diff --git a/live/collab/baba/larmes_salees.tidal b/live/collab/baba/larmes_salees.tidal index 7eed882..f5f0005 100644 --- a/live/collab/baba/larmes_salees.tidal +++ b/live/collab/baba/larmes_salees.tidal @@ -20,6 +20,8 @@ a d f g ef g fs ef fs +once $ "giorgio_syn:" + -- Pas commencer avec piano trop aigu, trop Filtered -- basse bienvenue plus tot? @@ -35,7 +37,7 @@ fs ef fs -- TOTAL 64 do -resetCycles +-- resetCycles setcps (80/60/4) let gMask = (midiOn "^41" (mask "t . > >")) let gMute = (midiOn "^73" (mask "f*16")) @@ -46,18 +48,18 @@ let gM2 = gMask . gMute2 let gM3 = gMask . gMute3 d1 $ gF1 $ gM2 $ whenmod 128 64 (# silence) - $ superimpose ((# lpf 500)) + -- $ superimpose ((# lpf 500)) $ mask "" -- Orchestration $ "k . k([<3!3 5> <1 <3 5>>],8)" - # "[808bd:11]" -- 6,11 + # "[808bd:3,808bd:11]" -- 6,11 -- # lpf 1400 # note "1" -- # room 0.4 # sz 0.8 -- # dry 1.1 - # gain 1.4 + # gain 1.3 -- # att 0.034 d2 $ gF1 $ gM1 -- Submarine snare sable mouvant inspired - $ whenmod 128 64 (# silence) + -- $ whenmod 128 64 (# silence) $ mask "" -- Orchestration $ "~ s ~ [s*<1 2> <~ [~ s] ~ [~ s] ~!3 [~ s]>]" # "[snare:8]" --8 @@ -66,8 +68,10 @@ d2 $ gF1 $ gM1 -- Submarine snare sable mouvant inspired -- # lpf 4000 -- # octersub 2 # cut 2 - # gain 1.3 -d3 $ gF1 $ gF1 + # room 0 + # gain 1 + # lpf 4000 +d3 $ gF1 $ gM1 $ whenmod 128 64 (# silence) $ mask "" -- Mask permanent -- Orchestration @@ -78,28 +82,40 @@ d3 $ gF1 $ gF1 -- # att 0.03 -- # rel 1 -- # hpf 1500 - |* gain (fast 4 $ range 0.85 1 perlin) + |* gain (0.8 * (fast 4 $ range 0.85 1 perlin)) -- # room 0.4 # dry 0.8 # sz 0.2 # pan (range 1 0.6 saw) + # gain 0.9 d4 $ gF2 $ gM3 $ whenmod 128 64 (# silence) $ midiOn "^89" (ply 2) $ superimpose ( - (# crushbus 41 (range 16 2.5 "^53")) . (# hpf 500) + (# crushbus 41 (range 16 5 "^53")) . (# hpf 500) . (|* gain 0.8) ) - $ note ("<[g4, d5] [fs4, d5] [f4, d5] [ef4, bf4]>" - 12) + $ someCyclesBy "<1!8 1!8 0!8 1!8 0!8 1!8 0!8 1!8>" -- Prog Couplet + (|+| note (" >")) -- v3 + $ someCyclesBy "<0!8 0!8 1!8 0!8 1!8 0!8 1!8 0!8>" -- Prog Refrain + (|+| note ("<[ef4] [d4] >" - 12)) -- Original v1 + $ note 0 + -- " >" -- COUPLET v3 + -- "<[ef4] [d4] >" - 12 -- Refrain mi bemol + -- ) # "bassWarsaw" |- note 0 - # octersub 1 # room 0.8 # sz 0.4 # dry 0.3 + # bandf 300 + # pan 0.35 + # gain 1.4 d5 $ gF3 $ gM3 -- v1: Avec deux progs incertaines, pas d'arp $ whenmod 128 64 (# silence) -- $ ply 2 $ struct "t*4" $ arp "up" - $ someCyclesBy "<1!8 1!8 0!8 1!8 0!8 1!8 0!8 1!8>" -- Prog Couplet - (|+| note ("<[g, bf, d] [fs, bf, d] [f, bf, d] [ef, g, bf]>")) - $ someCyclesBy "<0!8 0!8 1!8 0!8 1!8 0!8 1!8 0!8>" -- Prog Refrain - (|+| note "<[bf4, d5, f5] [a4, d5, fs5] [g4, d5, g5] [fs4, ef5, fs5]>") -- Original - -- (|+ note "<[bf4, d5, f5] [a4, d5, fs5] [g4, , d5] [fs4, ef5, ]>") -- Mix variation - $ note ("0"- 12) + -- $ note ("<[g4, bf5, d5, f5] [af5, c5, ef5, f5] [ef4, g4, bf4, d5] [d4, fs4, bf4, c5]>") -- CouPLET v3 + $ note ("<[ef4] [d4] [bf4] [g4]>") -- Refrain v3 + -- $ someCyclesBy "<1!8 1!8 0!8 1!8 0!8 1!8 0!8 1!8>" -- Prog Couplet + -- (|+| note ("<[g, bf, d] [fs, bf, d] [f, bf, d] [ef, g, bf]>")) -- v2 + -- $ someCyclesBy "<0!8 0!8 1!8 0!8 1!8 0!8 1!8 0!8>" -- Prog Refrain + -- (|+| note "<[bf4, d5, f5] [a4, d5, fs5] [g4, d5, g5] [fs4, ef5, fs5]>") -- Original v1 + -- (|+ note "<[bf4, d5, f5] [a4, d5, fs5] [g4, , d5] [fs4, ef5, ]>") -- Mix variation v2 + -- $ note ("0"- 12) # "FMRhodes1" # modIndex (range 0 3 "^54") # gain 1.1 @@ -107,6 +123,7 @@ d5 $ gF3 $ gM3 -- v1: Avec deux progs incertaines, pas d'arp # att 0.1 # rel 4 # lpf 4000 + # pan 0.55 # delay 0.2 # delayfb 0.5 # delayt 0.125 # room 0.2 # dry 0.9 # sz 0.4 -- d5 $ gF3 $ gM3 -- V2: Avec arpege et prog validee @@ -124,11 +141,20 @@ d5 $ gF3 $ gM3 -- v1: Avec deux progs incertaines, pas