diff --git a/PatchBay_MultiChannel.xml b/PatchBay_MultiChannel.xml new file mode 100644 index 0000000..d2fdeed --- /dev/null +++ b/PatchBay_MultiChannel.xml @@ -0,0 +1,339 @@ + + + + + out_1 + out_2 + out_3 + out_4 + out_5 + out_6 + out_7 + out_8 + out_9 + out_10 + out_11 + out_12 + out_13 + out_14 + out_15 + out_16 + out_17 + out_18 + out_19 + out_20 + out_21 + out_22 + out_23 + out_24 + + + LTC\-Out + Click\/audio_out\ 1 + Click\/audio_out\ 2 + Master\/audio_out\ 1 + Master\/audio_out\ 2 + Monitor\/audio_out\ 1 + Monitor\/audio_out\ 2 + Tidal\ 1\/audio_out\ 1 + Tidal\ 1\/audio_out\ 2 + Tidal\ 2\/audio_out\ 1 + Tidal\ 2\/audio_out\ 2 + Tidal\ 3\/audio_out\ 1 + Tidal\ 3\/audio_out\ 2 + Tidal\ 4\/audio_out\ 1 + Tidal\ 4\/audio_out\ 2 + Keys\/audio_out\ 1 + Keys\/audio_out\ 2 + Tidal\ 6\/audio_out\ 1 + Tidal\ 6\/audio_out\ 2 + Tidal\ 7\/audio_out\ 1 + Tidal\ 7\/audio_out\ 2 + Tidal\ 8\/audio_out\ 1 + Tidal\ 8\/audio_out\ 2 + Tidal\ 9\/audio_out\ 1 + Tidal\ 9\/audio_out\ 2 + Tidal\ 10\/audio_out\ 1 + Tidal\ 10\/audio_out\ 2 + Tidal\ 11\/audio_out\ 1 + Tidal\ 11\/audio_out\ 2 + Tidal\ 12\/audio_out\ 1 + Tidal\ 12\/audio_out\ 2 + Tidal\ 5\/audio_out\ 1 + Tidal\ 5\/audio_out\ 2 + Kick\/audio_out\ 1 + Kick\/audio_out\ 2 + send\ 1\/audio_send\ 1 + send\ 1\/audio_send\ 2 + send\ 2\/audio_send\ 1 + send\ 2\/audio_send\ 2 + Percs\/audio_out\ 1 + Percs\/audio_out\ 2 + Bass\/audio_out\ 1 + Bass\/audio_out\ 2 + Leads\/audio_out\ 1 + Leads\/audio_out\ 2 + Other\/audio_out\ 1 + Other\/audio_out\ 2 + auditioner\/audio_out\ 1 + auditioner\/audio_out\ 2 + + + monitor_FL + monitor_FR + + + Master\/audio_out\ 1 + Master\/audio_out\ 2 + Tidal\ 1\/audio_out\ 1 + Tidal\ 1\/audio_out\ 2 + Tidal\ 2\/audio_out\ 1 + Tidal\ 2\/audio_out\ 2 + Tidal\ 3\/audio_out\ 1 + Tidal\ 3\/audio_out\ 2 + Tidal\ 4\/audio_out\ 1 + Tidal\ 4\/audio_out\ 2 + Keys\/audio_out\ 1 + Keys\/audio_out\ 2 + Tidal\ 6\/audio_out\ 1 + Tidal\ 6\/audio_out\ 2 + Tidal\ 7\/audio_out\ 1 + Tidal\ 7\/audio_out\ 2 + Tidal\ 8\/audio_out\ 1 + Tidal\ 8\/audio_out\ 2 + Tidal\ 9\/audio_out\ 1 + Tidal\ 9\/audio_out\ 2 + Tidal\ 10\/audio_out\ 1 + Tidal\ 10\/audio_out\ 2 + Tidal\ 5\/audio_out\ 1 + Tidal\ 5\/audio_out\ 2 + Kick\/audio_out\ 1 + Kick\/audio_out\ 2 + send\ 1\/audio_send\ 1 + send\ 1\/audio_send\ 2 + send\ 2\/audio_send\ 1 + send\ 2\/audio_send\ 2 + Percs\/audio_out\ 1 + Percs\/audio_out\ 2 + Bass\/audio_out\ 1 + Bass\/audio_out\ 2 + Leads\/audio_out\ 1 + Leads\/audio_out\ 2 + Other\/audio_out\ 1 + Other\/audio_out\ 2 + auditioner\/audio_out\ 1 + auditioner\/audio_out\ 2 + + + Monitor\/audio_out\ 1 + Monitor\/audio_out\ 2 + + + Midi\ Through\:\(capture_0\)\ Midi\ Through\ Port\-0 + SuperCollider\:\(capture_3\)\ out0 + Launch\ Control\ XL\ 1\:\(capture_0\)\ Launch\ Control\ XL\ Launch\ Contro + Launch\ Control\ XL\ 1\:\(capture_1\)\ Launch\ Control\ XL\ Launch\ Contro + + + MMC\ out + Scene\ out + x\-virtual\-keyboard + MTC\ out + MIDI\ Clock\ out + Keys\/midi_out\ 1 + + + x\-virtual\-keyboard + + + Midi\ Through\:\(capture_0\)\ Midi\ Through\ Port\-0 + Launch\ Control\ XL\ 1\:\(capture_0\)\ Launch\ Control\ XL\ Launch\ Contro + Launch\ Control\ XL\ 1\:\(capture_1\)\ Launch\ Control\ XL\ Launch\ Contro + + + Midi\ Through\ Port\-0 + + + Launch\ Control\ XL\ Launch\ Contro + Launch\ Control\ XL\ Launch\ Contro + + + out0 + + + + + playback_FL + playback_FR + + + in_1 + in_2 + + + physical_audio_input_monitor_enable + LTC\ in + Master\/audio_in\ 1 + Master\/audio_in\ 2 + Monitor\/audio_in\ 1 + Monitor\/audio_in\ 2 + Tidal\ 1\/audio_in\ 1 + Tidal\ 1\/audio_in\ 2 + Tidal\ 2\/audio_in\ 1 + Tidal\ 2\/audio_in\ 2 + Tidal\ 3\/audio_in\ 1 + Tidal\ 3\/audio_in\ 2 + Tidal\ 4\/audio_in\ 1 + Tidal\ 4\/audio_in\ 2 + Tidal\ 6\/audio_in\ 1 + Tidal\ 6\/audio_in\ 2 + Tidal\ 7\/audio_in\ 1 + Tidal\ 7\/audio_in\ 2 + Tidal\ 8\/audio_in\ 1 + Tidal\ 8\/audio_in\ 2 + Tidal\ 9\/audio_in\ 1 + Tidal\ 9\/audio_in\ 2 + Tidal\ 10\/audio_in\ 1 + Tidal\ 10\/audio_in\ 2 + Tidal\ 11\/audio_in\ 1 + Tidal\ 11\/audio_in\ 2 + Tidal\ 12\/audio_in\ 1 + Tidal\ 12\/audio_in\ 2 + Tidal\ 5\/audio_in\ 1 + Tidal\ 5\/audio_in\ 2 + Kick\/audio_in\ 1 + Kick\/audio_in\ 2 + Percs\/audio_in\ 1 + Percs\/audio_in\ 2 + SC\ Percs\/ACE\ Compressor\ \(stereo\)\ 43\/audio_in\ 1 + Bass\/audio_in\ 1 + Bass\/audio_in\ 2 + SC\ Bass\/ACE\ Compressor\ \(stereo\)\ 41\/audio_in\ 1 + Leads\/audio_in\ 1 + Leads\/audio_in\ 2 + Other\/audio_in\ 1 + Other\/audio_in\ 2 + + + Tidal\ 1\/audio_in\ 1 + Tidal\ 1\/audio_in\ 2 + Tidal\ 2\/audio_in\ 1 + Tidal\ 2\/audio_in\ 2 + Tidal\ 3\/audio_in\ 1 + Tidal\ 3\/audio_in\ 2 + Tidal\ 4\/audio_in\ 1 + Tidal\ 4\/audio_in\ 2 + Tidal\ 5\/audio_in\ 1 + Tidal\ 5\/audio_in\ 2 + Tidal\ 6\/audio_in\ 1 + Tidal\ 6\/audio_in\ 2 + Tidal\ 7\/audio_in\ 1 + Tidal\ 7\/audio_in\ 2 + Tidal\ 8\/audio_in\ 1 + Tidal\ 8\/audio_in\ 2 + Tidal\ 9\/audio_in\ 1 + Tidal\ 9\/audio_in\ 2 + Tidal\ 10\/audio_in\ 1 + Tidal\ 10\/audio_in\ 2 + Tidal\ 11\/audio_in\ 1 + Tidal\ 11\/audio_in\ 2 + Tidal\ 12\/audio_in\ 1 + Tidal\ 12\/audio_in\ 2 + + + Monitor\/audio_in\ 1 + Monitor\/audio_in\ 2 + Kick\/audio_in\ 1 + Kick\/audio_in\ 2 + Percs\/audio_in\ 1 + Percs\/audio_in\ 2 + Percs\/audio_in\ 1 + Percs\/audio_in\ 2 + Bass\/audio_in\ 1 + Bass\/audio_in\ 2 + Leads\/audio_in\ 1 + Leads\/audio_in\ 2 + Bass\/audio_in\ 1 + Bass\/audio_in\ 2 + Leads\/audio_in\ 1 + Leads\/audio_in\ 2 + Percs\/audio_in\ 1 + Percs\/audio_in\ 2 + Other\/audio_in\ 1 + Other\/audio_in\ 2 + Leads\/audio_in\ 1 + Leads\/audio_in\ 2 + Bass\/audio_in\ 1 + Bass\/audio_in\ 2 + Master\/audio_in\ 1 + Master\/audio_in\ 2 + SC\ Bass\/ACE\ Compressor\ \(stereo\)\ 41\/audio_in\ 1 + SC\ Bass\/ACE\ Compressor\ \(stereo\)\ 41\/audio_in\ 1 + SC\ Percs\/ACE\ Compressor\ \(stereo\)\ 43\/audio_in\ 1 + SC\ Percs\/ACE\ Compressor\ \(stereo\)\ 43\/audio_in\ 1 + Master\/audio_in\ 1 + Master\/audio_in\ 2 + Master\/audio_in\ 1 + Master\/audio_in\ 2 + Master\/audio_in\ 1 + Master\/audio_in\ 2 + Master\/audio_in\ 1 + Master\/audio_in\ 2 + Monitor\/audio_in\ 1 + Monitor\/audio_in\ 2 + + + Midi\ Through\:\(playback_0\)\ Midi\ Through\ Port\-0 + SuperCollider\:\(playback_0\)\ in0 + SuperCollider\:\(playback_1\)\ in1 + SuperCollider\:\(playback_2\)\ in2 + Launch\ Control\ XL\ 1\:\(playback_0\)\ Launch\ Control\ XL\ Launch\ Contro + Launch\ Control\ XL\ 1\:\(playback_1\)\ Launch\ Control\ XL\ Launch\ Contro + + + physical_midi_input_monitor_enable + MTC\ in + MIDI\ Clock\ in + MMC\ in + Scene\ in + Cue\ Control\ in + Keys\/midi_in\ 1 + + + Keys\/midi_in\ 1 + + + physical_midi_input_monitor_enable + physical_midi_input_monitor_enable + physical_midi_input_monitor_enable + + + Midi\ Through\ Port\-0 + + + Launch\ Control\ XL\ Launch\ Contro + Launch\ Control\ XL\ Launch\ Contro + + + in0 + in1 + in2 + + + in2 + + + input + + + + + + + + + + + + + diff --git a/PatchBay_Perf.xml b/PatchBay_Perf.xml index b9f1479..79685e5 100644 --- a/PatchBay_Perf.xml +++ b/PatchBay_Perf.xml @@ -1,5 +1,5 @@ - + capture_FL @@ -155,18 +155,18 @@ - - - - - - - - - - - - + + + + + + + + + + + + diff --git a/PatchBay_Perf5.1.xml b/PatchBay_Perf5.1.xml new file mode 100644 index 0000000..2ca119f --- /dev/null +++ b/PatchBay_Perf5.1.xml @@ -0,0 +1,172 @@ + + + + + capture_FL + capture_FR + + + out_1 + out_2 + + + auditioner\/audio_out\ 2 + auditioner\/audio_out\ 1 + Tidal\/audio_out\ 