diff --git a/backlog.md b/backlog.md
index f704ee8..a36ef44 100644
--- a/backlog.md
+++ b/backlog.md
@@ -16,7 +16,6 @@ soir noir
 -- Bogdan arrive
 ## RAPH
 
--- Euphorie Solitaire
 -- JeuDrill :)
 - Ragga la hierarchie :D
 - HAN!
@@ -42,12 +41,38 @@ soir noir
 
 # Work in progress
 ## `24Facons` to love music
+[TODO PICKME <3]
+- IT'S ABOUT TIME
+- Quartier Latin
+
+### Novembre calme
+- Module : Latin (Mal nomme)
+- Module : Amour
+- Pretre Techno
+- Latin au chocolat
+- Rien a craindre
+
+### Octobre court
+- Chemise A Carreaux???
+- PainWithLove
+- Nass Revient
+- L'amour d'abord
+- Bass d'abord
 ### Septembre Rentree agitee
+- XP3
+-- LarmesSalees: Hiba's EP
+-- BoomJane: BoomBap Jane's Welcome
+- Sept20: BoomBap Underwater medieval
+- Jane: Drifting Soul Lofi Piano sunset
+- Jane: Tired Soul electronic noisy
+- Raph: Explo_Rha_teur breaks+hardkick+effects *lourd*!!
 - Sept1: Piano loop + cymbal = sunset love
+- Al Salar: BoomBap Medieval Electrique
 
 ### August August
 -- Dernier Doute
--- Acidule [WIP]
+-- Acidule: ACID TECHNO-to-DNB [WIP]
+
 -- **_Bain électrique_**: sub bass and jungle breaks :)
 -- Alerte Verte: Le comeback <3 [TODO]
 -- Fabuleux 🎇
@@ -894,3 +919,80 @@ Clameur? Brouillon?
 ----
 - _ _Bonus_ _: Contre Visite
 - _Passation_: Lendemain Divin
+
+
+
+# 6x6 Mag{i,l}e
+
+Contre Visite
+Al Salar
+Haunted House
+Bain Electrique
+- Cafe Glacé
+- Café **Bouillant**
+- Cafe Tiède
+- Blue Gold
+- Jeudi Drill
+- Venons Ensemble
+- Lendemain Divin
+- Force MOTRICE
+
+
+
+
+# EP: Pour l'amour des basses
+
+L'amour d'abord
+L'acid d'abord
+Nass revient
+
+[Les basses d'abord]
+
+
+# COOKIE COLLECTIVE CCC RELEASE PARTY
+
+⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⡴⠚⣉⡙⠲⠦⠤⠤⣤⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀
+⠀⠀⠀⠀⠀⠀⢀⣴⠛⠉⠉⠀⣾⣷⣿⡆⠀⠀⠀⠐⠛⠿⢟⡲⢦⡀⠀⠀⠀⠀
+⠀⠀⠀⠀⣠⢞⣭⠎⠀⠀⠀⠀⠘⠛⠛⠀⠀⢀⡀⠀⠀⠀⠀⠈⠓⠿⣄⠀⠀⠀
+⠀⠀⠀⡜⣱⠋⠀⠀⣠⣤⢄⠀⠀⠀⠀⠀⠀⣿⡟⣆⠀⠀⠀⠀⠀⠀⠻⢷⡄⠀
+⠀⢀⣜⠜⠁⠀⠀⠀⢿⣿⣷⣵⠀⠀⠀⠀⠀⠿⠿⠿⠀⠀⣴⣶⣦⡀⠀⠰⣹⡆
+⢀⡞⠆⠀⣀⡀⠀⠀⠘⠛⠉⠁COOKIE ⢿⣿⣶⠇⠀⢠⢻⡇   ⣸
+⢸⠃⠘⣾⣏⡇⠀⠀⠀⠀COLL⡀ECTIVE⠀⣠⣤⣤⡉⠁⠀⠀⠈⠫⣧
+⡸⡄⠀⠘⠟⠀⠀⠀⠀⠀⠀⣰⣿⣟⢧⠀⠀⠀⠀⠰⡿⣿⣿⢿⠀⠀⣰⣷⢡⢸
+⣿⡇⠀⠀⠀⣰⣿⡻⡆COM⠻⣿⣿⣟PILA⠉⠉⠉TION⠘⢿⡿⣸⡞
+⠹⣽⣤⣤⣤⣹⣿⡿⠇⠀⠀⠀⠀⠉⠁⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⡔⣸⣽⠀
+⠀⠙⢻⡙⠟⣹⠟⢷⣶⣄⢀⣴⣶⣄ParVagues⣤⡦⣄⠀⠀⢠⣾⠏⠀
+⠀⠀⠘⠀⠀⠀⣤⠈⢷⢼⣿⡿⡽⠀  LIVE⠀⠸⣿⣿⣾⣼⡿⣣⠟⠀⠀
+⠀⠀⠀⠙⢻⡙⣿⣤⢠⡾⣆⠑⠋⠀⢀⣀⠀CODING⠈⢁⣴⢫⡿⠁⠀⠀⠀
+⠀⠀⠀⠀⠀⠀⠀⣿⠈⠙⣧⣄⡄⠴⣿⣶⣿⢀⣤⠶⣞⣋⣩⣵⠏⠀⠀⠀⠀⠀
+⠀⠀⠀⠀⠀⠀⠀⠙⢻⣿⡙⣿⢯⣭⣭⣯⣯⣥⡵⠿⠟⠛⠉⠉⠀⠀⠀⠀⠀⠀⠀
+--
+
+-- 03 L'ACID d'abord <3
+-- 06 Alerte Verte
+-- 09 Blue Gold     🌇        
+-- 13 Nuit Agitee  🌃
+-- 16 Nass Revient de Mars!
+-- 20 Force Motrice
+-- 23 Cafe Tiede
+-- 26 Cafe Glace
+--
+## ENCORE <3
+-- ?? Salut Nu
+-- ?? Fabuleux ✨
+
+
+## Retour d'Inde <3
+
+Contre Visite
+Cafe Bouillant
+Cafe Tiede
+Force Motrice
+Cafe Froid
+[Nu Dans la Boue]
+Salut Nu
+Blue Gold
+Nass Revient
+Nuit Agitee
+Love First
+Permanence?
diff --git a/live/collab/baba/_inspi.tidal b/live/collab/baba/_inspi.tidal
index ecdb764..834515d 100644
--- a/live/collab/baba/_inspi.tidal
+++ b/live/collab/baba/_inspi.tidal
@@ -18,7 +18,7 @@ setcps (120/60/4)
 -- once $ "nujazz_bassp120:2"
 -- once $ "rootsBass:3"
 -- once $ "trance_bass"
-once $ "trance_bass:2" # speed 0.85
+-- once $ "trance_bass:2" # speed 0.85
 -- once $ "trance_bass:13" # lpfbus 41 (range 20 2000 (fast 4 sine))
 -- # speed 0.5
 # cut 4
diff --git a/live/collab/baba/larmes_salees.tidal b/live/collab/baba/larmes_salees.tidal
index a1fdff4..7eed882 100644
--- a/live/collab/baba/larmes_salees.tidal
+++ b/live/collab/baba/larmes_salees.tidal
@@ -21,12 +21,21 @@ g ef g
 fs ef fs
 
 
-Pas commencer avec piano trop aigu, trop Filtered
-basse bienvenue plus tot?
+-- Pas commencer avec piano trop aigu, trop Filtered
+-- basse bienvenue plus tot?