d'arp -- # lpf 4000 -- # delay 0.2 # delayfb 0.5 # delayt 0.125 -- # room 0.2 # dry 0.9 # sz 0.4 +-- d5 + -- $ arp "up" + -- - 12) -- PROG1 OLD Session a deux + -- # "FMRhodes1" + -- # modIndex 1 + -- # lpf 5000 + -- # gain 1.3 + -- # att 0.05 + -- # rel 2 d7 $ gF3 $ gM3 -- Rhodes arpege pour couplet $ whenmod 128 64 (# silence) $ somecyclesBy "<0!8 0!32 0!32 0!32 1!8>" (|* gain (range 1 0.5 (slow 8 $ saw))) $ somecyclesBy "<1!8 0!32 0!32 0!32 0!8>" (|* gain (range 0.5 1 (slow 8 $ saw))) - $ mask "" + -- $ mask "" -- $ mask "" $ note ( -- A B C "<[bf g d5 bf g d5 bf5 c6]!1 [a5 fs d5 a4 d5 fs a fs]!1 [g5 d5 bf4 g5 d5 bf4 bf5 g5]!1 <[a5 fs5 ef5 bf4 g4@4] [c6 bf5 a5 fs5 d5@4]>!1>" -- Le rhytme arpeggie vers le bas, plus variante montee @@ -144,29 +170,39 @@ d7 $ gF3 $ gM3 -- Rhodes arpege pour couplet # lpf 2000 # delay 0.8 # delayfb 0.5 # delayt 0.125 # room 0.47 # dry 0.8 # sz 0.4 + # gain 1.2 d8 $ gF1 $ gM1 $ whenmod 128 64 (# silence) $ mask "" -- Orchestration $ midiOn "^92" (ply 2) - $ chop 8 + $ chop 16 $ loopAt 2 $ midiOn "^36" (loopAt 1 . (>| "jungle_breaks:48")) -- $ slice 4 ("0 1 2*<1 2> 3*<1!3 2>") $ midiOn "^56" (# "break:9") $ "break:13" - # room 0.3 # dry 0.9 # sz 0.4 + -- # room 0.3 # dry 0.9 # sz 0.4 d9 $ gF3 $ gM3 - -- $ whenmod 128 64 (# silence) - $ mask "" - $ note ("< > ~" - 0) - # "moogBass" - # legato 1.8 - # att 0.25 - # rel 4 - # room 0.4 - # sz 0.9 - # hpf 1500 - -- # octersubsubbus 91 0.8 + $ whenmod 128 64 (# silence) + $ midiOn "^89" (ply 2) + $ someCyclesBy "<1!8 1!8 0!8 1!8 0!8 1!8 0!8 1!8>" -- Prog Couplet + (|+| note (" >" + 12)) -- v3 + $ someCyclesBy "<0!8 0!8 1!8 0!8 1!8 0!8 1!8 0!8>" -- Prog Refrain + (|+| note ("<[ef4] [d4] >")) -- Original v1 + $ note 0 + -- " >" -- COUPLET v3 + -- "<[ef4] [d4] >" - 12 -- Refrain mi bemol + -- ) + # "moog:2" |+ note 12 + # gain 0.5 + # lpf 1400 + -- # legato 1.8 + -- # att 0.25 + -- # rel 4 + -- # room 0.4 + -- # sz 0.9 + -- # hpf 1500 + d10 $ gF3 -- Orchestration $ mask "" diff --git a/live/collab/baba/sept1.tidal b/live/collab/baba/sept1.tidal index 6b3a8d3..949e678 100644 --- a/live/collab/baba/sept1.tidal +++ b/live/collab/baba/sept1.tidal @@ -20,11 +20,13 @@ d1 $ gF1 $ gM2 "" ] # "[techno:1,jazz]" + # cps ((range 60 180 "^29")/60/4) d2 $ gF1 $ gM1 $ midiOn "^43" (<|"~ s ~ s") $ midiOff "^43" (<| "~ s") $ "[rampleM9:6]" -- # note "-2" + # gain 1.4 d3 $ gF1 $ gM1 -- Cymbales sol $ midiOn "^44" (<| "~ cy ~ cy ~ cy ~ ") $ midiOff "^44" (<| "~!7 <~ ~ cy>") @@ -51,7 +53,6 @@ d5 $ gF3 $ gM3 -- Piano nostalgique, temps inexorable # "rhadamanthe_melo:1" # crushbus 51 (range 16 2.7 "^54") # room 0.4 - d6 $ gF1 $ gM1 $ chop 8 $ loopAt 1 $ "breaks165" diff --git a/live/collab/ccc/ccc0.tidal b/live/collab/ccc/ccc0.tidal new file mode 100644 index 0000000..fcce7e9 --- /dev/null +++ b/live/collab/ccc/ccc0.tidal @@ -0,0 +1,124 @@ +-- BLUE GOLD - SUNS OF GOLD LIVECODING REMIX +-- Original by Leifur James :pray: +do +setcps(140/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +d1 $ gF1 $ gM2 + $ midiOn "^30" (# "hardkick_rha:29") + $ midiOn "^42" (<| "k k k >") + $ midiOff "^42" (<| "") + $ "[techno:0,808bd:2,909,kick:4]" + -- $ "[jazz,kick:4]" + -- # octersub 0.5 # lpf 4000 +d2 $ gF1 $ gM1 + $ fix (# lpf 1300) "cp" + $ midiOn "^43" (<| "~ cp*<1!3 <2 [4 2]>> ~ cp" ) + $ midiOff "^43" (<| "~ . cp") + $ "[snare:32,cp]" +d3 $ gF1 $ gM1 + $ fix (|* gain (slow 16 $ range 0.5 1 saw)) "ccc" + $ "hh(3,8) hh(<3!3 <4 5>>,8)" # "[ccc:0,h2ogmhh:3]" # n "3!3 [<3!3 5> <3 5>]" + # cut 3 +d4 $ gF2 $ gMute3 -- Caring bass + $ midiOn "^57" (|+ note "[0,12]") + $ midiOn "^89" ((struct "<[t t . t*[4 <4 8>]]!3 t*[<8 4> 8]>") . (# rel 0.5)) + $ superimpose ( + (# cut 41) . + (# crushbus 41 (range 10 3.5 "^53")) + ) + $ note ( + ">@7 " -- This is caring + - 12 + ) + # "moog:0" + # legato 1 + # bandf 500 + # bandq 0 + # octerbus 42 (range 0 0.9 "^33") + # cut 7 + # gain 1.4 +d5 $ gF2 $ gMute3 -- V2 PLN's "Je peux ptet faire une basse acide moi meme" + $ midiOff "^58" ( + -- (|+ note "<0 12>") . + mask "<[t f]!0 t(<1!3 [1 4]>,4)!0 t([<8!3 <4 16>> <8!3 16>],16)>") + $ stack [ + n "<30!16 31!16>" # "vec2_synth_acid" # gain (range 1.1 0 ("^54" + "^34")), + "vec1_acid:40" # hpf 200 # gain (range 0.6 1.1 "^54"), + "vec1_acid:39" # hpf 200 # gain (range 0 1.1 "^34"), -- TODO BONUS ACID + -- # octer 1.1 + -- , + "" + ] + # crushbus 41 (range 16 1 "^53") + -- # legato 1 + # legato (range 0.39 0.7 (1 - "^17")) + >| note ("[b d6 b cs6 d6 b cs6 b]*2" + - "<0!32 12!32>" -- Alternance + -- + "<0!24 7!8 0!48 1!16>" -- Note variation tension??? + ) + -- # att 0.1 # sus 0.2 # rel 4 + -- # cut 4 + # octersub 2 + -- # octerbus 41 (range 0 1 "^17") + -- # crushbus 42 (range 16 4.2 "^53") +d11 $ gF2 $ gMute3 -- Caring cello + $ midiOn "^57" (|+| note "[0 12 0 12 0 12 0 12]") + $ midiOn "^89" ((struct "<[t t . t*[4 <4 8>]]!3 t*[<8 4> 8]>") . (# rel 0.5)) + -- $ superimpose ( + -- (# cut 41) . + -- (# crushbus 41 (range 10 3.5 "^53")) + -- ) + $ note ( + ">@7 " -- This is caring + ) + # "cpluck:0" + # cut 11 + # gain 1.4 +d7 $ gF1 $ gM1 + $ midiOn "^91" ( -- Bouton Nassim <3 + slice 16 "[0 .. 7] . <[0 .. 7]!3 [0 1 . [2 3]]>" + . loopAt 0.5 . (# "breaks165") + -- . (# octer 0.4) . ( octersubsub 4) + . (# lpf 2500) + . (# room 0) + ) + $ midiOff ("^59" + "^91") (ply "t(<4!3 <6 [4 <8 16>]>>,8,1)") -- TECHNOO + $ midiOn "^55" ((loopAt 1) . (# "jungle_breaks:60")) -- Clochettes? + $ chop 16 + $ loopAt 2 + $ "jungle_breaks:45" + # cut 8 + # att 0.04 + # rel 2 + # gain 1.6 + # hpf 1200 +d8 $ gF1 $ gM1 + $ midiOn "^92" (ply "4 <8>") + $ chop 16 + $ loopAt 8 + $ "ccc:2" + # gain (slow 16 $ range 1.4 2.2 saw) + # room 0.4 # dry 1.1 + # cut 8 +d9 $ striate 16 $ "ccc:1" + # cut 1 # room 0.4 # dry "<1 1 1.2 1.3>" + # octer 0.6 + # octersubbus 91 (range 0 1 "^19") + # squizbus 92 (range 0 2 "^19") +d10 + $ chop 16 + -- $ mask "" + $ loopAt 8 + $ "risers:10" + # cut 10 + # hpf 2000 + # octer 0.5 diff --git a/live/collab/ccc/ghosts_in_the_toilets.tidal b/live/collab/ccc/ghosts_in_the_toilets.tidal new file mode 100644 index 0000000..e2549cd --- /dev/null +++ b/live/collab/ccc/ghosts_in_the_toilets.tidal @@ -0,0 +1,129 @@ +do +-- resetCycles +setcps (160/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute1 = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute1 +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +d1 $ gMute2 $ gF1 -- Kick solide + $ fix ((|* gain 0.9) . (# lpf 1000)) "jazz" + $ fix ((# att 0.02) . (# rel 0.5) . (# lpf 5000)) "kick:4" + $ midiOn "^30" ((# "hardkick_rha:40") . (|- note 1) . (|* gain 0.8)) + $ midiOn "^42" (struct "t t t t*<1!6 2 2>") + $ midiOff "^42" (<| "k . ~ k ~ <~!3 >") + $ "[jazz,kick:4]" + # gain 1.2 + -- # midiG' "^78" 0 1.5 +d2$ gMute1 $ gF1 -- snare contretemps variable + $ fix ((|* gain 0.8) . (# legato 0.05)) "cp" + $ midiOn "^43" (<| "~ cp [~!3 <~!3 cp>] cp*<1 1 2 <1 2>>") + $ midiOff "^43" (<| "~ [cp*<1!3 <2 <4 [4 2]>>> ~]") + $ "[cp,snare:22]" + # pan 0.65 + -- # legato 0.22 +d3 $ gM1 $ gF1 + $ "~ d ~ d ~ d ~ " + # "snare:34" + # hpf 7000 + -- # midiG' "^80" 0 1.5 +d8 $ gF1 $ gM1 + $ midiOff "^60" (mask "t(4,8,1)") -- Techno drum mask + $ midiOn "^36" ((# "jungle_breaks:22")) -- Raise COMEON! + $ midiOn "^56" (loopAt 2 . (# "jungle_breaks:23")) -- Raise COMEON! + $ midiOn "^92" ( -- Bouton Nassim <3 + slice 16 "[0 .. 7] . <[0 .. 