1 + Tidal\/audio_out\ 2 + Master\/audio_out\ 1 + Click\/audio_out\ 2 + Click\/audio_out\ 1 + LTC\-Out + Master\/audio_out\ 2 + + + monitor_FL + monitor_FR + + + auditioner\/audio_out\ 2 + auditioner\/audio_out\ 1 + Master\/audio_out\ 1 + Master\/audio_out\ 2 + + + Tidal\/audio_out\ 1 + Tidal\/audio_out\ 2 + + + Midi\ Through\:\(capture_0\)\ Midi\ Through\ Port\-0 + Launch\ Control\ XL\:\(capture_0\)\ Launch\ Control\ XL\ Launch\ Contro + Launch\ Control\ XL\:\(capture_1\)\ Launch\ Control\ XL\ Launch\ Contro + SuperCollider\:\(capture_5\)\ out0 + SuperCollider\:\(capture_6\)\ out1 + SuperCollider\:\(capture_7\)\ out2 + + + MIDI\ Clock\ out + MTC\ out + x\-virtual\-keyboard + Scene\ out + MMC\ out + + + Launch\ Control\ XL\:\(capture_0\)\ Launch\ Control\ XL\ Launch\ Contro + Launch\ Control\ XL\:\(capture_1\)\ Launch\ Control\ XL\ Launch\ Contro + + + Midi\ Through\ Port\-0 + + + Launch\ Control\ XL\ Launch\ Contro + Launch\ Control\ XL\ Launch\ Contro + + + out0 + out1 + out2 + + + + + playback_FL + playback_FR + + + in_1 + in_2 + + + physical_audio_input_monitor_enable + LTC\ in + SC\ Tidal\/ACE\ Compressor\ \(stereo\)\ 1\/audio_in\ 1 + Tidal\/audio_in\ 2 + Tidal\/audio_in\ 1 + Master\/audio_in\ 2 + Master\/audio_in\ 1 + + + playback_FR + playback_FL + playback_FL + playback_FR + + + Tidal\/audio_in\ 1 + Tidal\/audio_in\ 2 + + + Master\/audio_in\ 1 + Master\/audio_in\ 2 + + + physical_audio_input_monitor_enable + physical_audio_input_monitor_enable + + + Midi\ Through\:\(playback_0\)\ Midi\ Through\ Port\-0 + Launch\ Control\ XL\:\(playback_0\)\ Launch\ Control\ XL\ Launch\ Contro + Launch\ Control\ XL\:\(playback_1\)\ Launch\ Control\ XL\ Launch\ Contro + SuperCollider\:\(playback_0\)\ in0 + SuperCollider\:\(playback_1\)\ in1 + SuperCollider\:\(playback_2\)\ in2 + SuperCollider\:\(playback_3\)\ in3 + SuperCollider\:\(playback_4\)\ in4 + aseqdump\:\(playback_0\)\ aseqdump + + + physical_midi_input_monitor_enable + MIDI\ Clock\ in + MTC\ in + Scene\ in + MMC\ in + + + physical_midi_input_monitor_enable + physical_midi_input_monitor_enable + + + Midi\ Through\ Port\-0 + + + Launch\ Control\ XL\ Launch\ Contro + Launch\ Control\ XL\ Launch\ Contro + + + in0 + in1 + in2 + in3 + in4 + + + aseqdump + + + in3 + in4 + + + input + input + + + in2 + + + + + + + + + + + + + + + + + + + diff --git a/live/collab/please_die/concombre.tidal b/live/collab/please_die/concombre.tidal deleted file mode 100644 index 1897311..0000000 --- a/live/collab/please_die/concombre.tidal +++ /dev/null @@ -1,63 +0,0 @@ -do -setcps (120/60/4) -let gF = (# djfbus 1 (range 0.05 0.95 "^49")) -let gF2 = (# djfbus 2 (range 0.2 0.8 "^50")) -let gM = midiOn "^73" (mask "f*16") -d1 $ gF $ gM - $ (|* midiG' "^78" 0 1.4) - $ superimpose (const $ "~ s ~ s*<1 2 1 [1|2]>" # "snare:24" # gain 1.3 # note (8)) - $ fix (|* gain 0.9) "jazz" - $ fix (|* gain 1.2) "kick:5" - $ midiOn "^42" (<| "k k k k]>") - $ midiOff "^42" (<| "k ~ [~ k] <~!3 k>") - $ "[kick:5,jazz]" -d2 $ gF $ gM - $ midiOn "^43" (fast 2) - $ "~ s ~ s" --- $ "~ ~ s ~" --- $ "~ ~ ~ ~ s ~ ~ ~" - # "snare:24" # gain 1.3 - # midiG' "^79" 0 1.5 -d3 $ gF $ gM - $ ply "2!3 1" - $ "dr*8" - # crushbus 51 (range 16 2.5 "^53") - # midiG' "^80" 0 1.5 -d5 $ gF2 $ gM - $ chop 8 - $ "90s_matrix:3" - # crushbus 51 (range 16 2.5 "^53") - # sz 0.9 - # room 0.3 - # cut 5 - # midiG' "^81" 0 1.2 -d7 $ gF2 - $ midiOn "^57" (off "e" (mask "t!7 f")) - -- $ struct "t*4" - $ note (arp "" $ "") - -- $ note (arp "" $ "<>") - # "bassWarsaw" - # crushbus 71 (range 16 2.5 "^54") - # midiG' "^82" 0 1.8 -d6 $ gF2 $ gM - $ midiOn "^57" (ply "4 8") - $ "90s_matrix:0" - # crushbus 61 (range 16 2.5 "^55") - # sz 0.9 - # cut 6 - # midiG' "^83" 0 2 -d8 $ gF2 - $ struct "t*16" - -- $ superimpose (|+| note "[0 12]") - $ arp "up" - $ note ("a3'min'4" + "[0,<12!3 24>]") - # "acidOto3092" - # crushbus 81 (range 16 3.5 "^56") - # rel 2 - # midiG' "^84" 0 2 -d9 $ gF -- Breaks silence pesant. - $ slice 8 "<0 1 2 3> . <~!4 5 6 7>" - $ loopAt 4 - $ "drums_atari:15" - # midiG' "^20" 0 2 - # cut 9 diff --git a/live/collab/raph/ambiance.tidal b/live/collab/raph/ambiance.tidal new file mode 100644 index 0000000..1a910d8 --- /dev/null +++ b/live/collab/raph/ambiance.tidal @@ -0,0 +1,63 @@ +resetCycles + +do +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gMaskEnd16 = mask " ]>" +setcps (105/60/4) +do +-- d1 $ gF1 $ gM1 $ "kick:5" +-- d1 $ gF1 $ gM1 $ "kick:5" +d1 $ gF1 $ gM2 + $ midiOn "^42" (<| "k k k k*<1 4>]>") + -- $ midiOn "^42" (<| "k k(<3 [3 5]>,8)") + $ "kick:5" +d2 $ gF1 $ gM1 + $ "~ cp" + # "rampleP5:15" +d3 $ gF1 $ gM1 + $ "hh(5,8)" + # "rampleP5:16" + # cut 3 +d4 $ gF2 $ gM1 + $ "90s_synatm:9" + # cut 4 +d5 $ gF3 $ gM1 -- Semi-basse + $ superimpose (("h" ~>) + . (|+ note 12) + . (# cut 51)) + $ note ("") + # "90s_synatm:3" + # cut 5 + # gain 0.65 + # pan 0.3 +-- 0 4 0 1 0 2 0 3 +d10 $ gF3 $ note "f/4" -- Anges des intertubes + # "90s_glassatm:2" + -- # crushbus 101 (range 16 2.5 (perlin)) + # roombus 102 (slow 4 $ range 0.4 0.65 (perlin)) # sz 0.8 + # legato 2 + # pan 0.7 + # cut 10 + + +d4 $ gF2 $ gM1 -- Bass electrique + $ note (scale "aeolian" ( + "3" + + "<~!16 0!16> <4 1 <2 5> <3 6>>" + )) + # "90s_synatm:9" + # att 0.2 + # rel 2 + # room 0.4 # dry 1.2 # sz 0.5 + # octersubbus 42 (range 0 4 "^33") + # crushbus 41 (range 16 2.3 "^53") + # cut 4 diff --git a/live/collab/raph/jeudrill.tidal b/live/collab/raph/jeudrill.tidal new file mode 100644 index 0000000..5a76e36 --- /dev/null +++ b/live/collab/raph/jeudrill.tidal @@ -0,0 +1,119 @@ +resetCycles + +do +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gMaskEnd16 = mask " ]>" +setcps (140/60/4) +-- d1 $ gF1 $ gM2 +d1 $ gF1 $ gMute2 + $ midiOff "^42" (<| "]>") + $ midiOn "^42" (<| "k . ~ k*<1 2> ~ <~ k k <~ k*4>>") + $ "[kick:5]" + # room 0.2 # dry 1.1 + # cut 1 +d2 $ gF1 $ gM1 + $ someCyclesBy "<0!16 1!16>" (<| "~ s ~ s*<1!4 1!3 2 1!3 2 2!4>") + $ someCyclesBy "<1!16 0!16>" (<| "~ <~ []>") + $ "[snare:24,snare:51]" + # gain "<[1]!16 [1 <1 <1 [1 0.93] 1 [0.9]>>]!16>" +d3 $ gF1 $ gM1 $ "h(3,8) h(<3 <5 [5 <1 <8 [8 16]>>]>>,8)" + # drumFrom "rolandtr909" "hh" # cut 3 # gain 0.6 # legato 0.25 +d9 $ mask "" + -- $ (0.1 ~>) + $ "bogdan_grime:3" + # end "<0.42!3 0.66>" + # delay "<0!3 0.7>" + # delayt "h" + # delayfb 0 + # speed 0.85 + # room 0.4 + # gain 1.2 +d8 $ gF1 $ gM1 -- Come on breaks! + $ chop 8 + $ midiOn "^56" (loopAt 2 . (# n "<61>")) + $ midiOn "^92" (ply 4) + $ midiOn "^36" ((# n "19")) -- Pure COMEON! + -- $ midiOn "^56" ((# n "23")) -- Raise COMEON! + $ midiOff "^60" (mask "t(4,8)") + $ loopAt 2 + $ "jungle_breaks:26" + # cut 8 + # gain 0.6 +d4 $ gF2 $ gMute3 -- Bassline aqualgorithmique + $ slow 2 $ note ( + -- "<0!8 0(3,8)!8> 0" + " " + "<> b4>" + -- "c g" + - 12 + + 2 + ) + # "giorgio_syn:1" + -- # "bassWarsaw" + # cut 4 + # pan 0.3 + # room 0.4 + # octersubsub 0 + # crushbus 41 (range 16 3.5 "^53") + # octersubsubbus 42 (range 0 2 "^33") + # gain 0.8 +d5 $ gM3 $ gF3 + $ midiOff "^58" (mask "t(<4 <2 4>>,4) t(<3!7 5>,8)") + $ juxBy 0.4 rev + $ note ("<[b4 [~ d5]. [fs5@3 fs5]] [e5 fs5 e5 fs5. [d5@3 fs5]]>") + # "marimba1" + # att (range 0.8 0.2 "^34") + # rel 1 + # triode 00 + -- # delay 0 # delayfb 0.8 # delayt 0.25 + # pan 0.9 + # gain 2 + # room 0.3 +d10 $ gF2 -- Menace + $ note "" + # "90s_synatm:10" + # room 0.3 # sz 0.8 + # gain 0.65 + # att 0.10 + # rel 10 + # legato 2 + # cut 9 +d7 $ gM2 $ gF2 + -- $ ply 2 + $ midiOn "^59" (# speed "-0.25") + $ midiOn "^91" (struct "t*<8!3 [8 4]>") + $ someCyclesBy "^19" (slice 4 "<<0 <1 2>>!8 <3 3 3*2 3*<4 8>>!8>") + $ chop 16 + $ loopAt 4 $ "meth_bass:18" # cut 7 # gain 0.6 + -- # octersubsubbus 73 (range 0 8 "^19") + -- # octersubbus 72 (range 0 4 "^35") + -- # octerbus 71 (range 0 1.7 "^55") + # crushbus 71 (range 16 1.7 "^55") + # panbus 72 (range 0.2 0.8 (fast "<2!4 4!4>" sine)) + + + + + +d4 $ note (("")) + # "90s_matrix:0" + # cut 4 + -- # orbit 4 + +once $ note "b" # "superpiano" + + + + + +90s_matrix:0 + +d8 $ "jungle_breaks" diff --git a/live/collab/raph/permanence.tidal b/live/collab/raph/permanence.tidal index e22681d..cbab9a4 100644 --- a/live/collab/raph/permanence.tidal +++ b/live/collab/raph/permanence.tidal @@ -24,8 +24,9 @@ d2 $ gF1 $ gM1 # pan 0.25 -- # lpf 3000 d3 $ gF1 $ gM1 + $ midiOn "^76" (ply 2) $ sometimesBy "0 <0.5!3 2>" (mask "t(<12!3 2>,16)") - $ midiOff "^44" ((mask "t(<8!3 [8!3 4]>,16,2)")) + $ midiOff ("^44"+"^76") ((mask "t(<8!3 [8!3 4]>,16,2)")) $ "hh:8*16" |* gain "1 1 0.95 1 0.96 1 0.975 1.1" # gain 1.8 @@ -41,7 +42,7 @@ d4 $ gF2 # octersubbus 42 (range 0 1.5 "^17") # squizbus 42 (range 0 1.5 "^33") # crushbus 41 (range 16 2.5 "^53") -d5 $ gF3 $ gM3 +d5 $ gF3 $ gMute3 $ midiOff "^58" (slice 4 "<0 0 0 0 1 1 1 <1 2>>*<4!7 8>") $ midiOn "^58" ( slice 4 "<0 1 2 3> <0 1 0 3>*<1 2 1 4>" . @@ -58,13 +59,14 @@ d5 $ gF3 $ gM3 # pan 0.66 d7 $ gM3 $ gF3 $ n ("<0 0 0 ~>" + "<41!10 42 42>") # "fsynth" - -- # crushbus 71 (range 16 2.5 "^55") - # octersubbus 71 (range 0 2.5 "^55") + # crushbus 72 (range 16 2.05 "^35") + # octersubbus 71 (range 0 3 "^55") + # octersubsubbus 73 (range 0 3 "^55") # cut 7 d8 $ gF1 $ gM1 - $ midiOn "^20" (loopAt 4) - $ loopAt 2 $ chop 8 + $ loopAt 2 + $ midiOn "^20" (loopAt 4) $ midiOn "^92" (ply "<2!3 [4!3 8]>") $ midiOn "^36" (# "jungle_breaks:55") $ midiOn "^56" (# "jungle_breaks:45") diff --git a/live/collab/stevie/aime_la_jungle.tidal b/live/collab/stevie/aime_la_jungle.tidal new file mode 100644 index 0000000..db8faf5 --- /dev/null +++ b/live/collab/stevie/aime_la_jungle.tidal @@ -0,0 +1,42 @@ +once $ "nujazz_beats120" + +-- It's a nuday +-- It's a new sample + +resetCycles + +do +setcps(140/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +d1 $ gF1 $ gM2 + $ midiOn "^42" (<| "k k k ") + $ midiOff "^42" (<| "k . ~ k ~ ~") + $ "[jazz,kick:5]" +d2 $ gF1 $ gM1 $ "~ ~ ~ <~ s> . s" # "snare:4" +d3 $ gF1 $ gM1 $ "d(<3!12 2!4>,8) d(<3!3 5>,8)" # "ho" # gain 0.8 # att 0.1 # rel 2 +d4 $ gF2 $ gM3 $ note "" # "bassWarsaw" + # crushbus 41 (range 16 3.6 "^53") +d8 $ gF1 $ gM1 -- JazzyBelle JazzyBreak + $ midiOn "^92" (ply "2 <2 <4 [4 8]>>") + -- $ slice 4 "0 1*<1 2 4> 2? 3*<1!3 2>" + $ chop 16 + $ midiOn "^36" (loopAt 0.5 . (# "jungle_breaks:51")) + $ midiOn "^56" (loopAt 4 . (# "jungle_breaks:44")) + $ loopAt 1 + $ "jungle_breaks:36" + -- $ n "<0!4 1!3 0 2!4 3!3 <2 3>>" + -- # "nujazz_beats120" + # pan 0.26 + # gain 1.1 + # octersub 0 + # octersubsub 0 + # cut 8 diff --git a/live/collab/val/soir_noir.tidal b/live/collab/val/soir_noir.tidal new file mode 100644 index 0000000..a90a629 --- /dev/null +++ b/live/collab/val/soir_noir.tidal @@ -0,0 +1,136 @@ +resetCycles + +do +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gMaskEnd16 = mask " ]>" +setcps (120/60/4) +d1 $ gF1 $ gMute2 + $ midiOff "^42" (<| "]>") + $ midiOn "^42" (<| "k k k") + $ "kick:5" +-- # room 0.2 # dry 1.1 +-- # gain "<1 0.8>" +-- # cut 1 +d2 $ gF1 $ gM1 + $ "~ " +-- $ someCyclesBy "<0!16 1!16>" (<| "~ s ~ s*<1!4 1!3 2 1!3 2 2!4>") +-- $ someCyclesBy "<1!16 0!16>" (<| "~ <~ []>") +-- $ "[snare:24,snare:51]" +-- # gain "<[1]!16 [1 <1 <1 [1 0.93] 1 [0.9]>>]!16>" +-- d3 $ gF1 $ gM1 $ "h(3,8) h(<3 <5 [5 <1 <8 [8 16]>>]>>,8)" +-- # drumFrom "rolandtr909" "hh" # cut 3 # gain 0.6 # legato 0.25 +d3 + $ midiOn "^44" (stut 4 "0.8" "e") + $ n ("~ 1 ~ 2 ~ 2 ~ <1!3 2>") # "rampleS24" # cut 3 +d4 $ gF2 $ gMute2 $ note ( + "b4(<3 5 3 [3 5]>,8) >(<1!3 3>,8,<0 1>)" + - 24 + -- - 1 + ) + # "bassWarsaw" + # rel 0.4 + -- # octersubbus 41 (range 0 2 "^53") + -- # crushbus 42 (range 16 2 "^33") + # att 0.2 +d4 $ gF2 $ gM1 -- BASSE SIMPLE + $ note "~ b ~ b ~ b ~ [c b]" + # octave 4 + # n ("<1!4 2!4>") + # "rampleU4" + -- # crushbus 42 (range 16 2 "^33") + # cut 4 +d7 $ gF2 + $ midiOn "^89" (ply "<1 2> <2!3 4 4!3 8>") + $ slice 8 ("[0 1 2 3]*2" + "<0!4 3!4>") + -- $ loopAt 8 + $ n "<3!3 4>" + # octave "<4 [4 4 <4 [5|4]> 4] 4 <4 [4|3]>>" + # "rampleU8" + # cut 7 +d5 -- ARPEGIATEUR + -- $ mask "t(8,16)" + $ arp "" + $ fast (4/3) + $ note ( + "[c3 b3]" + "c'min'4" + + 4 + ) + # n ("<0 1 2>") + # "rampleS53" + -- # legato 0.25 + -- # att 0.12 + # rel (range 0.19 0.02 (perlin)) + # pan 0.4 + # gain 1.2 +-- d9 $ mask "" +-- -- $ (0.1 ~>) +-- $ "bogdan_grime:3" +-- # end "<0.42!3 0.66>" +-- # delay "<0!3 0.7>" +-- # delayt "h" +-- # delayfb 0 +-- # speed 0.85 +-- # room 0.4 +-- # gain 1.2 +d8 $ gF1 $ gM1 -- Come on breaks! + $ chop 8 + $ midiOn "^56" (loopAt (2/3) . (# n "<74>")) + $ midiOn "^92" (ply 4) + $ midiOn "^36" (loopAt (2/3) . (# n "19")) -- Pure COMEON! + -- $ midiOn "^56" ((# n "23")) -- Raise COMEON! + $ midiOff "^60" (mask "t(4,8)") + $ loopAt 2 + $ "jungle_breaks:26" + # cut 8 + # gain 0.8 +-- d4 $ gF2 $ gMute3 -- Bassline aqualgorithmique +-- $ note ( +-- "<0!8 0(3,8)!8> 0" + " " +-- - 12) +-- -- # "90s_matrix:0" +-- # "bassWarsaw" +-- # cut 4 +-- # pan 0.3 +-- # room 0.4 +-- # octersubsub 0 +-- # crushbus 41 (range 16 3.5 "^53") +-- # octersubsubbus 42 (range 0 2 "^33") +-- # gain 0.8 +-- d5 $ gM3 $ gF3 +-- $ juxBy 0.4 rev +-- $ note ("<[b4 [~ d5]. [fs5@3 fs5]] [e5 fs5 e5 fs5. [d5@3 fs5]]>") +-- # "marimba1" +-- # att 0.8 +-- # rel 1 +-- # pan 0.9 +-- # gain 3 +-- # room 0.3 +d10 $ gF2 -- Menace + $ note "" + # "90s_synatm:10" + # room 0.3 # sz 0.8 + # gain 0.65 + # att 0.10 + # rel 10 + # legato 2 + # cut 9 +-- d7 $ gM2 $ gF2 +-- $ ply 2 +-- $ midiOn "^91" (struct "t*<8!3 [8 4]>") +-- $ someCyclesBy "^19" (slice 4 "<<0 <1 2>>!8 <3 3 3*2 3*<4 8>>!8>") +-- $ chop 16 +-- $ loopAt 4 $ "meth_bass:18" # cut 7 # gain 0.6 +-- -- # octersubsubbus 73 (range 0 8 "^19") +-- -- # octersubbus 72 (range 0 4 "^35") +-- -- # octerbus 71 (range 0 1.7 "^55") +-- # crushbus 71 (range 16 1.7 "^55") +-- # panbus 72 (range 0.2 0.8 (fast "<2!4 4!4>" sine)) diff --git a/live/midi/nova/ambient/ambient_chaos.tidal b/live/midi/nova/ambient/ambient_chaos.tidal new file mode 100644 index 0000000..e2636f8 --- /dev/null +++ b/live/midi/nova/ambient/ambient_chaos.tidal @@ -0,0 +1,86 @@ +do +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gMaskEnd16 = mask " ]>" +let prog1 = "" +let prog2 = ">>" +-- DEBUG: Prog avec un copier coller sale +let prog = ">" +let prog = prog2 +let prog = prog1 +do +setcps(125/60/4) +d12 $ gM3 $ gF3 -- PIANO DE DEBUGGING + $ struct "" + $ note (prog + 5 - 12) + # "FMRhodes1" + # gain 1 + # velocity 2 + -- # room 0.3 # sz ("0.2 0.4 0.6") +d1 $ gF1 $ gMute2 -- KICK PLEIN + -- $ fix ((# att 0.05) . (# lpf 4500) . (# gain 0.9)) "rampleR1:0" + $ midiOn "^42" (<| "k k k >") + $ midiOff "^42" (<| "k") + $ "[rampleR1:0]" +d2 $ gF1 $ gM1 + $ midiOn "^42" (whenmod 64 8 (<| "~ s ~ s")) + $ midiOff "^42" (<| "~ s") + $ "snare:36" + # lpf 4000 +d3 $ gF1 + $ "~ hh ~ h*<1!4 2!3 1> ~ h ~ h*<1 2 1 [8 4]>" + # "rampleS33:6" +d6 $ gF1 $ gM1-- La neige eternelle + $ struct "~ <~ t(<1 <2 3>>,8)>" + $ slow 16 + $ slice 16 (run 16) + $ "drums_nes:13" # cut 3 + # pan (slow 16 $ range 0.9 0.3 saw) +d4 $ gF2 $ gM3 -- La gravite, inevitable + $ note (prog + + "[0 ~ <2 <-1 2>> ~ 0] <3!3 5>(1,2,<0!4 1!4>)" + + 0 + ) + # "bassWarsaw" + # octersubbus 41 (range 0 1.4 "^53") + # cut 4 + # pan 0.3 +d5 $ gF3 $ gM3 -- La lumiere, partout + $ midiOn "^58" (chop 8) + $ midiOff "^58" (chop 2) + $ midiOn "^90" (ply "2 <2 4>") + $ note prog + # "90s_glassatm:0" + # cut 5 + # pan 0.8 + # octerbus 51 (range 0.01 1.99 "^54") +d7 $ gF1 $ gM1 -- Les inevitables trolls + $ fix ((|* gain 0.8) . (|- note 4) . (# "rampleR0:3")) "r0bd1" + $ fix (# "rampleR0:2") "r0bd" + $ fix ((# "90s_megafx") . (# cut 81) . (|* gain 1.1)) "fx" + $ stack ["r0bd@7 <~!0 r0bd1!8>","~ fx:78"] + # gain 0.5 +d8 $ gF1 $ gM1 + -- $ ply "1 2" + $ midiOn "^56" (# n "4") + $ midiOn "^60" (slice 16 (run "<[8!3 4]!3 <4 [4 <8 16>]>>")) + $ midiOn "^92" (ply 2) + $ chop 16 + $ loopAt 2 + $ "jungle_breaks:30" + # gain 0.6 + + once $ note "b4" + # "bassWarsaw" + # cut 1 + # lpf 4000 + # gain 0.5 + # room 0.2 # sz 0.8 diff --git a/live/midi/nova/ambient/contre_visite.tidal b/live/midi/nova/ambient/contre_visite.tidal index f369bcc..c26e3c4 100644 --- a/live/midi/nova/ambient/contre_visite.tidal +++ b/live/midi/nova/ambient/contre_visite.tidal @@ -1,6 +1,3 @@ - --- Contre Visite --- Un deuxième regard n'est jamais de trop. do -- TRIGGER INTRO :) -- resetCycles @@ -9,19 +6,22 @@ let g = (whenmod 64 32 (# djfbus 2 (slow 32 $ range 0.5 0.18 cosine))) let gF = 1.01 let f1 = (# djfbus 1 (range 0.05 0.95 "^49")) let f2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let f3 = (# djfbus 3 (range 0.05 0.95 "^51")) let gMute = (midiOn "^73" (mask "f*16")) let gMute2 = (midiOn "^74" (mask "f*16")) let maskLoops = (mask "" . mask "") setcps (90/60/4) -d1 $ f1 $ gMute2 +d1 + $ f1 $ gMute2 -- $ kCrush $ midiOn "^42" (struct "t t t ]>") $ midiOff "^42" (struct "t . <~!4 t(<3!3 1>,8,<<0 3 <3 0> 0>>)!12>") -- $ mask "" -- $ "[808bd:6,kick:8]" + $ fix ((# hpf 500) . (|* gain 0.7)) "kick:5" $ "[jazz,kick:5]" - # room 0 - # midiG' "^78" 0 1.3 + -- # room 0 + -- # midiG' "^78" 0 1.3 d2 $ f1 $ gMute $ mask ",4)!4 t!28>" -- Intro / break/32 $ midiOff "^75" maskLoops @@ -35,10 +35,15 @@ d2 $ f1 $ gMute # pan 0.4 # cut 2 # speed (range "-0.25" 2.25 "^51") - # midiG' "^79" 0 1.3 + -- # midiG' "^79" 0 1.3 +d11 $ f1 $ gMute -- Snare <3 chak reverb phantome + $ struct "[~ t]*2" + $ "[snare:34,cp]" + # lpf 2000 + -- # midiG' "^14" 0 1.8 d3 $ f1 $ gMute -- Sidekick, doubtful, yet hardworking hats $ midiOn "^76" (ply "[4 <1 2>]*<4!3 8>") - $ mask ",4)!4 t(2,8)!8 []!52>" -- Intro / break/32 + -- $ mask ",4)!4 t(2,8)!8 []!52>" -- Intro / break/32 $ maskLoops $ someCyclesBy "<0.6 1>" (stut "<2 3 4>" 0.5 "s") $ sometimesBy (0.1 * "[0 <0 0.5> 0 <1!3 2>]!4") (# silence) @@ -47,8 +52,11 @@ d3 $ f1 $ gMute -- Sidekick, doubtful, yet hardworking hats # "h2ogmhh" # pan 0.6 # room 0.2 - # midiG' ("^80" + 0.08 * (slow 2 perlin)) 0 1.3 -d4 $ f2 -- Atmospheric synth: aerial questions + -- # midiG' ("^80" + 0.08 * (slow 2 perlin)) 0 1.3 + # gain (0.8 + 0.08 * (slow 2 perlin)) +d4 $ f3 -- Atmospheric synth: aerial questions + $ midiOn "^89" (|+ note "<2 2 4 <4 12>>") + $ midiOn "^57" (chop "<[16@3 32] [32@3 64]>") $ "90s_synatm:8/4" # cut 4 # room 0.8 @@ -57,7 +65,7 @@ d4 $ f2 -- Atmospheric synth: aerial questions # pan 0.45 # crushbus 42 (range 16 3.4 "^53") # legato 2 - # midiG' "^81" 0 1.2 + -- # midiG' "^81" 0 1.5 d5 $ f2 -- Synth: ELECTRONIC ANSWERS -- $ mask "" -- Intro $ midiOn "^90" (ply "1 <1!3 [0 1 <2 0> <0 2>]> <2!3 [[2 0] 1]> <1 2>" .slice 16 ("<0 1 2 3>*8" + "<0!4 4!4>")) @@ -70,7 +78,7 @@ d5 $ f2 -- Synth: ELECTRONIC ANSWERS # panbus 51 (range 0.8 0.65 saw) # crushbus 52 (range 16 2.85 "^54") # midiG' "^82" 0 2 -d6 $ f2 -- High lead: Winds of truth +d7 $ f3 -- High lead: Winds of truth $ juxBy 0.5 ((# cut 61) . rev) -- Jux rev <3 $ whenmod 8 6 (swing "<4 2>") $ whenmod 32 8 (superimpose ( -- Echos of doubts @@ -83,19 +91,12 @@ d6 $ f2 -- High lead: Winds of truth )) $ note (scale "aeolian" "<0!3 [0@6 <4 -1>@2]> 2") # "90s_synatm:18" - # pan 0.9 # room 0.4 # sz 0.8 - # crushbus 62 (range 16 2.25 "^55") - # midiG' "^83" 0 1.2 # dry 0.1 - # pan "^19" - # cut 6 -d7 $ f1 -- Snare <3 chak reverb phantome - $ struct "[~ t]*2" - $ "[snare:34,cp]" - # lpf 2000 - # midiG' "^14" 0 1.8 -d8 $ f1 -- Breaks divins + # cut 7 + # crushbus 62 (range 16 2.25 "^55") + # panbus 63 (range 0.05 0.95 "^19") +d8 $ f1 $ gMute2 -- Breaks divins $ midiOn "^92" (off "e" id) $ midiOn "^60" (mask "[f t]") $ someCyclesBy "^36" (loopAt 1 . mask "[f t]*4" . chop 16 . (# n 81)) @@ -152,4 +153,4 @@ d10 $ f1 -- RANDOM FOREST NOISES once $ "fx_gameboy:3" # gain 0.8 # cut 10 - once $ "bassWarsaw" # freq 82 # gain 1.2 # cut 3 +once $ "bassWarsaw" # freq 82 # gain 1.2 # cut 3 diff --git a/live/midi/nova/ambient/prestance.tidal b/live/midi/nova/ambient/prestance.tidal index c75c608..a6a1d62 100644 --- a/live/midi/nova/ambient/prestance.tidal +++ b/live/midi/nova/ambient/prestance.tidal @@ -15,7 +15,7 @@ d1 $ gF1 $ gM $ midiOn "^42" (<| "k k k k*<1!7 2>") $ midiOff "^42" (<| "k . k(<0!3 1 0 1 3 3>,8,<0!3 6>)") $ "[jazz,808bd:3]" - # midiG' "^78" 0 1.4 + -- # midiG' "^78" 0 1.4 d2 $ gF1 $ midiOn "^43" (<| "~ c ~ c*<1!3 2>") $ midiOff "^43" (<| "~ <~ c>") diff --git a/live/midi/nova/beatober/oct_glitchs_sauvages.tidal b/live/midi/nova/beatober/oct_glitchs_sauvages.tidal new file mode 100644 index 0000000..f894c75 --- /dev/null +++ b/live/midi/nova/beatober/oct_glitchs_sauvages.tidal @@ -0,0 +1,118 @@ +-- Octobre Jaune +resetCycles + +do +setcps (117/60/4) +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +d1 $ gM2 $ gF1 -- KICK SOUTENANT + $ midiOn "^42" (<| "k k k k]>") + $ fix ((# lpf 4000) . (# drumFrom "rolandtr909" "bd:4")) "909bd" + $ "[jazz,909bd]" +d2 $ gM1 $ gF1 -- Snare glitch+perc + $ fix (whenmod 4 3 (ply "4 [4 <1 2>]") . (|* gain 0.8) . (# rel 0.1)) "clap" + $ fix ((# n 2) . (# pan 0.2) . (# note "-24")) "glitch" + $ "~ glitch" + # begin 0.02 + # end 0.35 + # pan 0.8 +d3 $ gM1 $ gF1 -- Hats reguliers mais varies + $ midiOn "^44" (ply 2) + $ midiOn "^76" (struct "t(3,8). t(5,8)") + $ someCyclesBy "<1!8 0!56>" (mask "f . t f") + $ "~ h ~ h ~ h*<1!7 2> ~ h" + # drumFrom "rolandtr909" "hh:2" + # hpf 5000 + |* gain (range 0.85 1 (fast 4 sine + (slow 2 perlin))) +d6 $ gM1 $ gF1 + $ "~ rampleS0" + # n "<6!6 7 7>" + # pan 0.8 +d8 $ gM1 $ gF1 + $ midiOn "^92" (ply 2) + $ whenmod 4 3 (ply 2) + $ chop 8 + $ midiOn "^56" (# n 43) + $ loopAt 2 + $ "jungle_breaks:18" + # cut 8 +d4 $ gM3 $ gF2 -- MATRIX BASS + $ slow 2 + $ midiOn "^57" (# freeze 0.1) + $ midiOn "^89" (slice 8 "0*[8 16]") + $ note "<[f@3 ] c>" + # "90s_matrix:0" + # cut 4 + # tremoloratebus 41 (range 0 (slow 4 "<2 4 8 16>") "^53") + # tremolodepthbus 42 (range 0 0.9 "^53") + # combbus 43 (range 0 0.5 "^17") + # ampbus 44 (range 1 1.25 "^17") + # distortbus 45 (range 0 0.5 "^33") + # pan "<0.8!32 0.2!32>" + # gain 0.8 +d5$ gM3 $ gF2 -- ACID bassline + -- $ note "f@2 f e@2 e ef2" + $ midiOn "^58" (# freezebus 51 0.1) + $ note ( "f@2 