 
+-- Intro 8
+-- C1 8 Doucement je recule
+-- R1 8 Laissons le temps passer x4
+-- C2 8 Mon estomac me brule
+-- R2 8 Laissons le temps x4
+-- C3 8 Tu voyais encore
+-- R3 8 Laissons le temps x3
+-- 8 Outro
+-- TOTAL 64
 
 do
--- resetCycles
+resetCycles
 setcps (80/60/4)
 let gMask = (midiOn "^41" (mask "t . <f t f <f t>> <t f f <t f>>"))
 let gMute = (midiOn "^73" (mask "f*16"))
@@ -36,28 +45,32 @@ let gM1 = gMask . gMute
 let gM2 = gMask . gMute2
 let gM3 = gMask . gMute3
 d1 $ gF1 $ gM2
+  $ whenmod 128 64 (# silence)
+  $ superimpose ((# lpf 500))
   $ mask "<t!7 f>" -- Orchestration
   $ "k . k([<3!3 5> <1 <3 5>>],8)"
-  # "[jazz]"
-  -- # octer 0.3
-  -- # octersub 1
+  # "[808bd:11]" -- 6,11
   -- # lpf 1400
-  # room 0.4 # sz 0.8
-  # dry 1.1
+  # note "1"
+  -- # room 0.4 # sz 0.8
+  -- # dry 1.1
   # gain 1.4
    -- # att 0.034
 d2 $ gF1 $ gM1 -- Submarine snare sable mouvant inspired
-  $ mask "<f!7 [f t] t!7 [t f]>"
+  $ whenmod 128 64 (# silence)
+  $ mask "<f!8 t!32 t!32 t!32 f!8>" -- Orchestration
   $ "~ s ~ [s*<1 2> <~ [~ s] ~ [~ s] ~!3 [~ s]>]"
-  # "[snare:42]" --42
-  # att 0.01
-  # rel 4
+  # "[snare:8]" --8
+  -- # att 0.01
+  -- # rel 4
   -- # lpf 4000
   -- # octersub 2
   # cut 2
   # gain 1.3
 d3 $ gF1 $ gF1
-  $ mask "<t!7 f>" -- Orchestration
+  $ whenmod 128 64 (# silence)
+  $ mask "<t!7 f>" -- Mask permanent
+  -- Orchestration
   $ midiOn "^76" (ply 2)
   $ fix (|* gain 0.9) (n 10)
   $ "~ h(3,8)"
@@ -69,6 +82,7 @@ d3 $ gF1 $ gF1
   -- # room 0.4 # dry 0.8 # sz 0.2
   # pan (range 1 0.6 saw)
 d4 $ gF2 $ gM3
+  $ whenmod 128 64 (# silence)
   $ midiOn "^89" (ply 2)
   $ superimpose (
     (# crushbus 41 (range 16 2.5 "^53")) . (# hpf 500)
@@ -77,53 +91,90 @@ d4 $ gF2 $ gM3
   # "bassWarsaw" |- note 0
   # octersub 1
   # room 0.8 # sz 0.4 # dry 0.3
-d5 $ gF3 $ gM3
-  -- $ superimpose (struct "t([5 <8 5>],8)" . arpeggiate) -- FIXME DEBUG REMOVE
-  $ someCyclesBy "<1!32 0!32>" -- Prog Couplet
-    (|+ note "<[g, bf, d] [fs, bf, d] [f, bf, d] [ef, g, bf]>")
-  $ someCyclesBy "<0!0 1!32>" -- Prog Refrain
-    -- (|+ note "<[bf4, d5, f5] [a4, d5, fs5] [g4, c5, ef5] [fs4, ef5, fs5]>") -- Original
-    (|+ note "<[bf4, d5, f5] [a4, d5, fs5] [g4, <as4!3 c5>, d5] [fs4, ef5, <fs5!3 c5>]>") -- Mix variation
-  $ note (
-  - 12)
+d5 $ gF3 $ gM3 -- v1: Avec deux progs incertaines, pas d'arp
+  $ whenmod 128 64 (# silence)
+  -- $ ply 2 $ struct "t*4" $ arp "up"
+  $ someCyclesBy "<1!8 1!8 0!8 1!8 0!8 1!8 0!8 1!8>" -- Prog Couplet
+    (|+| note ("<[g, bf, d] [fs, bf, d] [f, bf, d] [ef, g, bf]>"))
+  $ someCyclesBy "<0!8 0!8 1!8 0!8 1!8 0!8 1!8 0!8>" -- Prog Refrain
+    (|+| note "<[bf4, d5, f5] [a4, d5, fs5] [g4, d5, g5] [fs4, ef5, fs5]>") -- Original
+    -- (|+ note "<[bf4, d5, f5] [a4, d5, fs5] [g4, <as4!3 c5>, d5] [fs4, ef5, <fs5!3 c5>]>") -- Mix variation
+  $ note ("0"- 12)
   # "FMRhodes1"
   # modIndex (range 0 3 "^54")
   # gain 1.1
   # legato 4
+  # att 0.1
+  # rel 4
   # lpf 4000
   # delay 0.2 # delayfb 0.5 # delayt 0.125
   # room 0.2 # dry 0.9 # sz 0.4
+-- d5 $ gF3 $ gM3 -- V2: Avec arpege et prog validee
+  -- 1 3 2 3 1
+  -- Bonus arpege potentiel?