7]!3 [0 1 . [2 3]]>" + . loopAt 1 . (# "breaks165") + -- . (# octer 0.4) . ( octersubsub 4) + . (# lpf 2500) + . (# room 0) + ) + $ chop 16 + $ "breaks165" + # cut 8 + # octersub 0.5 + # gain 1.2 +d4 $ gF2 $ gM3 -- BASSLINE + $ midiOn "^89" (|+| note "[0,12*4]") + $ midiOff "^89" (|+| note "[0,[<7 7 4 7>(3,8,1)]]" ) + $ superimpose ((# hpf 200) . (# crushbus 41 (range 16 3.5 "^53"))) + $ note (" >" - 12) + # "bassWarsaw" + # gain 1.12 + # room 0.7 + # dry 1 # sz 0.8 +d7 $ gF2 $ gM3 -- ACID BASS TODO REWORK WITH RAPH + $ midiOff "^59" ( + -- (|+ note "<0 12>") . + mask "<[t f]!0 t(<1!3 [1 4]>,4)!0 t([<8!3 <4 16>> <8!3 16>],16)>") + $ stack [ + -- n "<30!16 31!16>" # "vec2_synth_acid" # gain (range 1.1 0 ("^55" + "^35")), + -- "vec1_acid:40" # hpf 200 # gain (range 0.6 1.1 "^55"), + "vec1_acid:39" # hpf 200 # gain (range 0 1.4 "^35"), -- TODO BONUS ACID + -- # octer 1.1 + -- , + "" + ] + # crushbus 41 (range 16 1 "^53") + -- # legato 1 + # legato (range 0.39 0.7 (1 - "^17")) + >| note ("[e gs e fs gs e fs e]*2" + - 12 + ) + # gain 1.12 + # room 0.7 + # dry 1 # sz 0.8 +d6 $ gF1 $ gM1 -- HAWKS + $ superimpose (# hpf (slow 8 $ range 5000 "<8000!32 800!32>" saw)) + -- $ mask "" + $ "~ [s s*2] ~ [s*<1!3 2> <~!3 s*<1 2>>]" + # "armora:1" + # legato "<0.5>" + # note "" + -- # pan 0.9 + # room 1.0 + # octersubsub 2 + # octersub 2 + # sz 0.01 + # gain 1.5 + # dry 1.025 +d5 $ gM3 $ gF3 + $ midiOn "^18" (# n "6") + $ midiOn "^58" (mask "" . (# n "<4 5!2 4!6>") . (|* speed 1.05)) + $ midiOn "^90" (struct "f(3,8)" . ply 4 . chop 2) + $ someCyclesBy (1 - "^34") (mask "") + $ "ghost" # n (slow 4 $ "<0 1 2 3>") + # cut 5 + # lpf 3000 + # room 0.4 # sz 0.8 # dry 1.2 +d11 + -- $ mask "" + $ stack [ + -- SELF-DESTRUCT SEQUENCE -- + whenmod 8 6 (# silence) $ slow 4 + $ whenmod 32 24 ((# begin 0.44) . (# end 1) . (# n 45)) -- Activated! + $ ("~!2 rhadamanthe_vocal:45" # gain 1.1 + # begin "<0!2 0.44!2>" # end "<0.435!2 1!2>" # pan 0.1) # cut 110, + -- SYSTEM OVERLOAD + mask "" $ + "<~!7 [~ rhadamanthe_vocal:46]>" # cut 111, + -- Cigarette Luck + mask "" $ + n "<<14!3 6> ~ ~ <12 23>>" # "movie_wolf" # end "<0.55!8 1!8>" + # gain 0.7 + # cut 112 + # gain 1.2 + ] +d9 $ gF2 $ gM3 + $ midiOn "^89" (ply "<2 4 8 [8 16]>") + $ note (" >" + 24) + # "moog" + # cut 9 + # room 0.3 # dry 0.5 + # gain 1.6 + # crushbus 91 (range 16 3.5 "^19") diff --git a/live/collab/mousquetaires/blue_gold.tidal b/live/collab/mousquetaires/blue_gold.tidal index 957dc4a..d309984 100644 --- a/live/collab/mousquetaires/blue_gold.tidal +++ b/live/collab/mousquetaires/blue_gold.tidal @@ -16,8 +16,9 @@ d1 $ gF1 $ gMute2 $ midiOn "^42" (<| "k k k ]!3 k*2>>") $ midiOff "^42" (<| "k . ~ <~!4 k!12> ~ ~") $ fix ((# lpf 1400)) "kick:4" - $ "[techno:0,kick:4]" - # gain 2 + -- $ "[techno:0,kick:4]" + $ "jazz" + # gain 1.2 # room 0.2 # dry 1 d2 $ gF1 $ gM1 @@ -49,7 +50,7 @@ d4 $ gF2 $ gMute3 -- BASSLINE VIOLENTE PAR VALENTIN <3 $ fast (4/3) -- Le fameux $ midiOff "^57" -- L'attente (sometimesBy "<1!3 [0 <0 1>]>" (mask "t(<5!3 <5 8>>,8) t(<5!3 5>,8)")) - $ ("e" ~>) -- Decalage + $ ("e" ~>) -- Decalagelue $ note ("<[fs4 >@3]*4>") # "bassWarsaw" |- note 24 # pan 0.4 @@ -57,7 +58,7 @@ d4 $ gF2 $ gMute3 -- BASSLINE VIOLENTE PAR VALENTIN <3 # octerbus 43 (range 0 0.52 "^33") # gain 2 # legato "[0.8 0.5]*4" -d5 $ gM3 $ gF3 -- Suns of Gold Keys, sampled and reworked +d5 $ gM3 $ gF3 -- Suns of Gold Keys, samples $ midiOn "^90" (ply "2 <2 <4 8>>") $ midiOn "^58" (slice 8 "<0 1 2 3>(<3 <5 [5 3]> <3!3 [1]> <8!3 [8 4]>>,8)") $ midiOff "^58" (slice 8 "<0 1 2 3 4 5 6 7>") diff --git a/live/collab/nass/love_first.tidal b/live/collab/nass/love_first.tidal index d9d4e4b..6a210d4 100644 --- a/live/collab/nass/love_first.tidal +++ b/live/collab/nass/love_first.tidal @@ -26,7 +26,7 @@ d2 $ gF1 $ gM1 $ "~ s ~ s*<1 2>" -- # lpf 2000 -- # room 0.5 # sz 0.8 # dry 1.1 # gain 1.2 -d3 $ gF1 $ gM1 $ "dr:2*8" # "hh27:3" # cut 3 # gain 1.8 +d3 $ gF1 $ gM1 $ "~ d ~ d ~ d ~ d*<1 <2 [2 4]>>" # "dr:2" # "hh27:3" # cut 3 # gain 1.8 d4 $ gF2 $ gM3 $ midiOn "^89" (ply 8) $ note ("> f@2>" - 24) @@ -38,6 +38,7 @@ d4 $ gF2 $ gM3 d5 $ gF3 $ gM3 $ midiOff "^58" (mask "t f") $ loopAt 2 + $ chop 2 $ midiOn "^58" (# n 14) $ "nujazz_keys120:13" # room 0.5 @@ -92,8 +93,7 @@ d11 . (# end 0.7) ) $ midiOn "^30"( - (stutWith 4 0.5 (# begin "0.53") . (ply "<2 4 4 8>")) - . (# "movie_cat:23") + (stutWith 4 0.5 (# begin "0.53") . (ply "<2 [1 2] [1 4] 8>")) . (# begin "0.4") . (# end 0.6) ) diff --git a/live/collab/nass/sogood.tidal b/live/collab/nass/sogood.tidal new file mode 100644 index 0000000..3c8c2d4 --- /dev/null +++ b/live/collab/nass/sogood.tidal @@ -0,0 +1,131 @@ +do +-- resetCycles +setcps (142/60/4) +let modIndex = pF "modIndex" +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +d1 $ gF1 $ gM2 + $ whenmod 32 24 (# lpf (slow 8 $ range 50 500 saw)) + $ midiOn "^30" ((# "gtkick:1") . (# bandf 993). (|* gain 1.2)) + -- $ mask "" + $ midiOn "^42" (<| "k k*<1 1 2 <1 4>> k k*<1!3 2>") + $ midiOff "^42" (<| "k . ~ ~ <~!7 k>") + -- $ superimpose ((# "hardkick_rha:3") . (# lpfbus 12 80)) + $ stack [ + "[techno:0,jazz]" + ] + # gain 1.7 + -- # room 0.2 +d2 $ gM1 $ gF1 -- Snare contretemps DNB Techno-compatible + -- $ fix ((|- note 2) . (# lpf 1200)) "" + $ midiOn "^43" (<| "~ s ~ s*<1!3 2>") + $ midiOff "^43" (<| "~!3 s") + -- $ "[snare:35,]" + $ "vec1_claps:45" # legato 0.25 + # gain 1.44 +d6 $ gM1 $ gF1 -- HAWKS + -- $ mask "" + $ "~ [s <~!3 s*2>] ~ [s <~!3 s>]" + # "armora:1" + # legato "<0.5>" + # note ("f10" - 12) + # pan 0.9 + # lpf 1300 + -- # hpf (slow 8 $ range 5000 "<8000!32 800!32>" saw) + # room 1.0 + # sz 0.8 + # gain 1.4 + # dry 1.02 +d3 $ gM1 $ gF1-- DrumRoll + $ midiOn "^76" (ply 2) + -- $ mask "" + $ whenmod 8 "<7!4 6!3 4>" (juxBy 0.93 rev) + -- $ whenmod 4 2 (rarely (ply 2)) + $ "~ d ~ d ~ d*<1!4 2!4> ~ d*<1 2>" + -- # "[drum:2,cpu2:3]" -- Drums + # "[h2ogmhh:2]" # note 4 + # delay 0.5 + # delayt "s" # delayfb 0.3 + # gain 0.96 +d9 $ gF3 $ gM3 -- BASSLINE FONDEMENT + $ superimpose ( + (# crushbus 41 (range 16 4.5 "^53")) . (# hpf 200) . (# hpq 0.23) + ) + $ midiOn "^89" (off 0.5 id) + $ note "<[f3 f3 gs3 f3@5] [ gs3 g3 f3@5]>" + # "bassWarsaw" + # att 0.3 + # rel 1.4 + # cut 4 + # gain 1.8 +d4 $ gF2 $ gM3 -- LA BASSE REBONDISSANTE + $ superimpose (mask "[f t]*4" . (|+| note (12 + "0 12 <0!3 <12!3 0>>" + 3)) + . (# "vec1_acid:6") . (|* gain (range 0.35 1 "^33")). (# cut 41)) + $ midiOn "^57" (off "-0.125" (|- note 12)) + $ note ("~ f ~ f . ~ <~!3 f> " - 24) + # "bassWarsaw" + # gain 1.3 + # octersubsubbus 42 (range 0 0.8 "^17") + # octerbus 43 (range 0 0.8 "^17") + # crushbus 41 (range 16 3.5 "^53") + # room 0.4 # sz 0.5 +d5 $ gF2 $ gM3 -- Keys + $ mask "t " + $ midiOn "^90" (ply 8 . chop 4) + $ midiOn "^58" (slice 16 ("[~ <4!4 3!4 2!4 1!4>]*4")) + -- $ someCyclesBy (slow 16 $ range 0 0.2 saw) (degradeBy "0 0.5!15") + $ slow 4 + $ "sogood" + # n "<0!4 1!4 2!4 3!4>" + # cut 5 + # octersubbus 51 (range 0 0.9 "^34") + # crushbus 52 (range 16 4.5 "^54") + # gain 1.8 + # lpf 2000 + -- # room 0.4 +d7 $ gF3 $ gM3 -- VOICES TODO Refine loops + -- $ midiOn "^91" (ply "<2>" . off 1 id . off 2 id . chop "<1!3 4>" . (# cut 7)) + $ midiOn "^91" (ply "8 4" . chop "<1 2>". (# cut 7)) + $ midiOn "^19" ( -- FIXME Intro + (slice 2 "<~!3 [~ 0 ~]>") . (|> n "11")) + $ midiOn ("^59"-"^19") ((>| n "<<7 8 9 10> ~ <~!7 11> ~>") . (|* gain 1.1)) -- CHORUS + $ midiOff ("^59"+"^19") (>| n "<<4 5 <5 6> 6> ~ ~ <~!3 11> ~>") -- LEAD + $ "sogood" + # gain 1.6 + -- # cut 7 + -- # delay "<0!3 [0.5]>" # delayt 0.125 # delayfb 0.5 + # octersubbus 71 (range 0 1.9 "^35") +d11 $ gF2 $ gM3 + $ note ("" + + "0 5@3 . 0 <-2 <2 5>>" + - 12 + ) + # "moogBass" -- FIXME: Maybe I don't like this synth ANYMORE + # room 0.4 # dry 1 # sz 0.8 + # gain 1.8 +d12 $ gF1 $ gM3 + $ note ("" + -- + "0 5@3 . 