f @2 >@2" + - 12 + ) + # distortbus 51 (range 0 2.5 "^54") + # "90s_matrix:4" + # pan "<0.2!32 0.8!32>" + -- # octave 3 + # cut 5 + -- # midiG' "^82" 0 1.9 +d7 $ gF3 $ note ( + "0([3 <3!3 5>],8) . c(<3!7 [3 5]>,8)" + ) + # "superfork" + # room (slow 16 $ range 0 0.2 saw) + # delay (slow 32 $ range 0 0.5 saw) + # octersubbus 71 (range 0 2 "^55") + # octersubsubbus 72 (range 0 2 "^55") + # pan (slow 16 $ (saw + 0.2 * perlin)) +-- c bf g +d10 -- RISE! + $ fix ( + loopAt 4 + . (# "risers:4") + . (# pan 0.2) + . (# room 0.4) + -- . (# gain 0) + . (# cut 81)) "r1" + $ fix (-- laser rise + loopAt 8 + . (# "risers:11") + . (|* gain 0.9) + . (# pan 0.9) + . (# room 0.4) + . (# drybus 82 (slow 4 $ range 0.5 1.2 saw)) + . (# sz 0.8) + . (# cut 82)) "r2" + $ "[<~ ~ ~ >,<~!24 ~!8 r2 ~!7>]" + -- # midiG' "^20" 0 1.3 + +-- risers:3 annonce +-- risers:4 +once $ "risers:11" + # gain 0.7 + # end 0.85 + # cut 9 + +once $ "rampleS0:6" # cut 4 + +once + $ fix (# drumFrom "rolandtr909" "cp:1") "cp" + $ "[psr:1,cp]" # gain 0.8 + + ef-f. f-e e-es.. es-e-es-f...... + +once $ drumFrom "rolandtr808" "bd:4" diff --git a/live/midi/nova/dnb/drums_I_presume.tidal b/live/midi/nova/dnb/drums_I_presume.tidal new file mode 100644 index 0000000..1a67e42 --- /dev/null +++ b/live/midi/nova/dnb/drums_I_presume.tidal @@ -0,0 +1,59 @@ +do +-- resetCycles +setcps (74/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +d1 $ fast 2 + $ gF1 $ gM2 + $ midiOff "^42" (<| "k . ~ k ~ ~ ") + $ midiOn "^42" (<| "k k k >") + $ superimpose ((|* gain "^30") .(# "tek_kick:3")) + $ "[jazz,rampleA0:1]" +d2 $ gM1 $ gF1 + $ "~ s ~ s*<1!3 2>" + # "snare:40" + # note "-4" + # lpf 3000 +d3 $ gM1 $ gF1 + $ "drum:2*[[24 <8 12 16 24> 32 16 32 16 32 8] 8]" +d4 $ gM3 $ gF2 + $ midiOn "^89" (ply 2) + $ note (">" + "0 . <5 -4>([3 <1 <3 5>>],8)") + # "bassWarsaw" + # crushbus 41 (range 16 5 "^53") + # cut 4 # gain 0.8 +d5 + $ midiOn "^58" (rev) + $ fast 2 + $ note ("" ) + # crushbus 51 (range 16 3.5 "^54") + # "FMRhodes2" +d8 $ gF1 $ gM1 + $ loopAt 1 + $ chop 8 + $ midiOn "^56" (# n 52) + $ midiOff "^56" (slice 4 "<[0 1]!3 [0 1 2 3]>") + $ "jungle_breaks:65" + # gain 0.8 + # lpf 4000 +d9 $ gF3 + $ fix (>| "bond:9") "d" + $ fix (>| "bond:8") "c" + $ fix ((# end "<0.5 1>") . (>| "bond:7")) "just_a_drink" + $ fix (>| "bond:6") "2martinis" + $ "<~ ~ ~ just_a_drink ~ ~ <2martinis d> ~>" + # cut 9 + # gain 0.8 +d10 $ gM3 $ gF3 + $ slice 8 "<0!3 [2 3]>" + $ "bond:1" + # cut 9 +d11 $ gF3 $ gM3 + $ "bond:11" + # cut 11 + # gain 1 diff --git a/live/midi/nova/dnb/force_motrice.tidal b/live/midi/nova/dnb/force_motrice.tidal new file mode 100644 index 0000000..bcc128d --- /dev/null +++ b/live/midi/nova/dnb/force_motrice.tidal @@ -0,0 +1,82 @@ +-- Atelier de force motrice +do +-- resetCycles +setcps (125/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +d1 + $ gF1 $ gM2 + $ midiOff "^42" (<| "k . ~ k ~ ~ ") + $ midiOn "^42" (<| "k k k k") + $ superimpose ((|* gain "^30") .(# "tek_kick:3")) + $ "[kick:4]" +d2 $ gM1 $ gF1 + $ midiOff "^43" (mask "") + $ "~ s ~ s*<1!3 2>" + # "rampleM8:8" # note "-4" +d3 $ gM1 $ gF1 + -- $ midiOn "^44" (mask "t([16 <16 [32 64]>],64)" . chop 16 . ply 4) + $ "hh(3,8) hh(<3!3 5>,8)" + # "rampleM8:4" + # gain (fast 8 $ range 0.85 0.95 perlin) +d4 $ gM2 $ gF2 $ loopAt 4 + $ "nujazz_bass125:1" + # cut 4 + # octersub (slow 32 $ range 0 0.9 sine) + # room (slow 32 $ range 0.2 0.8 cosine) + # crushbus 41 (range 16 2.5 "^53") + # dry 1.3 + # sz (slow 8 $ range 0.7 0.1 sine) +d5 $ gM3 $ gF2 + $ midiOn "^58" (off 0.125 id . rev) + $ note ("[g@2 ~!4 ]" - 12) + # crushbus 51 (range 16 2.5 "^54") + # "FMRhodes1" +d7 $ gM3 $ gF3 + $ midiOn "^59" (struct ",8)]>") + $ note (" f>" + -- - 12 + ) + # pan 0.9 + # room 0.4 + # "giorgio_syn:22" + # crushbus 71 (range 12 3.4 "^55") + # cut 7 + # gain 0.7 +d8 $ gM1 $ gF1 + $ midiOn "^92" (iter "1 <1 4>") + $ midiOn "^36" ((|* gain 0.9) . loopAt 2 . (# "jungle_breaks:16")) + $ midiOn "^56" ((|* gain 0.9) . loopAt 0.5 . (# "jungle_breaks:36")) + $ chop 16 + $ loopAt 2 + $ "break:2" + # gain 0.8 +d10 + $ n "<~ ~ 27 ~ ~ ~ ~ <29 21>>" + # "jungle_vocals" + # cut 10 + # gain 0.48 + # room 0.4 +d11 $ gF3 $ gM3 + $ whenmod 64 0 (superimpose ( + (stut 4 0.75 "e") + . (# n 3) + . (|* gain 0.9) + . (# cut 110))) + $ note " >" + # "cbow:2" + # cut 11 +d6 $ gM3 $ gF2 $ note + ( + ">" + - 5 -- calage + + 24 + ) + # "meth_bass:3" + # cut 6 + # gain 0.8 diff --git a/live/midi/nova/fusion/coworking.tidal b/live/midi/nova/fusion/coworking.tidal new file mode 100644 index 0000000..d35d439 --- /dev/null +++ b/live/midi/nova/fusion/coworking.tidal @@ -0,0 +1,50 @@ +do +setcps (100/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +d1 $ gF1 $ gM2 + $ midiOn "^42" (<| "k k k k*<1 2>" ) + $ midiOff "^42" (<| "k . k(<3!3 5>,8,<0!6 3 3>)" ) + $ "[jazz]" +d2 $ gF1 $ gM1 + $ midiOff "^43" (<| "~ ~ ~ sn") + $ midiOn "^43" (<| "~ s ~ s") + $ "[snare:21]" + # gain 0.7 +d3 $ gF1 $ gM1 $ "dr*[8 8 8 <4 4 8 16>]" + # "hh:7" # legato 0.25 # cut 3 + |* gain (range 0.95 1.1 (fast 2 perlin)) +d4 + $ arp "up" $ note ("[e5 e5 ] @3" + 3.6) + # "jungle_bass:4" + # begin 0.35 + # lpf 5000 + # cut 4 +d5 $ gM3 $ gF3 + -- $ someCyclesBy "0.2" (mask "t(3,8)") + -- $ arp "up" + $ note ("<[ [gs gs]] e>" + + "[0,12]" + |+| "0 12 0 12*<1!3 2>" + ) + # "marimba1" + # gain 1.2 + # pan 0.6 + # room 0.8 # sz (slow 16 $ range 0.8 0.2 saw) + # legato 0.5 + # octerbus 51 (range 0 0.8 "^54") + -- # velocity 0.8 +d8 $ gF3 $ gM1 + $ chop 16 + -- $ midiOn "60" (ply 2) + $ loopAt 2 + $ "break:4" + # pan 0.2 + # gain 0.8 + +a bf c ds e f gs diff --git a/live/midi/nova/fusion/funk_trap.tidal b/live/midi/nova/fusion/funk_trap.tidal new file mode 100644 index 0000000..e69de29 --- /dev/null +++ b/live/midi/nova/fusion/funk_trap.tidal diff --git a/live/midi/nova/nujazz/cafe_chaud.tidal b/live/midi/nova/nujazz/cafe_chaud.tidal new file mode 100644 index 0000000..6743db7 --- /dev/null +++ b/live/midi/nova/nujazz/cafe_chaud.tidal @@ -0,0 +1,85 @@ +resetCycles + +do +setcps(120/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +d1 $ gF1 $ gM2 + $ fix ((# lpf 150) . (|* gain 0.93)) "kick:5" + -- $ midiOn "^42" (<| "k k k >") + $ midiOn "^42" (<| "k k k ]!3 k*2>>") + -- $ midiOff "^42" (<| "k ~ ~ [~ <~ k>]") + -- $ fix (|* gain 0.85) "rampleS57" + $ "house:0" -- TODO: Meilleur kick? + -- # cut 1 + # gain 1 +d2 $ gF1 $ gM1 + $ midiOn "^43" (<| "~ c ~ c") + $ midiOff "^43" (<| "~ . ~ c*<1!3 <2!3 4>>") + $ "[cp:1,rampleM1:10]" + # gain 0.9 + # pan 0.6 + # room 0.84 # dry 0.95 # sz 0.1 + # lpf 4650 +d3 $ gF1 $ gM1 -- Highest hats + $ midiOff "^44" (slow 2) + $ arp "up" + $ midiOn "^76" (ply 2) + -- $ "d(<8 10 12 <14 [16 32 [16 <16 32>]]>>,16,1)" -- FIXME IRREGULIER + $ "d([16 <16 [8 <8 32 16 32>]>],32,0)" -- REGULIER :) + -- # "[h2ogmsn:14]" + # "[rampleS57:2]" + # note (-12 + "3.5" + "e6") + -- # cut 3 + # gain (0.7 * (range 0.85 1.05 (fast 4 perlin))) + # pan 0.3 +d4 $ gF2 $ gM3 -- TODO: Varier basse? + $ midiOn "^89" (ply "2 <2!3 4>") + $ midiOn "^57" (slice 4 (fast "<8!3 16>" "<0 1 2 3>")) + $ midiOff "^57" (slice 4 (fast 1 "<0!3 <1 3>>")) + $ loopAt 4 + $ "nujazz_bass120:4" + # cut 4 + # crushbus 41 (range 16 4 "^53") +d5 $ gF3 $ gM3 + $ chop 8 + $ loopAt 4 + $ "nujazz_keys120" + # n (slow 4 "<5 6 7 8>") + # gain 1.2 + # cut 5 +d6 $ gF1 -- UN