2 ~!4" -- Ritournelle
+  -- $ note ("a2*<1!3 2> b2 [a2 b2] [~ <~!8 <b2!7 a2>!8>]")  -- Loopable
+  # "supersaw"
+  # cut 1
+  # gain 0.45
+  # voice 0.1
+  # room 0.1 # sz 0.2 # dry 1
+  # lpf 5000
+d4 -- Hats second half each part
+  $ mask "<f!16 t!16>"
+  $ "<~!8 h 1!7> h ~ h*<1 2> ~ h*<1 1 2 1> ~ h*<1 1 1 2>"
+  # "ho:1"
+  # room 0.2 # sz 0.8 # dry 1
+  # gain (slow 32 $ range 0.3 0.45 saw)
+  # pan (slow 16 $ range 0.6 0.8 saw)
+d5 -- Arps post-drop!
+  $ mask "<f!32 t!32>"
+  $ juxBy 0.9 (ply 2 . rev)
+  $ off "h" (|* gain 0.9)
+  $ off "q" (# room 0.3)
+  $ note ("[b4 d5 ff5 gf5 <g5!3 a5>] ~ ~")
+  # pan 0.4
+  # "FMRhodes1" # gain 0.8
+d9 -- Voice bridge
+  $ mask "<f!32 f!16 t!16>"
+  $ every' 4 3 ((# note 2))
+  $ "pad:2"
+  # cut 1
+  # gain "<0.35!3 0.4 0.4!4>"
+d10 -- BG NOISES
+  $ loopAt 4
+  $ "abstract:21"
+  # gain (0.75 * "<0.7 0.8 0.9 1>")
+  # cut 2
+d6 -- Lead saw -- TODO REWORK
+  $ mask "<f!28 t!20 f!8 t!24>"
+  $ whenmod 64 48 (striate 2 . ply (slow 4 "<1 2 4>")) -- FASTER!
+  $ note "c d ~ <c!4 f!4> d <~!8 d!4 ~ d!3> <c!3 d> d*2"
+  -- $ note ("<c!3 d>(3,8)") --
+  # octave 4
+  # "supersaw"
+  # phaserdepth (slow 8 $ range 0 10 sine)
+  # phasr (slow 16 $ range 0 10 saw)
+  # voice "0.1!3 0.7"
+  -- # accelerate "<0!28 0.14 0.28 0.28 0.25>"
+  # pan 0.8
+  -- # semitone ("<<12 24> <36 36>>")
+  # resonance 0.3
+  # lfo (slow 8 saw)
+  # gain 0.4
+
+
+    accelerate (0) pitch glide
+    semitone (12) how far off in pitch the secondary oscillator is (need not be integer)
+    resonance (0.2) filter resonance
+    lfo (1) how much the LFO affects the filter frequency
+    rate (1) LFO rate
+    pitch1 (1) filter frequency scaling multiplier, the frequency itself follows the pitch set by “n”
+  -- Wind
+  -- OMINOUS Door closing?
+  -- Whoosh windy aerial voice like "Oh."
+
+
+
+once $ slice 4 3 $ "cosmicg:2" # gain 0.5 --etincelle
+
+
+
+  d4
+    -- $ note ("<a3!4 c3!4>")
+    $ note "a3"
+    # "moogBass"
+    # gain 0.95
--
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