diff --git a/live/hardcore/distant_adventure.tidal b/live/hardcore/dure_liberte.tidal
similarity index 93%
rename from live/hardcore/distant_adventure.tidal
rename to live/hardcore/dure_liberte.tidal
index f0e3597..c3606dc 100644
--- a/live/hardcore/distant_adventure.tidal
+++ b/live/hardcore/dure_liberte.tidal
@@ -1,5 +1,3 @@
-
-
 -- Liberté Dure
 -- Ou, le pair programming hardcore
 do
@@ -79,51 +77,23 @@ do
     # sustain 2
     # gain 0
 
-
 once $ s "ondes" # begin 0.95  -- libre
 
 once $ s "ondes:1" # begin 0.508 # end 0.68  -- une variation reversible
 
 do
-  let nousGuerre = n "{3 6 0}" # s "macron" # begin 0
-  let enGuerre = s "macron:0" # begin 0.5
-  let guerre = s "macron:0" # begin 0.55
-  once $ nousGuerre # cut 1
-
-
-
-do
   let cutB = 0.508
   let cutE = 1
   once $ s "ondes:1" # begin cutB # end cutE # cut 1  -- une onde
 
--- perturbation
--- variation
-
-
-# begin 0.1 # end 0.25 # cut 1
-
-
-once $ s "glitch*4" # n "[2]" # gain 0.8
-
-  d8 -- hardkick gabber vilain!
-    $ whenmod 32 16 (# gain 0)
-    $ s "hardkick" # gain 0
-
-d4 $ loopAt 4 $ s "bev/4" # crush 8 # gain 0.9
-
-
 -- Elements de style:
 -- "a distorted bass drum sound, overdriven to the point where it becomes clipped into a distorted square wave and makes a recognizably melodic tone. "
-
 -- Mainstream hardcore tracks typically include samples and synthesized melodies with the typical tempo ranging from 165 to 180 bpm. Violence, drugs and profanity are common themes in mainstream hardcore, perceptible through its samples and lyrics, often screamed, pitch shifted, or distorted.
-
 -- Lots of tracks rely on a clean, detuned supersaw lead, similar to uplifting trance and can therefore sound "happy".
 
-
 -- Raggatek elements ? Drums analogues et synthe fou contretemps?
 once $ s "ondes"
 
 -- Samples
-
 -- [Nous sommes] En guerre
+-- LIBRE