GLITCH DANS MON CAFE!!?! + -- $ striate 16 + -- $ chop 16 + $ loopAt 4 + $ slice 4 "0 <0!3 1> <0!3 2> 3" + $ "meth_bass:4" + # cut 6 + # crush 8 + # lpf (slow 16 $ range 4000 400 sine) + # gain 0.4 +d8 $ gF1 $ gM1 -- Break populaire + $ midiOn "^92" (ply 2) + $ chop 8 + $ loopAt 2 + $ midiOn "^36" (loopAt "1 <1 0.5>" . (# "jungle_breaks:6")) + $ midiOn "^56" (# "jungle_breaks:24") + $ "jungle_breaks:53" + # gain 0.5 + # pan "0.68 0.42 0.42 0.68" +d7 $ gF1 $ gM1 -- SECOND BREAK!!?! + $ midiOn "^91" (ply 2) + $ midiOn "^55" (loopAt 1 . (|> "jungle_breaks:19")) + $ midiOn "^59" (slice 8 (run "8 <8!3 16>")) + $ chop 8 + $ loopAt 2 + $ "jungle_breaks:22" + # pan "0.8 0.2" diff --git a/live/midi/nova/nujazz/cafe_glace.tidal b/live/midi/nova/nujazz/cafe_glace.tidal new file mode 100644 index 0000000..49b1070 --- /dev/null +++ b/live/midi/nova/nujazz/cafe_glace.tidal @@ -0,0 +1,106 @@ +once $ "nujazz_beats120" + +-- It's a nuday +-- It's a new sample + +resetCycles + +do +setcps(125/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +d1 $ gF1 $ gM2 + $ fix ((# lpf 150) . (|* gain 0.93)) "kick:5" + $ midiOn "^42" (<| "k k k >") + $ midiOff "^42" (<| "k ~ ~ [~ <~ k>]") + $ "[kick:5,tech:5,jazz]" + # gain 1 +d2 $ gF1 $ gM1 + $ midiOn "^43" (<| "~ c ~ c") + $ midiOff "^43" (<| "~ . c*<1!3 <2!3 4>> ~") + $ "[cp]" + # gain 0.9 + # lpf 4650 +d3 $ gF1 $ gM1 -- Highest hats + $ midiOn "^44" (ply 2) + $ midiOn "^76" (ply 2) + $ "drum:2*[<6!3 12> <6 [8 <12 24>]>]" + # "h2ogmsn:12" + # cut 3 + # legato (range 0.28 1 sine) + # gain (0.7 * (range 0.85 1.05 (fast 4 perlin))) + # room 0.14 # sz 0.4 # dry 1 + # pan "<0.7!16 0.3!16>" + -- # pan 0.8 +d4 $ gM3 $ gF2 $ chop 8 $ loopAt 4 + $ "nujazz_bass125:1" + # cut 4 + # pan 0.55 + # room 0.3 + # crushbus 41 (range 12 4.5 "^53") +d5 $ gM3 $ gF3 + $ chop 8 + $ loopAt 2 + $ "nujazz_keys125" # n "<56 56 57 56 58!4 59 59 56 59>" + # cut 5 + # pan 0.6 +d7 $ gM3 $ gF3 + $ chop 8 + $ loopAt 2 + $ "nujazz_keys125" # n "<66!4 67!4>" + # cut 7 + # octerbus 71 (range 0 0.5 "^55") + # pan 0.1 +d12 $ gM3 $ gF3 + $ slice 4 "<<[0 1 2 3] [0 1 0 1 2 3 2 3]> [0 1 2 3]>" + $ chop 8 + $ loopAt 2 $ "nujazz_keys125:44" + # cut 5 + # gain 0.8 + # pan 0.7 + # room 0.2 +d11 $ gM3 $ gF3 + -- $ (0.5 <~) + $ loopAt 2 + $ "nujazz_keys125" + # n "<4!3 5>" + # cut 5 + # roombus 110 (slow 16 $ range 0 0.9 saw) + # lpfbus 112 (slow 32 $ range 12000 500 sine) + # att 0.02 + # rel 7 + # gain 0.9 +d8 $ gM1 $ gF1 + -- Transforms over samples + $ midiOn "^60" (iter "1 4") -- Split + $ midiOn "^92" (fast 2) -- Multi + $ chop 16 + $ loopAt 2 + -- Sample selection + $ midiOn "^36" (# n 33) + $ midiOn "^56" (loopAt 1 . (# "break:7")) + $ "jungle_breaks:20" + # cut 8 + # pan "<0.3!16 0.7!16>" + # gain 0.78 +d10 $ gM3 $ gF3 + $ superimpose ( + mask "" + . arp "" + . (|+ note "c'maj'4") . (|* gain 0.75)) + $ note (" >" + "0(3,8) 0(3,8)" + -- - 12 + ) + # "[FMRhodes1]" + # modIndex 1 + # room 0.2 + # pan 0.45 + # gain 1.2 diff --git a/live/midi/nova/nujazz/cafe_tiede.tidal b/live/midi/nova/nujazz/cafe_tiede.tidal new file mode 100644 index 0000000..8b4eb36 --- /dev/null +++ b/live/midi/nova/nujazz/cafe_tiede.tidal @@ -0,0 +1,98 @@ +resetCycles + +do +setcps(120/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +d1 $ gF1 $ gM2 + $ fix ((# lpf 150) . (|* gain 0.93)) "kick:5" + -- $ midiOn "^42" (<| "k k k >") + $ midiOn "^42" (<| "k k k ]!3 k*2>>") + -- $ midiOff "^42" (<| "k ~ ~ [~ <~ k>]") + -- $ fix (|* gain 0.85) "rampleS57" + $ "house:0" -- TODO: Meilleur kick? + -- # cut 1 + # gain 1 +d2 $ gF1 $ gM1 + $ midiOn "^43" (<| "~ c ~ c") + $ midiOff "^43" (<| "~ . ~ c*<1!3 <2!3 4>>") + $ "[cp:1,rampleM1:10]" + # gain 0.9 + # pan 0.6 + # room 0.84 # dry 0.95 # sz 0.1 + # lpf 4650 +d3 $ gF1 $ gM1 -- Highest hats + $ midiOff "^44" (slow 2) + $ arp "up" + $ midiOn "^76" (ply 2) + -- $ "d(<8 10 12 <14 [16 32 [16 <16 32>]]>>,16,1)" -- FIXME IRREGULIER + $ "d([16 <16 [8 <8 32 16 32>]>],32,0)" -- REGULIER :) + -- # "[h2ogmsn:14]" + # "[rampleS57:2]" + # note (-12 + "3.5" + "e6") + -- # cut 3 + # gain (0.7 * (range 0.85 1.05 (fast 4 perlin))) + # pan 0.3 +d4 $ gF2 $ gM3 + $ note ("e3 >" |+| "[0 ~ ~ 0 ~ ~ 0 ~] [0 ~ ~ 0 ~ <~ 0> 0 <~!3 0>]") + # crushbus 41 (range 16 4 "^53") + # "bassWarsaw" +d11 $ gF2 $ gM3 + $ chop 16 + $ loopAt 2 + $ "nujazz_bass120" + # n "<33!64 34!64>" + # pan 0.3 + # cut 4 + # att 0.06 # rel 2 + # crushbus 41 (range 16 3 (slow 16 $ perlin)) +d5 $ gF3 $ gM3 -- Piano guide premier + $ "nujazz_keys120" + # n "<61!24 60!8>" + # pan 0.8 + # roombus 51 (range 0.1 1.4 "^54") + # lpfbus 52 (range 10000 400 "^54") + # cut 5 + # gain 0.9 +d10 $ gF3 $ gM3 + $ someCyclesBy "<1!32 0!32>" (|+ note "") + $ someCyclesBy "<0!32 1!32>" (|+ note "") + $ note ( + "[0 12 0(<1!3 <3 [3 1]>>,5)]" + + "[0,12]" + - 12 + ) + # cut 10 + # "cpluck:4" +d7 $ gF1 $ gM1 -- SECOND BREAK!!?! + $ midiOn "^91" (ply 2) + $ midiOn "^55" (loopAt 1 . (|> "jungle_breaks:19")) + $ midiOn "^59" (slice 8 (run "8 <8!3 16>")) + $ chop 8 + $ loopAt 2 + $ "jungle_breaks:22" + # pan "0.8 0.2" +d8 $ gF1 $ gM1 -- Le Beat, Nu + $ midiOn "^60" (slice 8 $ run 16) + $ midiOn "^92" (ply "2 <2 <4 [4 8]>>") + $ chop 16 + $ midiOn "^36" (loopAt 0.5 . (# "jungle_breaks:6")) + $ midiOn "^56" (# "jungle_breaks:24") + $ loopAt 4 + $ n "<10!8 11!8 12!8 10!8>" + # pan "0.2 0.8 0.2 0.8" + # "nujazz_beats120" + -- # pan 0.26 + -- # gain 0.9 + -- # octersub 1.2 + -- # octersubsub 2 + # cut 8 + # gain 0.9 diff --git a/live/midi/nova/nujazz/josh_nu.tidal b/live/midi/nova/nujazz/josh_nu.tidal new file mode 100644 index 0000000..3bb41ee --- /dev/null +++ b/live/midi/nova/nujazz/josh_nu.tidal @@ -0,0 +1,143 @@ +once $ "nujazz_beats120" + +-- It's a nuday +-- It's a new sample + +resetCycles + +do +setcps(125/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +d1 $ gF1 $ gM2 + $ fix ((# lpf 150) . (|* gain 0.93)) "kick:5" + $ midiOn "^42" (<| "k k k >") + $ midiOff "^42" (<| "k ~ ~ [~ <~ k>]") + $ "[kick:5,tech:5,jazz]" + # gain 1 +d2 $ gF1 $ gM1 + $ midiOn "^43" (<| "~ c ~ c") + $ midiOff "^43" (<| "~ . c*<1!3 <2!3 4>> ~") + $ "[cp:1,rampleM1:10]" + # gain 0.9 + # lpf 4650 +d3 $ gF1 $ gM1 -- Highest hats + $ midiOn "^44" (ply 2) + $ midiOn "^76" (ply 2) + -- $ (0.125 ~>) -- decalage + -- $ whenmod 32 16 (sometimesBy "0 0.2!6 0" (ply 2)) + -- $ whenmod 64 8 (struct "t*<8 <4 <2 <1 [1 8]>>>>") + -- $ "d*<8 [8 [16 <8 16> 16 <8 4 <16 32>>]]>" + $ sometimesBy "0!3 <0 0.5>" (# n 12) + $ sometimesBy "0!3 <0.1 0>" (# n 13) + $ "d*[4 2]" + # "h2ogmsn:14" + # cut 3 + # legato (range 0.28 1 sine) + # gain (0.7 * (range 0.85 1.05 (fast 4 perlin))) + # room 0.14 # sz 0.4 # dry 1 + # pan 0.8 +d4 $ loopAt 4 + $ "nujazz_bass125:1" + # cut 4 + +d6 $ gF1 $ gM1 -- Highest hats + $ (0.125 ~>) -- decalage + $ whenmod 32 16 (sometimesBy "0 0.2!6 0" (ply 2)) + $ whenmod 64 8 (struct "t*<8 <4 <2 <1 [1 8]>>>>") + $ "hh:7" + # cut 3 + # gain (0.7 * (range 0.75 1.1 (fast 4 perlin))) + # legato (range 1.1 0.25 (fast 4 perlin)) + # room 0.4 # sz 0.4 + # pan 0.8 +d4 $ gF2 $ gM3 -- + $ midiOn "^57" ((off "0.125" ( + (|+| note "0 <7 12>") . (|- pan 0.1) . (# cut 41) + ))) + $ midiOn "^89" (ply "<4!3 8>") + $ note ("<[a4@4 c5 ] a4>" + + "[0,12]" + - 36 + ) + # "bassWarsaw" + # cut 4 + # gain 1.1 + # pan 0.3 + # octersub 0.5 + # octerbus 41 "^53" + # squizbus 