0 <-2 <2 5>>" + ) + # "cs80leadMH" + # room 0.4 # dry 1 # sz 0.8 + # gain 1.8 +d8 $ gF1 $ gM1 + $ midiOn ("^60" - "^92") (ply "1!2 <1!3 <2 1 1 2>>!2" . mask "f(4,8)") + $ midiOn ("^36" - "^92") ((loopAt 1) . (# hpf 1500) . (# "jungle_breaks:45")) -- Clochettes? + $ midiOn ("^56" - "^92") ((loopAt 1) . (# hpf 1500) . (# "jungle_breaks:30")) -- Clochettes? + $ midiOn ("^92") ( -- Bouton Nassim <3 + slice 16 "[0 .. 7] . <[0 .. 7]!7 [0 1 . [2 3]]>" + . loopAt 0.5 . (# "breaks165") . (# octersub 2) + ) + $ chop 16 + $ loopAt 2 + $ "jungle_breaks:74" + # room 0 + # gain 1.2 +d10 $ mask "" $ loopAt 8 $ "risers" # cut 10 diff --git a/live/collab/raph/acidule.tidal b/live/collab/raph/acidule.tidal index 72ae542..540088f 100644 --- a/live/collab/raph/acidule.tidal +++ b/live/collab/raph/acidule.tidal @@ -1,3 +1,4 @@ +-- Released as "l'ACID d'abord" do -- resetCycles setcps (135/60/4) @@ -33,7 +34,7 @@ d2 $ gF1 $ gM1 -- Basic clap ma gueule $ "cp" # note "0!3 -1" # lpf 4000 - # room 0.4 # sz 0.8 # dry 1.1 + # room 0.4 # sz 0.4 # dry 1.1 d3 $ gF1 $ gM1 -- $ jux (rev) -- $ whenmod 8 6 (mask "f t" . rev) @@ -77,6 +78,7 @@ d4 $ gF2 $ gMute3 -- V2 PLN's "Je peux ptet faire une basse acide moi meme" "" ] # crushbus 41 (range 16 1 "^53") + -- # legato 1 # legato (range 0.39 0.7 (1 - "^17")) >| note ("[b d6 b cs6 d6 b cs6 b]*2" - "<0!32 12!32>" -- Alternance @@ -85,7 +87,7 @@ d4 $ gF2 $ gMute3 -- V2 PLN's "Je peux ptet faire une basse acide moi meme" -- # att 0.1 # sus 0.2 # rel 4 -- # cut 4 # octersub 2 - # octerbus 41 (range 0 1 "^17") + -- # octerbus 41 (range 0 1 "^17") -- # crushbus 42 (range 16 4.2 "^53") d5 $ gF3 $ gM3 -- Piano lead acidule $ fix (# bandf 800) "FMRhodes1" diff --git a/live/collab/raph/le_blues_du_mic.tidal b/live/collab/raph/le_blues_du_mic.tidal new file mode 100644 index 0000000..fb7a344 --- /dev/null +++ b/live/collab/raph/le_blues_du_mic.tidal @@ -0,0 +1,80 @@ +-- 1. Choeurs +-- 2. 10 + d3 +-- 3. Beat1 +-- 4. Snare +-- 5. Drop your number +-- 6. Drop the breaks +-- 7. Mask the breaks! +-- 8. Drop the bass +-- 9. Enjoy the vibe +-- 10. Drop second kick +-- 11. AirDrop the choir +-- 12. Bring back breaks +-- 13. Bring back bass! +-- 14. Drop d7 scatman +-- 15. Hide him as choir leave +-- 16. Drop d11 and d12 scatters +-- 17. Enjoy the vibe +-- 18. Drop the bass friends +-- 19. Slice the Number +-- 20. Combine that with Drums funsies +-- 21. Mask the Number until next choir +-- 22. Hold choir +-- 22. kill scats +-- 23. Fade out on choir + + +do +-- resetCycles +setcps (99/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +d1 $ gF1 $ gM2 + $ midiOn "^42" (<| "k k k ]>") + $ midiOff "^42" (<| "k . ~ k ~ ~") + $ "[808bd:4,808bd:2]" + # gain 1.51 + # lpf 2000 + -- # cps ((range (99 - 20) (99 + 20) "^29") / 60/ 4) -- TODO CPS MAGIC?? +d2 $ gF1 $ gM1 + $ whenmod 8 15 (# silence) + $ midiOn "^42" (# "vec1_snare:21") + $ "~ s [~!3 <~ s>] s*<1!7 2>" + # lpf 5000 + # octersub 0.6 + # "[snare:40,snare:421,bssnare:2]" + # gain "1 1 0.93 1" +d3 $ gF1 $ gM1 + + $ whenmod 8 15 (mask "t t t f") + $ "hh*[8 <16!6 8!2> <8!7 16>]" + # "h2ogmhh:3" # cut 3 # gain (1.2 * "1 1 0.9 1 0.9 0.85 0.9 1") +d4 $ gF2 $ gM3 + $ midiOn "^89" (struct "t*[8 <8!3 16>]") + -- $ off 0.5 id + $ note "<[f4@5 ] >" + # "bassWarsaw" |- note 24 + # crushbus 41 (range 16 3.5 "^53") + # octersubbus 42 (range 0 2.5 "^33") + # lesliebus 43 (range 0 0.95 "^17") # lrate 2 # lsize 2.2 + # gain 1.3 +d5 $ gF3 $ gM3 $ chop 4 + $ midiOn "^90" (ply "4 <4 8>") -- That's all folks! + $ midiOn "^58" (# n "<1!3 2>") -- That's all folks! + $ "rob_cross_riff" # n "<0!8 <3 3 3 <[3 4] 4>>!8 >" + -- # n "<0!7 1>" + # cut 5 + # crushbus 51 (range 16 3.5 "^54") +d8 $ gF1 $ gM1 + -- $ midiOn "^92" (ply 2) + $ midiOff "^60" (mask "t(4,8,1)" . chop 4) + $ chop 8 + $ midiOn "^36" (loopAt 0.5 . (|> "jungle_breaks:40")) + $ midiOn "^56" (loopAt 0.5 . (|> "jungle_breaks:20")) + $ loopAt 2 + $ "jungle_breaks:45" diff --git a/live/collab/raph/pitbull_punk.tidal b/live/collab/raph/punkachien.tidal similarity index 64% rename from live/collab/raph/pitbull_punk.tidal rename to live/collab/raph/punkachien.tidal index df1c27a..b6e43dd 100644 --- a/live/collab/raph/pitbull_punk.tidal +++ b/live/collab/raph/punkachien.tidal @@ -1,6 +1,6 @@ do --- resetCycles -setcps (112/60/4) +resetCycles +setcps (170/60/4) let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) @@ -14,14 +14,14 @@ let gM2 = gMask . gMute2 let gM3 = gMask . gMute3 let modIndex = pF "modIndex" d1 $ gF1 $ gM2 -- Kick - $ midiOff "^42" (<| "k k k k*<1!3 2>") - $ midiOn "^42" (<| "k . ~ k ~ ~ ") + $ midiOn "^42" (<| "k k k k*<1!3 2>") + $ midiOff "^42" (<| "k . ~ k ~ ~ ") $ "[kick:4]" # gain 1.2 d2 $ gF1 $ gM1 -- Snare melancolie fromagere $ midiOff "^43" (<| "~ <~!7 [~ s]>>") $ midiOn "^43" (<| "~ s ~ s*<1!3 2>") - $ "[snare:39]" + $ "[hardkick_rha:1]" # gain 1.45 d3 $ gF1 $ gM1 $ midiOn "^44" (ply 2) @@ -31,7 +31,9 @@ d3 $ gF1 $ gM1 -- # midiG' "^80" 0 1 # room 0.2 # sz 0.1 # dry (slow 4 $ range 0.9 0.6 saw) d4 $ gF2 $ gM3 + $ fix (|* gain (range 1 0.5 ("^17" + "^35"))) "vec1_acid:11" $ midiOn "^89" (struct "t(<3!3 [<3 8> <5!3 16>]>,8)") + $ superimpose ((|* gain "^17") . (# n 10) . (# legato 0.8)) $ superimpose ((|* gain "^33") . (# n 12) -- . (# cut 41) ) @@ -40,11 +42,11 @@ d4 $ gF2 $ gM3 ) # "vec1_acid:11" # room 0.5 # sz 0.5 - # crushbus 41 (range 16 3.5 "^53") + # crushbus 41 (range 16 1.5 "^53") -- d5 $ gF3 $ gM3 d5 $ gF3 $ gM3 $ superimpose ((# hpf 500) . (ply "<1!3 <2 4>>") - . (# crushbus 51 (range 16 3.5 "^54")) + . (# crushbus 51 (range 16 3 "^54")) ) $ note ("a(3,8) . as*<1 2> af" + "<0!8 12!8>") # "cpluck:1" @@ -52,35 +54,37 @@ d5 $ gF3 $ gM3 # octerbus 52 (range 0 0.8 "^34") # octersubbus 53 (range 0 0 "^34") # octersubsubbus 54 (range 0 0 "^34") -d7 $ gF3 $ gM3 - $ note ("0 12 0 12 0 <12 12 24 24> 0 12" - + "a . as af" - + "<0!8 12!8>" - 24) - # "moogBass" - # room 0.4 - # sustain 2 - # att (range 0.01 0.13 "^55") - # chorus 2 +d6 + $ loopAt 2 + $ slice 2 "<0 1>" + $ "meth_bass:9" + # delay "<0!8 0.5!8>" + # delayt 0.5 + # delayfb "<0!4 0.4!4 0.6!4 0.8!4>" + # room 0.2 + # sz 0.8 + # cut 6 +-- d7 $ gF3 $ gM3 -- FIXME CHORUS +-- $ note ("0 12 0 12 0 <12 12 24 24> 0 12" +-- + "a . as af" +-- + "<0!8 12!8>" - 24) +-- # "moogBass" +-- # room 0.4 +-- # sustain 2 +-- # att (range 0.01 0.13 "^55") +-- # chorus 2 d8 $ gF1 $ gM1 $ loopAt 2 - $ midiOff "^60" (mask "f(4,8)" . chop 8) + $ midiOff "^60" (mask "f(8,16)" . chop 16) $ midiOn "^56" (# "jungle_breaks:7") $ midiOn "^36" (# "jungle_breaks:37") $ chop 16 $ "jungle_breaks:101" # cut 8 -d9 $ gF3 $ gM3 $ note " >" +d9 $ gF3 $ gM3 + $ midiOn "^89" (ply "<2 4 8 >") + $ note " >" # "moog" # cut 9 # room 0.3 # dry 0.5 - -a as a d -a as a df - -a as df4 df3 -a as df4 c - -once - $ "vec1_acid:11" |+ note 2 - -- $ "superpiano" - # note ("c" - ) + # gain 1.3 + # crushbus 91 (range 16 2 "^19") diff --git a/live/collab/raph/quatre_magiques.tidal b/live/collab/raph/quatre_magiques.tidal new file mode 100644 index 0000000..266e4b0 --- /dev/null +++ b/live/collab/raph/quatre_magiques.tidal @@ -0,0 +1,23 @@ +do +-- resetCycles +setcps (160/60/4) +let gF1 = (# djfbus 1 (range 0.05 0.95 "^49")) +let gF2 = (# djfbus 2 (range 0.05 0.95 "^50")) +let gF3 = (# djfbus 3 (range 0.05 0.95 "^51")) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +-- let gMute = (midiOn "^73" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +let modIndex = pF "modIndex" +d1 $ gF1 $ gM2 -- Kick + $ midiOn "^42" (<| "k . ~ k ~ ~ ") + $ "[bskick,jazz]" + # gain 1.2 + # gain 1.4 +d3 $ "dr*8" + +once $ "FMRhodes1" diff --git a/live/collab/raph/saria.tidal b/live/collab/raph/saria.tidal new file mode 100644 index 0000000..9ccbff9 --- /dev/null +++ b/live/collab/raph/saria.tidal @@ -0,0 +1,97 @@ +-- 1. Choeurs +-- 2. 