From b9a7c478cc54f5a3f73a60c6f51772992bc64463 Mon Sep 17 00:00:00 2001 From: Paul-Louis NECH Date: Sat, 9 May 2020 20:16:59 +0200 Subject: [PATCH] chore: file naming --- live/hardcore/distant_adventure.tidal | 129 --------------------------------------------------------------------------------------------------------------------------------- live/hardcore/dure_liberte.tidal | 99 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ 2 files changed, 99 insertions(+), 129 deletions(-) delete mode 100644 live/hardcore/distant_adventure.tidal create mode 100644 live/hardcore/dure_liberte.tidal diff --git a/live/hardcore/distant_adventure.tidal b/live/hardcore/distant_adventure.tidal deleted file mode 100644 index f0e3597..0000000 --- a/live/hardcore/distant_adventure.tidal +++ /dev/null @@ -1,129 +0,0 @@ - - --- Liberté Dure --- Ou, le pair programming hardcore -do - unsolo 1 -- kick - unsolo 2 -- hihats - unsolo 3 -- drumroll - unsolo 4 -- basse - unsolo 5 -- Glitchs statics - unsolo 6 -- Guerre - unsolo 7 -- LIBRE - -do - solo 1 -- kick - solo 2 -- hihats - solo 3 -- drumroll - solo 4 -- basse - solo 5 -- Glitchs statics - solo 6 -- Guerre - solo 7 -- LIBRE - -once $ s "hardkick" - -do - let bpm = 155 - let gKick = 0.6 - let gBass = 0.35 - let gDrums = 0.7 - let gSamples = 1 - let gGlitch = 0.7 - let mesures = 32 - let mPont = 16 - setcps (bpm/60/4) - d1 -- Kick un peu rythme - $ slow 4 - -- $ whenmod mesures (mesures - 1) (# gain ("0 1" * gKick)) - -- $ whenmod mesures mPont (# gain 0) - $ s "k(<4!2 5!2 4!4 8 7 5 8 5>,8)" - # s "kick:5" # gain gKick - # crush ("[2|3]" * 8) - d2 -- Batterie hihats sexy - $ sometimesBy "0 0.5 0.75 <1!7 0>" (fast 2) - $ s "h h h h*<1 2 1!2 2!4 1!2 2 1>" # s "ho hc" - # n (irand 4) - # gain ((slow 8 $ range 0.8 1 saw) * (gDrums * 0.8)) - d3 -- drumroll - $ fast "16 <8!3 16>" - $ s "dr" - # gain (slow mesures $ range (gDrums - 0.2) gDrums saw) - d4 -- Basse lead - $ juxBy 0.25 (|+ note "[0]") - $ superimpose ( - # crush "<2!3 1>" - ) - $ note (scale "aeolian" ( -- gamme choisie - "<0 0*2 0*3 [0(3,8) <[2*2 4] [2 4]>]>" -- melodie - ) - - 24 -- ou ca: deux octaves en dessous - ) - # s "supersaw" # voice (slow 4 "<1 0.1 0.01!2>") - # gain gBass - d5 -- Static rythme random - $ s "glitch:2([2|4|8],4)" # speed (range 0.1 0.8 rand) - # gain ((slow 32 $ range 1 0.8 isaw) * gGlitch) - d6 -- MACRON VOICE - $ always (# crush 4) - $ whenmod 4 3 (# silence) - $ n "{3 6 0}" # s "macron" # cut 6 - # lpf 800 - # gain (gSamples - 0.1) - # pan (slow 32 $ range 0.7 0.2 sine) - d7 -- BOT OPPOSITION - $ whenmod 4 3 (# gain (gSamples + 0.1)) - $ n "0(1,4,1)" # s "ondes" - # begin 0.95 # cut 7 - # pan (slow 32 $ range 0.3 0.8 cosine) - # note (2) - # sustain 2 - # gain 0 - - -once $ s "ondes" # begin 0.95 -- libre - -once $ s "ondes:1" # begin 0.508 # end 0.68 -- une variation reversible - -do - let nousGuerre = n "{3 6 0}" # s "macron" # begin 0 - let enGuerre = s "macron:0" # begin 0.5 - let guerre = s "macron:0" # begin 0.55 - once $ nousGuerre # cut 1 - - - -do - let cutB = 0.508 - let cutE = 1 - once $ s "ondes:1" # begin cutB # end cutE # cut 1 -- une onde - --- perturbation --- variation - - -# begin 0.1 # end 0.25 # cut 1 - - -once $ s "glitch*4" # n "[2]" # gain 0.8 - - d8 -- hardkick gabber vilain! - $ whenmod 32 16 (# gain 0) - $ s "hardkick" # gain 0 - -d4 $ loopAt 4 $ s "bev/4" # crush 8 # gain 0.9 - - --- Elements de style: --- "a distorted bass drum sound, overdriven to the point where it becomes clipped into a distorted square wave and makes a recognizably melodic tone. " - --- Mainstream hardcore tracks