42 "^33" +d5 $ gF3 $ gM3 -- Piano guide premier + $ midiOn "^58" (juxBy 0.9 ( -- Piano reflet second + mask "< [ t]>" . + (# begin 0.5) + . rev + . (|+ note 12) + . (|+ pan 0.2) + . (|* gain 0.87) + . (# cut 55)) + ) + $ slice 4 "<0 1 2 3 0 1 2 3 1 2 1 3 1 2 1 <~ 3>>" + $ "nujazz_keys120" + # n "<54!16 53!16>" + # pan 0.8 + # freezebus 51 (range 0 0.7 "^34") + # cut 5 + # gain 0.9 +d7 $ gF2 $ gM3 -- Guitare egaree + $ midiOn "^59" (ply 2) + $ midiOn "^91" (ply 2) + $ chop 4 + $ n "<0!3 1 0!3 1 3!3 4 3!3 5 6!3 7 6 6 7 7 6 7!3 7!4>" + -- $ n "<>" + # "nujazz_wahwah125" + # cut 7 + # pan 0.8 + # room 0.24 # sz 0.5 # dry 0.5 + # octersubbus 71 (range 0 2 "^55") + # octersubsubbus 72 (range 0 3 "^55") + # gain 1 +d8 $ gF1 $ gM1 -- JazzyBelle JazzyBreak + $ midiOn "^92" (ply "2 <2 <4 [4 8]>>") + $ chop 16 + $ midiOn "^36" (loopAt 0.5 . (# "jungle_breaks:24")) + $ midiOn "^56" (# "jungle_breaks:24") + $ loopAt 4 + $ n "<0!4 1!3 0 2!4 3!3 <2 3>>" + # "nujazz_beats120" + # pan 0.26 + # gain 0.7 + # octersub 1.2 + # octersubsub 2 + # cut 8 +d10 $ gF3 -- Pads + $ whenmod 64 132 ( -- ELECTRIFICATION + # octerbus 101 (slow 32 $ range 0.1 1.9 cosine) + ) + $ n "<47 <48!3 46>>" + # cut 10 + # "nujazz_keys120" + # room 0.5 # sz 0.8 # dry 0.5 + # pan 0.4 + # gain 0.75 +d9 $ gM3 $ gF3 -- La chorale du jugement + $ jux rev + $ note "<[a4@3 ] e5 [] >" + # "moogBass" + # chorus 0.2 + # gain 0.5 + # att 0.3 + # rel 2 + # room 0.8 + # sz 0.8 + # pan 0.8 + +once $ "jungle_vocals:28" # cut 6 diff --git a/live/midi/nova/nujazz/nu_dans_la_boue.tidal b/live/midi/nova/nujazz/nu_dans_la_boue.tidal new file mode 100644 index 0000000..e6f32a5 --- /dev/null +++ b/live/midi/nova/nujazz/nu_dans_la_boue.tidal @@ -0,0 +1,162 @@ +once $ "nujazz_beats120" +resetCycles + +do +setcps(120/60/4) +let gMask = (midiOn "^41" (mask "t f f [ t]")) +let gMask1 = (midiOn ("^41" -"^42")(mask "t f f [ t]")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +d1 $ gF1 $ gMask1 . gMute2 + -- $ fix ((# hpf 150) . (|* gain 1.05)) "jazz" + $ fix ((# lpf 1250) . (|* gain 1.3)) "kick:5" + $ midiOn "^42" (<| "k k k >") + $ midiOff "^42" (<| "k ~ ~ [~ <~ k>]") + $ "[kick:5,tech:5,jazz]" + # gain 1.1 +d2 $ gF1 $ gM1 + $ midiOn "^43" (<| "~ c ~ c") + $ midiOff "^43" (<| "~ . c*<1!3 <2!3 4>> ~") + $ "[cp:1,rampleM1:10]" + # gain 0.6 + # lpf 4650 +d3 $ gF1 $ gM1 -- Highest hats + $ midiOn "^76" (ply 2) + -- $ (0.125 ~>) -- decalage + -- $ whenmod 32 16 (sometimesBy "0 0.2!6 0" (ply 2)) + -- $ whenmod 64 8 (struct "t*<8 <4 <2 <1 [1 8]>>>>") + $ "d*<8 [8 [16 <8 16> 16 <8 4 <16 32>>]]>" # "drum:2" + # cut 3 + # legato (range 0.28 1 sine) + # gain (0.7 * (range 0.85 1.05 (fast 4 perlin))) + # room 0.14 # sz 0.4 # dry 1 + # pan 0.8 +d4 $ gF2 $ gM3 -- Questions basses + $ midiOn "^89" (slice 8 "<[0 0 0 3] [4 4 4 7]>") + $ midiOn ("^57"-"^89") (slice 8 "<[0 1 2 3]!4 [4 5 6 7]!4>") + $ midiOff ("^57"+"^89") (slice 8 "<[0 1 2 3] [4 5 6 7]>") + $ "nujazz_bass120:16" -- "Bass_D_2" + # octersub 0.5 + # octerbus 41 "^53" + # crushbus 42 (range 16 4.5 "^33") + # lpfbus 43 (range 10000 4000 "^33") + # room 0.4 # sz 0.5 # dry 1.1 + # cut 4 + # pan 0.6 +d5 $ gF3 $ gM3 -- Side guitar + $ midiOn "^89" (ply "<2!3 4>" . (|+ note "<2 1>")) + $ midiOn ("^57"-"^89") (|+ note "<1!4 2!4>") + $ midiOff ("^57"+"^89") (|+ note "<2 1>") + $ chop 4 + $ "nujazz_guitar120:1" + # cut 5 +d9 $ gF3 $ gM3 -- Ambiance garantie + $ chop 8 + $ "nujazz_keys120/4" # n "<25!4 26!3 <26 27>>" + # cut 9 + # pan 0.3 + # gain 0.8 + # room 0.4 +d6 $ gF1 $ gM1 -- Highest hats + -- $ (0.125 ~>) -- decalage + -- $ whenmod 32 16 (sometimesBy "0 0.2!6 0" (ply 2)) + $ whenmod 64 8 (struct "{t(<3 <5 6 7>>,8),t*4}") + $ "hh:7" + # cut 3 + # gain (0.7 * (range 0.75 1.1 (fast 4 perlin))) + # legato (range 1.1 0.25 (fast 4 perlin)) + # room 0.4 # sz 0.4 + # pan 0.2 +d7 $ gM3 $ gF2 + $ midiOn "^91" (ply "<2!4 1!3> <2 4>") + $ chop 8 + $ whenmod 16 8 (whenmod 4 3 (ply "<2 4>") . chop 8) + $ "meth_bass:19" + # end 0.5 + # begin "<0!4 0.2!4>" + # cut 7 + # room 0.4 + # lpf 5000 + # octer 0 + # octersubsub 0 + -- # note "<0!4 2!4>" + # gain 0.6 +d8 $ gF1 $ gM1 + $ midiOn "^92" (ply "<2!4 1!3> <2 4>") + $ somecyclesBy (slow 16 $ range 0.89 0.1 saw) (midiOff "^92" (mask "t f . t(3,8)")) + $ iter "1 4 2 1" + $ chop 16 + $ loopAt 2 + $ "jungle_breaks:42" + # gain 0.6 + # pan (slow 8 $ range 0.8 0.55 saw) +d10 $ "" + +-- d5 $ gF3 $ gM3 -- Piano guide premier +-- $ midiOn "^58" (juxBy 0.9 ( -- Piano reflet second +-- mask "< [ t]>" . +-- (# begin 0.5) +-- . rev +-- . (|+ note 12) +-- . (|+ pan 0.2) +-- . (|* gain 0.87) +-- . (# cut 55)) +-- ) +-- $ slice 4 "<0 1 2 3 0 1 2 3 1 2 1 3 1 2 1 <~ 3>>" +-- $ "nujazz_keys120" +-- # n "<54!16 53!16>" +-- # pan 0.3 +-- # cut 5 +-- # gain 0.9 +-- d7 $ gF2 $ gM3 -- Guitare egaree +-- $ midiOn "^59" (ply 2) +-- $ midiOn "^91" (ply 2) +-- $ chop 4 +-- $ n "<0!3 1 0!3 1 3!3 4 3!3 5 6!3 7 6 6 7 7 6 7!3 7!4>" +-- -- $ n "<>" +-- # "nujazz_wahwah125" +-- # cut 7 +-- # pan 0.8 +-- # room 0.4 +-- # octersubbus 71 (range 0 2 "^55") +-- # octersubsubbus 72 (range 0 3 "^55") +-- # gain 0.6 +-- d8 $ gF1 $ gM1 -- JazzyBelle JazzyBreak +-- $ midiOn "^92" (ply "2 <2 <4 [4 8]>>") +-- $ chop 16 +-- $ loopAt 4 +-- $ n "<0!4 1!3 0 2!4 3!3 <2 3>>" +-- # "nujazz_beats120" +-- # pan 0.26 +-- # gain 0.7 +-- # cut 8 +-- d10 $ gF3 -- Pads +-- $ whenmod 64 132 ( -- ELECTRIFICATION +-- # octerbus 101 (slow 32 $ range 0.1 1.9 cosine) +-- ) +-- $ n "<47 <48!3 46>>" +-- # cut 10 +-- # "nujazz_keys120" +-- # room 0.5 # sz 0.8 # dry 0.5 +-- # pan 0.4 +-- # gain 0.55 +-- d9 $ gM3 $ gF3 +-- $ jux rev +-- $ note "<[a4@3 ] e5 [] >" +-- # "moogBass" +-- # chorus 0.2 +-- # gain 0.5 +-- # att 0.3 +-- # rel 2 +-- # room 0.8 +-- # sz 0.8 +-- # pan 0.8 + +once $ "jungle_vocals:28" # cut 6 diff --git a/live/midi/nova/nujazz/salut_nu.tidal b/live/midi/nova/nujazz/salut_nu.tidal new file mode 100644 index 0000000..5892a8d --- /dev/null +++ b/live/midi/nova/nujazz/salut_nu.tidal @@ -0,0 +1,139 @@ +once $ "nujazz_beats120" + +-- It's a nuday +-- It's a new sample + +resetCycles + +do +setcps(120/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +d1 $ gF1 $ gM2 + $ fix ((# lpf 150) . (|* gain 0.93)) "kick:5" + $ midiOn "^42" (<| "k k k >") + $ midiOff "^42" (<| "k ~ ~ [~ <~ k>]") + $ "[kick:5,tech:5,jazz]" + # gain 1 +d2 $ gF1 $ gM1 + $ midiOn "^43" (<| "~ c ~ c") + $ midiOff "^43" (<| "~ . c*<1!3 <2!3 4>> ~") + $ "[cp:1,rampleM1:10]" + # gain 0.9 + # lpf 4650 +d3 $ gF1 $ gM1 -- Highest hats + $ midiOn "^44" (ply 2) + $ midiOn "^76" (ply 2) + -- $ (0.125 ~>) -- decalage + -- $ whenmod 32 16 (sometimesBy "0 0.2!6 0" (ply 2)) + -- $ whenmod 64 8 (struct "t*<8 <4 <2 <1 [1 8]>>>>") + -- $ "d*<8 [8 [16 <8 16> 16 <8 4 <16 32>>]]>" + $ sometimesBy "0!3 <0 0.5>" (# n 12) + $ sometimesBy "0!3 <0.1 0>" (# n 13) + $ "d*[4 2]" + # "h2ogmsn:14" + # cut 3 + # legato (range 0.28 1 sine) + # gain (0.7 * (range 0.85 1.05 (fast 4 perlin))) + # room 0.14 # sz 0.4 # dry 1 + # pan 0.8 +d6 $ gF1 $ gM1 -- Highest hats + $ (0.125 ~>) -- decalage + $ whenmod 32 16 (sometimesBy "0 0.2!6 0" (ply 2)) + $ whenmod 64 8 (struct "t*<8 <4 <2 <1 [1 8]>>>>") + $ "hh:7" + # cut 3 + # gain (0.7 * (range 0.75 1.1 (fast 4 perlin))) + # legato (range 1.1 0.25 (fast 4 perlin)) + # room 0.4 # sz 0.4 + # pan 0.8 +d4 $ gF2 $ gM3 -- + $ midiOn "^57" ((off "0.125" ( + (|+| note "0 <7 12>") . (|- pan 0.1) . (# cut 41) + ))) + $ midiOn "^89" (ply "<4!3 8>") + $ note ("<[a4@4 c5 ] a4>" + + "[0,12]" + - 36 + ) + # "bassWarsaw" + # cut 4 + # gain 1.1 + # pan 0.3 + # octersub 0.5 + # octerbus 41 "^53" + # squizbus 42 "^33" +d5 $ gF3 $ gM3 -- Piano guide premier + $ midiOn "^58" (juxBy 0.9 ( -- Piano reflet second + mask "< [ t]>" . + (# begin 0.5) + . rev + . (|+ note 12) + . (|+ pan 0.2) + . (|* gain 0.87) + . (# cut 55)) + ) + $ slice 4 "<0 1 2 3 0 1 2 3 1 2 1 3 1 2 1 <~ 3>>" + $ "nujazz_keys120" + # n "<54!16 53!16>" + # pan 0.8 + # freezebus 51 (range 0 0.7 "^34") + # cut 5 + # gain 0.9 +d7 $ gF2 $ gM3 -- Guitare egaree + $ midiOn "^59" (ply 2) + $ midiOn "^91" (ply 2) + $ chop 4 + $ n "<0!3 1 0!3 1 3!3 4 3!3 5 6!3 7 6 6 7 7 6 7!3 7!4>" + -- $ n "<>" + # "nujazz_wahwah125" + # cut 7 + # pan 0.8 + # room 0.24 # sz 0.5 # dry 0.5 + # octersubbus 71 (range 0 2 "^55") + # octersubsubbus 72 (range 0 3 "^55") + # gain 1 +d8 $ gF1 $ gM1 -- JazzyBelle JazzyBreak + $ midiOn "^92" (ply "2 <2 <4 [4 8]>>") + $ chop 16 + $ midiOn "^36" (loopAt 0.5 . (# "jungle_breaks:24")) + $ midiOn "^56" (# "jungle_breaks:24") + $ loopAt 4 + $ n "<0!4 1!3 0 2!4 3!3 <2 3>>" + # "nujazz_beats120" + # pan 0.26 + # gain 0.7 + # octersub 1.2 + # octersubsub 2 + # cut 8 +d10 $ gF3 -- Pads + $ whenmod 64 132 ( -- ELECTRIFICATION + # octerbus 101 (slow 32 $ range 0.1 1.9 cosine) + ) + $ n "<47 <48!3 46>>" + # cut 10 + # "nujazz_keys120" + # room 0.5 # sz 0.8 # dry 0.5 + # pan 0.4 + # gain 0.75 +d9 $ gM3 $ gF3 -- La chorale du jugement + $ jux rev + $ note "<[a4@3 ] e5 [] >" + # "moogBass" + # chorus 0.2 + # gain 0.5 + # att 0.3 + # rel 2 + # room 0.8 + # sz 0.8 + # pan 0.8 + +once $ "jungle_vocals:28" # cut 6 diff --git a/live/mood/sad/infiltrations.tidal b/live/mood/sad/infiltrations.tidal new file mode 100644 index 0000000..e284f0d --- /dev/null +++ b/live/mood/sad/infiltrations.tidal @@ -0,0 +1,82 @@ +once $ "dr" + +-- INFILTRATIONS +-- Chemin de moindre pente +-- L'eau coule toujours vers le bas +-- Tension, reaction, detente +-- Mais dans la suite logique quelque-chose ne va pas + +-- La larme qui coule, elle merite de tomber +-- Le nuage qui deborde ne demande qu'a percer +-- Le ruisseau qui s'egare peut toujours diverger +-- Le ruminement hagard un jour va s'arreter + +-- Et pourtant nous sommes tous fait d'eau +-- Rinces, trempes, et pourtant ravis +-- Sois comme l'eau, mon ami +-- Sois comme l'eau, mon ami + + + +do +setcps (80/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +d1 $ gF1 $ gM2 + $ superimpose ((|* gain (1.3 * "^30")) . (# "hardkick:2")) + $ midiOn "^42" (<| "k k k ]>>") + $ "kick:5" + # lpf 200 +d2 $ gF1 $ gM1 + $ midiOn "^75" (ply 4) + $ midiOn "^43" (<| "~ s*<1!7 2> ~ s*<1!3 2>") + $ midiOff "^43" (<| "~ s") + $ whenmod 4 3 (superimpose (("" <~) . (|* gain 0.9))) + $ "[snare:2,snare:10]" + # octer 0.1 + # octersub 0.2 + # octersubsub 0.8 + # pan 0.25 + -- # lpf 3000 +d3 $ gF1 $ gM1 + $ often (ply "[1 2] <2!3 [2 4]>") + $ "hh(3,8) hh(3,8)" + # octer 0.8 + # room 0.4 + |* gain "1 1 0.95 1 0.96 1 0.975 1.1" +d4 $ gF2 $ gM3 $ note ( + ">>" + - 24 + ) + # "bassWarsaw" + # octersubbus 42 (range 0 1.5 "^17") + # squizbus 42 (range 0 2.5 "^33") + # crushbus 41 (range 16 2.5 "^53") + # room 0.3 # sz 0.6 # dry 0.5 +d5 $ gF3 $ gM3 $ note ( + ">>" + |+| "<0 [0 12 0]> 7@2 <0!3 <12 -12>>" + -- + 12 + ) + # "giorgio_syn:24" + # legato 2 + # squiz (slow 16 $ range 0 (range 0 4 "^54") saw) + # gain 0.8 + # pan (slow 8 $ range 0.8 0.6 saw) + # cut 5 +d8 $ gF1 $ gM1 + $ midiOn "^20" (loopAt 4) + $ midiOn "^36" (# "jungle_breaks:14") + $ midiOn "^56" (# "jungle_breaks:15") + $ midiOn "^92" (ply "<2!3 [4!3 8]>") + $ chop 8 + $ loopAt 2 + $ midiOn "^60" (slice 8 (run "<4!3 2>")) + $ "jungle_breaks:12" + # cut 8 + # pan "0.8 0.2 0.8 [0.2 0.8]*2" diff --git a/releases/code_nu.md b/releases/code_nu.md new file mode 100644 index 0000000..7f4d685 --- /dev/null +++ b/releases/code_nu.md @@ -0,0 +1,9 @@ +# Code nu +> Nu-jazz focus + +Invoque l'ete +Cafe chaud +Cafe tiede +Cafe glace +Nu dans la boue? +Salut Nu diff --git a/releases/glitchs_and_friends.md b/releases/glitchs_and_friends.md new file mode 100644 index 0000000..18a6711 --- /dev/null +++ b/releases/glitchs_and_friends.md @@ -0,0 +1,15 @@ +# GLITCHS AND FRIENDS +> Name in progress + +Oct4 - Glitchs sauvages +Contre Visite +**Nuit agitee** [trop fort] +Bain bouillant +Nouveau soleil +_Permanence_ +Haunted house +About time +AtaRight +Empreinte du numerique +Burn this book +Force Motrice [DNB Nassim] diff --git a/study/chords/lofi.tidal b/study/chords/lofi.tidal index 85ebfa1..28b051f 100644 --- a/study/chords/lofi.tidal +++ b/study/chords/lofi.tidal @@ -20,6 +20,7 @@ do let modIndex = pF "modIndex" d1 -- $ slow 4 -- Helper: slow down +# $ note ( -- midiOn "^43" (arp "up") -- Helper: arpegiate every other chord -- [8 LoFi Chord Progs](https://blog.landr.com/lofi-chord-progressions/) @@ -31,7 +32,7 @@ d1 -- "<[a,c6,e6,g6,b6,d7] [fs,a,c6,d6,fs6,a6,c7] [f,a,c6,e6,f6,a6,c7] [c,e,g,b,e6,g6,b6]>" -- -- # Cmin11,Fmin9,Cmin11,G7#5 - Enthusiasm - -- "<[c,ef,g,bf,d6,f6] <[c,f,af,c6,ef6,g6,bf6] [g,b,ds6,f6,g6,b6,ds7]>>" + "<[c,ef,g,bf,d6,f6] <[c,f,af,c6,ef6,g6,bf6] [g,b,ds6,f6,g6,b6,ds7]>>" -- -- # Ebmaj9,Abmaj13 - ???(3:34) - Very uplfting -- "<[f,gs,c,ef,g6,bf6] [ef,g,bf,d6,f6,as6]>" diff --git a/study/samples/blues_elmo.tidal b/study/samples/blues_elmo.tidal deleted file mode 100644 index 5980a1e..0000000 --- a/study/samples/blues_elmo.tidal +++ /dev/null @@ -1,10 +0,0 @@ - -do -setcps (120/60/4) -d1 $ "k(1,4)" # "cpu" # gain 0.8 -d2 $ "~ sn ~ sn" # "snare:32" -d3 $ fast "4" $ "drum:2" - -once - $ "blues_elmore:4" - # cut 4 # gain 0.8 diff --git a/study/samples/disparition_elmo.tidal b/study/samples/disparition_elmo.tidal new file mode 100644 index 0000000..ceac0f2 --- /dev/null +++ b/study/samples/disparition_elmo.tidal @@ -0,0 +1,66 @@ +do +setcps (125/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +d1 $ gF1 $ gM2 + $ midiOn "^42" (<| "k k k k") + $ midiOff "^42" (<| "k . [k*<1 2 <1 2> <1 <4 [4 2]>>>] ~") + $ "jazz" +d2 $ gF1 $ gM1 + $ "~ s ~ s*2" # "" # note "<-0.5!3 -4.5>" + # gain 0.8 +d3 $ gF1 $ gM1 $ "hh(<3!3 <3 5 7 1>>,8) hh(<3!3 5>,8)" + # "h2ogmhh" + # gain 0.8 +d4 $ gF2 $ gM3 -- Blues "Fenbass" bassline + $ sometimesBy (1 - "^17") (# n "7") + $ midiOn "^89" (ply "2 4") + $ midiOn "^57" ( -- SLICING MACHINE + slice 16 ("<0 4 8 12>" + + "<[0 1 2 3]!8 [<0 3 1 <3 2>>*8]!8>")) + -- $ chop 16 + $ "nujazz_bass125:6" + # crushbus 41 (range 16 4 "^53") + # roombus 42 (range 0 0.4 "^33") + # pan 0.4 + # cut 4 +d5 $ gF3 $ gM3 -- Pixelated love + $ swing 16 + $ arp "up" + -- Shape of my pixel hearts ) + $ whenmod 64 8 (|+| note "0 12 0 <12!8 [12 24 12 0 12]!4 [12 0 12 -12 0]!3 [[12 24]*8]>") + $ note ( + ">" -- Gamme + - 12 -- Octave + ) + # "FMRhodes1" # cut 5 + # roombus 52 (range 0 0.4 "^34") + # modIndex "^54" + # pan 0.7 +d10 + $ off 0.5 ((# n 6) . (|* gain 0.35) . (|+ pan 0.1)) + $ note ( + ">" + -- + "0 0 0 0" + ) + # "cbow:1" + -- # cut 10 + -- # att 0.5 + -- # rel 2 + # legato 0.8 + # gain 0.5 +d11 $ gF3 $ gM3 + $ note ("~ 0 ~ 0" + ">>" +3) + # "daft" + # end 0.05 + # gain 0.7 + # room 0.8 # sz 0.8 # dry 1.9 +d8 + $ chop 4 + $ loopAt 2 + $ "jungle_breaks:45"