10 + d3 +-- 3. Beat1 +-- 4. Snare +-- 5. Drop your number +-- 6. Drop the breaks +-- 7. Mask the breaks! +-- 8. Drop the bass +-- 9. Enjoy the vibe +-- 10. Drop second kick +-- 11. AirDrop the choir +-- 12. Bring back breaks +-- 13. Bring back bass! +-- 14. Drop d7 scatman +-- 15. Hide him as choir leave +-- 16. Drop d11 and d12 scatters +-- 17. Enjoy the vibe +-- 18. Drop the bass friends +-- 19. Slice the Number +-- 20. Combine that with Drums funsies +-- 21. Mask the Number until next choir +-- 22. Hold choir +-- 22. kill scats +-- 23. Fade out on choir + + +do +-- resetCycles +setcps (140/60/4) +let gMask = (midiOn "^41" (mask "t . > >")) +let gMute = (midiOn "^73" (mask "f*16")) +let gMute2 = (midiOn "^74" (mask "f*16")) +let gMute3 = (midiOn "^75" (mask "f*16")) +let gM1 = gMask . gMute +let gM2 = gMask . gMute2 +let gM3 = gMask . gMute3 +d1 $ gF1 $ gM2 + -- $ mask "" -- Mask regulier + $ midiOn "^42" (<| "k k k ]>") + $ midiOff "^42" (<| "k . ~ k ~ ~") + $ midiOn "^42" (# "hardkick_rha:1") + $ "[808bd:4,808bd:2]" + # gain 1.3 + # lpf 2000 +d2 $ gF1 $ gM1 + $ whenmod 8 15 (# silence) + -- $ midiOn "^42" (# "[cp]") -- Un bon vieux clap + -- $ midiOn "^42" (# "[vec1_snare:33]") -- Un snare vener' + $ midiOn "^42" (<| "~ s ~ s") + $ midiOn "^42" ((|* gain 0.8) . (# "[kick:4]")) -- Le snare s'est fait... kick?! + $ midiOff "^42" (<| "~ s [~!3 <~!3 s>] s*<1 2>") + -- # lpf 5000 + $ "[snare:40,snare:421,bssnare:2]" + # octersub 0.6 + -- # "vec1_snare:1" + -- # gain "1 1 0.93 1" +d3 $ gF1 $ gM1 + -- $ whenmod 8 15 (mask "t t t f") + $ midiOn "^42" (mask "t(4,8,1)")-- Le snare s'est fait... kick?! + $ "hh*[8 <16!6 8!2> <8!7 16>]" + # "h2ogmhh:3" # cut 3 # gain (1.2 * "1 1 0.9 1 0.9 0.85 0.9 1") +d8 $ gF1 $ gM1 + -- $ midiOn "^92" (ply 2) + $ midiOff "^60" (mask "t(4,8,1)" . chop 4) + $ chop 8 + $ midiOn "^36" (loopAt 0.5 . (|> "jungle_breaks:40")) + $ midiOn "^56" (loopAt 0.5 . (|> "jungle_breaks:20")) + $ loopAt 2 + $ "jungle_breaks:45" + # gain 1.4 +d4 $ gF2 $ gM3 + $ note ( + "" + + "0(3,8) 0(3,8)" + -- - 24 + ) + # "vec1_acid:35" + -- # sz 0.4 + -- # room 0.3 + # gain 1.2 + # crush 6 +d5 $ gF3 $ gM3 + $ fix ((|* gain (range 1 0 ("^34" + "^54"))) . (# "FMRhodes1")) "a" + $ fix ((|* gain (range 0 0.8 "^54")) . (|* gain 1.1) . (# "vec1_acid:28")) "b" + $ fix ((|* gain (range 0 0.8 "^34")) . (|* gain 1.1) . (# "vec1_acid:34")) "c" + $ midiOn "^58" (slice 4 "0 1 0 0*4") + $ superimpose ((|* gain (slow 16 $ range 0 1 saw)) . (|+ note 12) . (|+ pan 0.2)) + $ note ( + "<[f4@3 a4 b4@4] [f4 a4 b4 e5 d5@2 b4 c5] [b4 g4 e4@4 ~ d4] [e4 g4 e4@5 ~] >" + -- + 12 + ) + # "[a,b,c]" -- 26 + -- # gain 1.2 + # room 0.1 # sz 0.1 + # legato 1 + # att 0.07 # rel 2 + -- # modIndex 3 diff --git a/live/collab/raph/septieme_armee.tidal b/live/collab/raph/septieme_armee.tidal index 281b792..6d5b032 100644 --- a/live/collab/raph/septieme_armee.tidal +++ b/live/collab/raph/septieme_armee.tidal @@ -40,13 +40,15 @@ d4 $ gF2 $ gM3 # room 0.5 # sz 0.5 # crushbus 41 (range 16 3.5 "^53") # octerbus 42 (range 0 0.85 "^33") + # octersubbus 43 (range 0 1.5 "^33") d8 $ gF1 $ gM1 $ chop 8 + $ midiOn "^60" (mask "t(4,8,1)") $ chop 8 -- TODO PR#EMIER JET $ loopAt 2 $ "jungle_breaks:30" # cut 8 d9 $ gF3 $ gM3 $ note ("") # "moogBass" - # room 0.5 # sz 0.5 + # room 0.15 # sz 0.15 d5 $ gF3 $ gM3 $ midiOn "^90" (|+| note "[12 0]*[8 . <8 16>]") $ note ( diff --git a/live/collab/val/samedi_acid.tidal b/live/collab/val/samedi_acid.tidal new file mode 100644 index 0000000..28d3271 --- /dev/null +++ b/live/collab/val/samedi_acid.tidal @@ -0,0 +1,9 @@ +do +setcps (120/60/4) +d1 $ "jazz*4" +d2 $ gF1 $ "~ cp" +d4 $ gF2 + $ note ("[c4 g4 c4 d4]*4" + - "<12!16 0!16>" + ) + # "acidOto3091"