do
setcps (80/60/4)
-- region Helpers
let gG a = (gain ("^77" * a)) -- gain Global
let gM' l h a = (gG (range l h a)) -- gain Modéré
let gM a = (gM' 0.2 0.8 a) -- gain Modéré doux
let gFilter = (# djfbus 1 (range 0.05 0.95 "^49"))
let gRVB = ((# room 0.125) . (# dry 0.99) . (# sz 0.8))
let gSize = (|* size (range 0 0.25 "^13"))
let g = (gFilter . gSize . gRVB)
-- region Melody
let mel = ("c'min")
let melUB1 = "<cs'maj fs'maj ds'min gs'maj>" -- UB40 Red Red Wine
let melUB2 = "<gs'maj fs'maj gs'maj>" -- UB40 RRW Chorus
let melUB3 = "<gs'maj cs'maj fs'maj cs'maj gs'maj cs'maj fs'maj gs'maj>" -- UB40 RRW Bridge
let melUB = [                                                                   melUB1, melUB1, melUB1, melUB1,                                                 melUB2, melUB2, melUB2,                                                            melUB3, melUB3, melUB3, melUB3, melUB3, melUB3, melUB3, melUB3,                      melUB1, melUB1, melUB1, melUB1,                                                 melUB2, melUB2, melUB2]
let melNWNC = "<c'maj g'maj a'min f'maj c'maj g'maj c'maj g'maj>"
let melTosh = "<e'min d'maj>" -- Peter Tosh
-- let mel = ("d'min g'min d'min <e'maj c'min>")
-- endregion Melody
d1 $ g
  $ fast 4
  $ "jazz" # gM' 0 1.2 "^78"
d2 $ g
  $ fix (
    ply "1 <2 [2 1] 2 1>"
    . (# gM' 0.35 1 "^79")
    )
   (n 7) -- Hats fantomes
  $ fix (
    (# note "<2!3 <4 6>>")
    . (# lpq "^32")
    . (# lpf (range 200 1000 "^52"))
    . (|* gM' 0.5 1.65 "^80")
  ) (n 12)
  $ n (
    stack [
    "12(3,8)", -- Drums dansants
    "7([4 [6!3 <6 12>]],8)"
    ]
  )
  # "electro1"
d3 $ g -- BASSLINE
  $ mask "t(5,8)"
  $ fast 4
  $ ply "<1 1 2 1 2 2 1 1 2 2 2 1 2 4 2 1>"
  $ note "0 . 0([3 <3 5>],8,[0 6])"
  # note (arp "up" $ mel)
  # "bass3:2"
  # octave 4
  # gM' 0 1.2 "^81"
d4 $ g
  $ fix (|- gM' 0 0.5 "^54") ("FMRhodes1")
  $ fix (|- gM' 0.5 0 "^54") ("FMRhodes2")
  $ "~ . p*2"
  # "[FMRhodes1,FMRhodes2]"
  # delay 0.25
  # sz (range 0.4 0.8 "^18")
  # room (range 0 0.5 "^18")
  # delayfb (range "s" "h" "^34")
  -- # note (whenmod 64 32 (>| melNWNC)  melTosh)
  # note (cat melUB)
  # legato 2
  # gM' 0 1.1 "^82"
  # room 0.5
  # orbit 4



do

  Bridge: G# major – C# major – F# major – C# major – G# major – C# major – F# major – G# major. Then back to chorus.



  4. Gregory Isaacs used this reggae chord progression on Night Nurse. Just two chords like Tosh’s Johnny B. Good.

  Chords: A minor – G major. Just play them over and over.



  5. Third World used the following reggae chord progression on 96 Degrees In The Shade.

  Chords: A minor – G major for the verse. And chorus is C major – G major – A minor, Very, very easy indeed.



  6. Jah Cure, T.O.K, Morgan Heritage, Gentleman and many others made this reggae chord progression popular.

  Chords: E minor – C major – D major – B minor – C major – A minor – B7 or B minor. Again very popular so learn it!



  7. This reggae chord progression was made popular by Tyrone Taylor - Cottage In Negril, very sweet chord progression.

  Chords: C# major – G# major – F# major – G# major – F# major – F# major – G# major, for the intro.

  Chorus and Verse: C# major – G# major – F# major – D# minor – G# major, this is done twice.

  Then C# major – F minor – D# minor – G# major, this is done twice then back to chorus.



  8. This reggae chord progression was made popular by Travie McCoy and Bruno Mars -Billionaire.

  Chords: A major – C# 7 – F# minor – E major, this is done twice for the intro.

  Then D major – E major – F# minor twice,

  Then D major – E major – A major – G# minor – F# minor – E major – D major – C# 7

  The verse is the same as the intro. Chorus: A major – B minor. Very Easy!



  9. This next reggae chord progression was made popular by Bob Marley - Stir It Up.

  Chords: A major – D major – E major. Note though, Bob is using the chuck technique here.



  10. The last reggae chord progression again, was made popular by Bob Marley - One Love.

  Chords: B major – F# major – E major – B major – F# major – B major, for the intro.

  Then F# major – E major – B major – F# major – B major – E major – B major – F# major – B major – E major – B major – F# major – B major, for the chorus.

  Verse: B major – G# minor – E major. That’s it, have fun! For more on reggae chords. If you like r & b chord progressions take a look.

once--- piano descente en conclusion`
  -- $ mask "<f!60 t!4>"
  $ "fepiano:7"
  # cut 31