typically include samples and synthesized melodies with the typical tempo ranging from 165 to 180 bpm. Violence, drugs and profanity are common themes in mainstream hardcore, perceptible through its samples and lyrics, often screamed, pitch shifted, or distorted. - --- Lots of tracks rely on a clean, detuned supersaw lead, similar to uplifting trance and can therefore sound "happy". - - --- Raggatek elements ? Drums analogues et synthe fou contretemps? -once $ s "ondes" - --- Samples - --- [Nous sommes] En guerre diff --git a/live/hardcore/dure_liberte.tidal b/live/hardcore/dure_liberte.tidal new file mode 100644 index 0000000..c3606dc --- /dev/null +++ b/live/hardcore/dure_liberte.tidal @@ -0,0 +1,99 @@ +-- Liberté Dure +-- Ou, le pair programming hardcore +do + unsolo 1 -- kick + unsolo 2 -- hihats + unsolo 3 -- drumroll + unsolo 4 -- basse + unsolo 5 -- Glitchs statics + unsolo 6 -- Guerre + unsolo 7 -- LIBRE + +do + solo 1 -- kick + solo 2 -- hihats + solo 3 -- drumroll + solo 4 -- basse + solo 5 -- Glitchs statics + solo 6 -- Guerre + solo 7 -- LIBRE + +once $ s "hardkick" + +do + let bpm = 155 + let gKick = 0.6 + let gBass = 0.35 + let gDrums = 0.7 + let gSamples = 1 + let gGlitch = 0.7 + let mesures = 32 + let mPont = 16 + setcps (bpm/60/4) + d1 -- Kick un peu rythme + $ slow 4 + -- $ whenmod mesures (mesures - 1) (# gain ("0 1" * gKick)) + -- $ whenmod mesures mPont (# gain 0) + $ s "k(<4!2 5!2 4!4 8 7 5 8 5>,8)" + # s "kick:5" # gain gKick + # crush ("[2|3]" * 8) + d2 -- Batterie hihats sexy + $ sometimesBy "0 0.5 0.75 <1!7 0>" (fast 2) + $ s "h h h h*<1 2 1!2 2!4 1!2 2 1>" # s "ho hc" + # n (irand 4) + # gain ((slow 8 $ range 0.8 1 saw) * (gDrums * 0.8)) + d3 -- drumroll + $ fast "16 <8!3 16>" + $ s "dr" + # gain (slow mesures $ range (gDrums - 0.2) gDrums saw) + d4 -- Basse lead + $ juxBy 0.25 (|+ note "[0]") + $ superimpose ( + # crush "<2!3 1>" + ) + $ note (scale "aeolian" ( -- gamme choisie + "<0 0*2 0*3 [0(3,8) <[2*2 4] [2 4]>]>" -- melodie + ) + - 24 -- ou ca: deux octaves en dessous + ) + # s "supersaw" # voice (slow 4 "<1 0.1 0.01!2>") + # gain gBass + d5 -- Static rythme random + $ s "glitch:2([2|4|8],4)" # speed (range 0.1 0.8 rand) + # gain ((slow 32 $ range 1 0.8 isaw) * gGlitch) + d6 -- MACRON VOICE + $ always (# crush 4) + $ whenmod 4 3 (# silence) + $ n "{3 6 0}" # s "macron" # cut 6 + # lpf 800 + # gain (gSamples - 0.1) + # pan (slow 32 $ range 0.7 0.2 sine) + d7 -- BOT OPPOSITION + $ whenmod 4 3 (# gain (gSamples + 0.1)) + $ n "0(1,4,1)" # s "ondes" + # begin 0.95 # cut 7 + # pan (slow 32 $ range 0.3 0.8 cosine) + # note (2) + # sustain 2 + # gain 0 + +once $ s "ondes" # begin 0.95 -- libre + +once $ s "ondes:1" # begin 0.508 # end 0.68 -- une variation reversible + +do + let cutB = 0.508 + let cutE = 1 + once $ s "ondes:1" # begin cutB # end cutE # cut 1 -- une onde + +-- Elements de style: +-- "a distorted bass drum sound, overdriven to the point where it becomes clipped into a distorted square wave and makes a recognizably melodic tone. " +-- Mainstream hardcore tracks typically include samples and synthesized melodies with the typical tempo ranging from 165 to 180 bpm. Violence, drugs and profanity are common themes in mainstream hardcore, perceptible through its samples and lyrics, often screamed, pitch shifted, or distorted. +-- Lots of tracks rely on a clean, detuned supersaw lead, similar to uplifting trance and can therefore sound "happy". + +-- Raggatek elements ? Drums analogues et synthe fou contretemps? +once $ s "ondes" + +-- Samples +-- [Nous sommes] En guerre +-- LIBRE -- libgit2 0.27.0