+  -- up, down, updown, downup, converge, diverge, disconverge, pinkyup,
+  -- $ arp "<converge!7 diverge>"
+  -- $ ply "<4!3 2>"
+  -- $ note ("<[bf4, d5, f5] [a4, d5, fs5] [g4, d5, g5] [fs4, ef5, fs5]>" -- Original
+   -- - 12)
+  -- # "FMRhodes1"
+  -- # modIndex (range 0 3 "^54")
+  -- # gain 1.1
+  -- # legato 4
+  -- # lpf 4000
+  -- # delay 0.2 # delayfb 0.5 # delayt 0.125
+  -- # room 0.2 # dry 0.9 # sz 0.4
 d7 $ gF3 $ gM3 -- Rhodes arpege pour couplet
-  $ mask "<t!32 f!32>"
-  $ note (
-    "<[bf g d5 bf g d5 bf [g ~]] [bf fs d5 bf fs d5 bf [fs ~]] [bf f d5 bf f d5 bf [f ~]]  [g ef bf5 g ef bf5 g [ef ~]]>" -- Le rhytme arpeggie vers le bas qu'on veut
+  $ whenmod 128 64 (# silence)
+  $ somecyclesBy "<0!8 0!32 0!32 0!32 1!8>" (|* gain (range 1 0.5 (slow 8 $ saw)))
+  $ somecyclesBy "<1!8 0!32 0!32 0!32 0!8>" (|* gain (range 0.5 1 (slow 8 $ saw)))
+  $ mask "<t!8 t!8 f!8 t!8 f!8 t!8 f!8 t!8>"
+  -- $ mask "<t!8 f!16>"
+  $ note ( -- A B C <D1 D2>
+    "<[bf g d5 bf g d5 bf5 c6]!1 [a5 fs d5 a4 d5 fs a fs]!1 [g5 d5 bf4 g5 d5 bf4 bf5 g5]!1 <[a5 fs5 ef5 bf4 g4@4] [c6 bf5 a5 fs5 d5@4]>!1>" -- Le rhytme arpeggie vers le bas, plus variante montee
     -- "<0!4 [0 0]!4 [0 0(<3!3 2>,8)]!8>"
-  - 12
-  + "<0!12 12!12 [0 12]!8>"
+  -- - 12
   )
   # "FMRhodes2"
-  # modIndex (slow 32 $ range 0 3 saw)
-  # gain 1.1
+  # modIndex 1
+  # att 0.05
+  # rel 2
+  # gain 0.8
   # legato 1
-  # lpf 4000
-  # delay 0.2 # delayfb 0.5 # delayt 0.125
-  # room 0.2 # dry 0.9 # sz 0.4
+  # lpf 2000
+  # delay 0.8 # delayfb 0.5 # delayt 0.125
+  # room 0.47 # dry 0.8 # sz 0.4
 d8 $ gF1 $ gM1
-  $ mask "<t!7 [f . t f]>" -- Orchestration
+  $ whenmod 128 64 (# silence)
+  $ mask "<f!7 [f . t f] t!32 t!32 t!32 [t f . f] f!7>" -- Orchestration
   $ midiOn "^92" (ply 2)
-  $ slice 4 ("0 1 2*<1 2> 3*<1!3 2>")
-  $ loopAt 2
   $ chop 8
+  $ loopAt 2
+  $ midiOn "^36" (loopAt 1 . (>| "jungle_breaks:48"))
+  -- $ slice 4 ("0 1 2*<1 2> 3*<1!3 2>")
   $ midiOn "^56" (# "break:9")
   $ "break:13"
   # room 0.3 # dry 0.9 # sz 0.4
 d9 $ gF3 $ gM3
-  $ note ("<<g4 d5> <fs4 d5> <f4 d5> <ef4 bf4>> ~" - 12)
+  -- $ whenmod 128 64 (# silence)
+  $ mask "<f!8 f!32 t!32 t!32 t!8>"
+  $ note ("<<g4 d5> <fs4 d5> <f4 d5> <ef4 bf4>> ~" - 0)
   # "moogBass"
+  # legato 1.8
+  # att 0.25
+  # rel 4
   # room 0.4
   # sz 0.9
-  # octersubsubbus 91 0.8
+  # hpf 1500
+  -- # octersubsubbus 91 0.8
 d10 $ gF3
   -- Orchestration
-  $ "<~!7 h2ogmcy:15>"
+  $ mask "<f!7 t f!15 t f!15 t f!15 t f!15 t f!15 t f!15 t f!7 t>"
+  $ "h2ogmcy:15"
+  # lpf 4000
+
+once
+-- $ gF3
+  -- Orchestration
+  $ "<h2ogmcy:15>"
   # lpf 4000